ADA LIMÓN - U.S. Poet Laureate - Host of The Slowdown podcast

ADA LIMÓN - U.S. Poet Laureate - Host of The Slowdown podcast

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U.S. Poet Laureate · Host of The Slowdown podcast

This poem was written when I was having a real moment of reckoning, not that I hadn't had it earlier, but where I was doing some deep reading about the climate crisis and really reckoning with myself, with where we were and what was happening, what the truth was. And I felt like it was so easy to slip down into a darkness, into a sort of numbness, and I didn't think that that numbness and darkness could be useful.

We All Live on One Planet We Call Home - Part 4 - Environmentalists, Economists, Policymakers & Architects Share their Stories

We All Live on One Planet We Call Home - Part 4 - Environmentalists, Economists, Policymakers & Architects Share their Stories

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Environmentalists, Artists, Students & Teachers share their Love for the Planet

Today we’re streaming voices of environmentalists, artists, students, and teachers with music courtesy of composer Max Richter.

What Kind of World Are We Leaving for Future Generations? - Part 3 - Activists, Environmentalists & Teachers Share their Stories

What Kind of World Are We Leaving for Future Generations? - Part 3 - Activists, Environmentalists & Teachers Share their Stories

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Environmentalists, Artists, Students & Teachers share their Love for the Planet

Today we’re streaming voices of environmentalists, artists, students, and teachers with music courtesy of composer Max Richter.

Earth Month Stories - Part 2 - Environmentalists, Artists, Students & Teachers Speak Out & Share How We Can Save the Planet

Earth Month Stories - Part 2 - Environmentalists, Artists, Students & Teachers Speak Out & Share How We Can Save the Planet

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Environmentalists, Artists, Students & Teachers share their Love for the Planet

Today we’re streaming voices of environmentalists, artists, students, and teachers with music courtesy of composer Max Richter.

JILL JOHNSON - Dancer - Choreographer & Ballet Stager - Fmr. Dance Director, Harvard

JILL JOHNSON - Dancer - Choreographer & Ballet Stager - Fmr. Dance Director, Harvard

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Dancer · Choreographer and Ballet Stager · Fmr. Director Harvard Dance

Keeping people interested in dance is exposing folks, no matter how big or small an audience, to the different ways of seeing. How can you place a value on solace, joy, or tenderness and vulnerability?

Nina Hall - Author of “Transnational Advocacy in the Digital Era: Think Global, Act Local”

Nina Hall - Author of “Transnational Advocacy in the Digital Era: Think Global, Act Local”

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Author of Transnational Advocacy in the Digital Era: Think Global, Act Local
Assistant Professor · International Relations · Johns Hopkins School of Advanced International Studies (Europe)

Digital advocacy organizations are recognized as influential actors by the media, politicians, and some academics. In 2016, GetUp, an Australian digital advocacy organization, was named by the Australian Financial Review as one of the top ten actors with ‘covert power’ in Australia.1 Campact in Germany has powerfully mobilized public opinion against the Transatlantic Trade and Investment Partnership. MoveOn was one of the ‘leading advocacy organizations’ mobilizing people against the Iraq War in the United States. Meanwhile, Leadnow, a digital advocacy organization in Canada, helped to unseat Prime Minister Stephen Harper in the 2015 Canadian federal election. This new model of advocacy organization has spread around the world. Nineteen digital advocacy organizations claim to have a total of over 20 million members. What drove the global spread of digital advocacy organizations?

Gloria Pacis - Artist

Gloria Pacis - Artist

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Artist

I just feel there is already a connection, something I have to come to, but that I'm trying to search it out or see what's already there. I feel that we are truly connected as a world. And I'm just trying to make people aware of an existing connection we already have, to send that message out there. And I like to do it in the form of...I guess you'd call it a mundane image, where it's not really about bells and whistles, but it's about something in it makes you want to look, and you want to know why. And it's because you've been there before, regardless of whether you are a dancer or that particular guy in the subway, you know you've been in his head in that mood that he's experiencing.

