Florian Hoffmeister - Award-winning DP “Pachinko”, “Great Expectations”

Florian Hoffmeister - Award-winning DP “Pachinko”, “Great Expectations”

Florian Hoffmeister · Emmy & BAFTA Award-winning Director of Photography
Pachinko · Great Expectations · Official Secrets

Every time I ask, ‘What do you need? What do I want? What does the director want? How do we collaborate? What is generated during the collaboration? What ideas, questions come across? And then I can start constructing something like a look.

In Memory of TONY WALTON · 1934-2022 (Part 1)

In Memory of TONY WALTON · 1934-2022 (Part 1)

Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

REBECCA WALKER

REBECCA WALKER

Award-Winning Writer, Producer & Co-founder of Third Wave Fund

The idea of writing memoir is about listening carefully. The way to find a story or, at least the story that needs to be told is that moment that you’re writing is the emerges from a deep kind of inner listening and finding the memories that are charged that don’t want to leave that have a certain kind of energy to them and, if you listen to them, and you allow them to be born in the writing, you discover your own story because your story is basically made up of all the memories that continue to hold the charge for you. All the memories that are lodged in your mind that you’ve secreted away and when you can excavate that story and you can write it down, then you can make sense of it and you can understand why you’re living the way you’re living and why you feel the way you feel. And you can also decide to to release those memories so that you can have new memories that can define and can shape your life.

JOHN MATYŚIAK

JOHN MATYŚIAK

Director of Photography of Old Henry
Best Cinematographer Award-Winner · LA Asian Pacific Film Festival

What frame, what scene, ultimately what story is going to capture the most emotion to make you feel something? Because those are the films that have always resonated the most with me. Those films that actually make you feel. They stop you and they make you feel and make you think. They really jar you.

JIM JERMANOK

JIM JERMANOK

Award-Winning Writer, Director, Producer, Speaker
& Author of Beyond The Craft: What You Need to Know to Make A Living Creatively!

I like uncovering truth about behaviour, about history. I think all artists are attracted to unveiling truth. I think it’s a mirror of our society, of our world. It’s the soul of our world.

IAN SEABROOK

IAN SEABROOK

Award-Winning Underwater Director of Photography

It’s about leaving the planet in a better condition than it is currently. What you’re witnessing is years of neglect. It’s the humans who have screwed it all up, and the warming of the earth is no different. The oceans are changing. The topography is changing. Mussels are being fried when the tides recede. This is all unnatural. Or maybe it’s natural. I think it’s Mother Nature just being pissed off and saying, “This is what you get.” And so it’s up to everyone to change their ways. Their shopping habits, their eating habits, how much gas they use. All that stuff which people think “that can’t affect anything.” Well, you’re seeing the result of it now

MICOL HEBRON

MICOL HEBRON

Interdisciplinary Artist, Curator & Feminist Activist

Now I think we’re in another culture war. I think we’re in, as we see the realm of cancel culture in social media and this very polarising war between the liberal left and the conservative right. I think that we’re in another culture and a lot of it is centering around gender and race. If you look at what’s happened to black women athletes in the last couples of months, the censuring of their bodies either because of hormones in the case of Caster Semenya or Naomi Osaka, there’s a lot of ways that our society has found to police black bodies for being too exceptional in a lot of ways. For performing in exceptional ways, and the white patriarchy doesn’t like to see that because it starts to diminish their power.


ALICE BROOKS

ALICE BROOKS

There’s this children’s book called Miss Rumphius, and I’ve carried it around with me my entire life. It’s about a woman who grandfather tells her three things, and the last one in the most difficult thing of all and that’s to fill the world with beauty. And I give this book to every one of my friends who are having babies, I have a copy with me almost at all times, and I’m reminded of that feeling that Jonathan Larson had in Tick, Tick…Boom! Of how much time do we have to do something great.

TEMA STAIG & ALLISON VANORE

TEMA STAIG & ALLISON VANORE

Tema Staig · Women in Media Executive Director & Art Director
Allison Vanore · WIM Secretary & Emmy-Winning Producer of After Forever

I started Women in Media in 2010 as a sort of community group. We talked about women above and below the line because there weren’t any organizations or conversations really happening about women in the below the line positions, meaning women in the crew who are in the camera, art, grip and electronics departments. There were only conversations happening about more women directors and, being a scenic artist and production designer, I knew that there are so many women in the crew and there’s only one director. So if we only aimed for one, we would never get to parity and there would never be room like myself who wanted to advance from these crew positions.

TOM PERROTTA

TOM PERROTTA

Tom Perrotta is the bestselling author of nine works of fiction, including Election and Little Children, both of which were made into Oscar-nominated films, and The Leftovers, which was adapted into a critically acclaimed, Peabody Award-winning HBO series. His other books include Bad Haircut, The Wishbones, Joe College, The Abstinence Teacher, Nine Inches, and his newest, Mrs. Fletcher. His work has been translated into a multitude of languages. Perrotta grew up in New Jersey and lives outside of Boston.

ETGAR KERET

ETGAR KERET

Writer and Director

When I compare novelists to short story writers or very short story writers, I can’t compare them, but one thing for sure, the purpose is different. I think that someone who writes tries to create or document a world. And when you write very short fiction you try to document a motion, some kind of movement.

TRISH SIE

TRISH SIE

Trish Sie is a multi-talented director whose work spans the realms of music videos, commercials, and short and feature films. After spending a decade as a professional dancer, championship ballroom competitor and choreographer, she built a successful and championed career in filmmaking. The first music video that she produced, “Here it Goes Again” for the band OK Go,  won her a Grammy award. Her success expands to the world of films, where she has directed the likes of PItch Perfect 3 and Step Up: All In, using her dance and choreography experience to make magic happen on camera. Along with the Grammy, Trish has won a number of awards such as the Youtube award for most creative video, the smithsonian ingenuity award, and multiple accolades for best short film at various film festivals. 

HANS-ULRICH OBRIST

HANS-ULRICH OBRIST

Curator · Writer · Interviewer & Artistic Director of Serpentine Gallery

I always thought that curating has to do with junction making. I think when I wake up in the morning, I always think how can I bring people together? We haven't met each other yet. And I think my activity has always to do with junction making. When I do exhibitions, I make junctions between artworks. I make junctions between artists. I make junctions between art and different disciplines because I think we live in a society where there are a lot of silos. There are different very specialized worlds. And I've always seen it as my role to make connections between these different worlds. If we want to address the big questions or challenges of the 21st century–if it's extinction and ecology or if it's inequality or if it's the future of technology–I think it's very important that we go beyond the fear of pooling knowledge. We go beyond these silos of knowledge and bring the different disciplines together.

NEIL GAIMAN

NEIL GAIMAN

Interview Highlights

I've always, pretty much from the beginning, I've always wanted to write as if I were paying by the word to be published. So that's always gone in there. Whether it's film or television, whether it's comics, whether it's novels, and especially short stories. I want everything to count. I want every word to count.