GEORGE SAUNDERS
TOBIAS WOLFF

TOBIAS WOLFF

I don’t start off to create a moral in telling a story, but there are certainly consequences to the decisions that we make and some of those will inevitably have what we call a moral dimension. I don’t respond  enthusiastically to fiction when I can see a thumb on the scales, when I can see that it’s a sermon in disguise. I’m more interested in writing that explores rather than proclaims.

ETGAR KERET אתגר קרת‎‎

ETGAR KERET אתגר קרת‎‎

When I compare novelists to short story writers or very short story writers, I can’t compare them, but one thing for sure, the purpose is different. I think that someone who writes tries to create or document a world. And when you write very short fiction you try to document a motion, some kind of movement. 

YIYUN LI 李翊雲

YIYUN LI 李翊雲

The artificial beginning is interesting to me. There is a clear-cut: old life, that's old country, and here's there's new life, new country. It is an advantage. You are looking at life through an old pair of eyes and a new pair of eyes. And there's always that ambivalence––Where do you belong? And how do you belong? And I do think these are advantages of immigrant writers or writers with two languages or who have two worlds.