NEIL GAIMAN

NEIL GAIMAN

Writer · Graphic Novelist · Producer

The idea that anything could be a door, the idea that the back of the wardrobe could open up unto a world in which it was winter and there were other worlds inches away from us, became just part of the way that I saw the world, that was how I assumed the way the world worked, when I was a kid that was the way that I saw.

YIYUN LI 李翊雲

YIYUN LI 李翊雲

The artificial beginning is interesting to me. There is a clear-cut: old life, that's old country, and here's there's new life, new country. It is an advantage. You are looking at life through an old pair of eyes and a new pair of eyes. And there's always that ambivalence––Where do you belong? And how do you belong? And I do think these are advantages of immigrant writers or writers with two languages or who have two worlds.

GEORGE SAUNDERS

GEORGE SAUNDERS

Writer

I think many of my stories work on this principle: everything is just as it is in our world (they physicality, the psychology, etc) except for one distorted thing. The effect, I hope, is to make the reader (and me) see our "real" world in a slightly new light.

JUNOT DÍAZ

JUNOT DÍAZ

Writer

I think part of what I was thinking about with this project was to build the fact that [my character] Yunior is a writer and that with Yunior being a writer we get to check in with his maturing and changing perspective. [...] Therefore built into the story there’s a perspective that might not otherwise be available if I was writing far more closely to the events he was narrating. These are the weird nerdy decisions one makes as one writes where one has to decide the events that are occurring in your text. You have to decide what’s the distance between the event and the point of telling where the narrator stands, looking upon and reflecting and retelling those events.

MICHEL FABER

MICHEL FABER

Writer

I've written a number of short stories from a first-person POV but I guess with novels I felt that this was too restrictive. What worked for me was a third-person approach that was somewhat suffused with the personality of the character.