Alain Robert - Famous Rock and Urban Climber - "The French Spider-Man”

Alain Robert - Famous Rock and Urban Climber - "The French Spider-Man”

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Famous Rock & Urban Climber · "The French Spider-Man”
Known for Free Solo Climbing the World’s Tallest Skyscrapers using no Climbing Equipment

First of all, yes, I need to know what I will be climbing, whether it's on rocks or whether it's on buildings. And then there is physical preparation. And regarding the mindset, it's more something that became a bit automatic over the years because I have been free soloing for almost 50 years. So it is pretty much my whole life. So that means that for me, being mentally ready, it's kind of simple. It's almost always the same mental process, meaning, I can be afraid before an ascent, but I know myself actually very well. And I know that once I am starting to climb, I feel fine. I put my fear aside, and I'm just climbing.

Britt Wray - Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”

Britt Wray - Author of “Generation Dread: Finding Purpose in an Age of Climate Crisis”

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Author of Generation Dread: Finding Purpose in an Age of Climate Crisis
Broadcaster and Researcher Working on Climate Change and Mental Health

I think the general waking up that I'm seeing around me in so many different parts of society, people from all walks understanding that this is here, it's not a future threat. It's active now. We need to get smart about addressing it. A lot of people are also asking themselves how can I be of service? What can I do at this time? How am I going to be? And you know, the more climate job boards and networking communities and sites of bringing people together to do that work of figuring out how they're going to go on their climate journey while infusing it with a sense of joy, with a sense of how can we make this fun, right? How can we reshift so this is not just focusing on the negative, but really focusing on what we want to be building and what is abundant and the better life that we're working towards? All of that has been popping up a lot and that gives me an honest sense of hope. So a lot of it is about that relationality, creating conditions of solidarity that bring a sense of stability and security. Even though there's a lot of uncertainty about what the impacts will be and how they're going to affect us, each and every one of us, in the decades ahead. There needs to, amidst all that uncertainty, be other things that can undergird a child and make them feel held, safe, secure, and like they belong to a protective community that's thinking and feeling with them through this.

Dr. Mona Sarfaty - Medical Society Consortium on Climate and Health | Dr. Ed Maibach - Communication Scientist

Dr. Mona Sarfaty - Medical Society Consortium on Climate and Health | Dr. Ed Maibach - Communication Scientist

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Executive Director & Founder of the Medical Society Consortium on Climate and Health
Director of the George Mason University Center for Climate Change Communication

Humanity needs to do three things if it wants to continue to flourish, and it will. The three things that humanity needs to do are decarbonize the global economy, drawdown, capture, harvest much of that heat-trapping pollution that we've already pumped into the atmosphere over the past hundred years because as long as it's up in our atmosphere, we're going to have continued warming. And the third thing that humanity needs to do is become more resilient to the impacts of climate change, which unfortunately will continue for the next several generations at least, even as we succeed in decarbonizing the global economy and harvesting that heat-trapping pollution from the atmosphere.

So these are the three things that have to happen. These three things will happen. The open question is how rapidly will they happen? Any business that can play a vital role in making any one or two or all three of those things happen, those are businesses that are going to flourish going forward. And any business that's sitting on the side and not contributing to one of those three areas, I really think they will become increasingly irrelevant, if not completely antiquated and increasingly understood to be harmful.

Sonnet L’Abbé - Award-winning Poet, Songwriter, Author of “Sonnet’s Shakespeare”

Sonnet L’Abbé - Award-winning Poet, Songwriter, Author of “Sonnet’s Shakespeare”

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Award-winning Poet · Songwriter · Author of Sonnet’s Shakespeare
Editor of Best Canadian Poetry in English

Sonnet’s Shakespeare itself came out of thinking about the form of erasure, what working in that form could do and mean… And I was looking at critical writing about it, and I couldn't find anything that talked about the role of the poet who is doing that as censorial or as somehow violencing the original text. I was thinking about my resonance with the word erasure and thinking about censoring and deleting what somebody else has already said resonates with me as an analogy for being black, being mixed race, being racialized, and non-European in spaces that are predominantly Anglo-Canadian. One tries very hard. At least I did as a child, as a teenager, to just try to fit in and make my visible difference as minimal, as invisible as possible. So it's a way of thinking about erasing the self. And so I took that theme and thought, How do I show through a poetic erasure this dynamic of self-erasure and feeling erased?

Lex van Geen - Research Professor - Lamont-Doherty Earth Observatory, Columbia University

Lex van Geen - Research Professor - Lamont-Doherty Earth Observatory, Columbia University

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Renowned Arsenic and Lead Specialist
Research Professor · Lamont-Doherty Earth Observatory · Columbia University

So this was maybe nine months after the fire in Notre Dame, and I had been struck visually by the fire, the yellow smoke, which is a telltale indicator of lead. The fact that 400 tons of lead constituted the covering of the roof of the cathedral. And a lot of that had volatilized, presumably, but no one really knew how much. So that got me thinking, and I happened to be in Paris at the time, so I thought if it's so much lead, could it be that it affected the population living within say a kilometer of the cathedral? I thought there wasn't really a lot of clear information about what had happened, and what had been measured. I thought some more openness and transparency was needed.

David Montgomery - Co-author of “What Your Food Ate: How to Heal Our Land and Reclaim Our Health”

David Montgomery - Co-author of “What Your Food Ate: How to Heal Our Land and Reclaim Our Health”

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Professor of Earth and Space Sciences, University of Washington · MacArthur Fellow ’08
Co-author of What Your Food Ate: How to Heal Our Land and Reclaim Our Health · The Hidden Half of Nature

When you dig into the medical literature, 7 out of 10 of the leading causes of death in the United States are diet-related chronic diseases. And so one of the hopeful messages that I think comes out of The Hidden Half of Nature, Growing a Revolution, and What Your Food Ate is that what we do to the land, essentially we do to us. And what's good for the land is good for us. So if we think about farming differently, we can actually enjoy ripple effects that are not only beneficial to the farmers in terms of reduced costs for fertilizer, pesticides, and diesel, but it could also translate into better human health outcomes at a population level.

Anthony Joseph - Award-winning Writer & Musician - Author of “Sonnets for Albert”

Anthony Joseph - Award-winning Writer & Musician - Author of “Sonnets for Albert”

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Award-winning Poet, Novelist & Musician, Lead vocalist of The Spasm Band
Author of Sonnets for Albert

The life of Caribbean people is not really documented. So this idea of Caribbean life being fragmented is something that I've had in my mind for a long time. So when I came to write this collection for my father, I realized that it was the same process and what I had were fragments, especially with him, because he wasn't around in a physical sense all the time. So all I had were little photographs, scattered memories, and remembrances. They're little parts of his life and parts of my experience with him... I never disliked my father. I always loved him and always was fascinated and captivated by him.

Jack Horner - Renowned Dinosaur Paleontologist - Technical Advisor, Jurassic Park/World Films

Jack Horner - Renowned Dinosaur Paleontologist - Technical Advisor, Jurassic Park/World Films

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Renowned Dinosaur Paleontologist
Technical Advisor on all Jurassic Park / Jurassic World Films

I found my first fossil when I was six years old. And I found my first dinosaur bone when I was eight, my first dinosaur skeleton when I was 13. When I was a kid, I knew I wanted to be a paleontologist, and I didn't think there was much hope for it, though. I was doing very poorly in school. I think I was always a pretty positive kid. And so even though I wasn't doing well in school, I was really happy about the fact that I was finding all these cool fossils, and I was making collections. I don't know when it came to me that I would do this, but I think I just was born this way.

Ken Cheng - Writer/Producer of “Easter Sunday” starring Jo Koy - Co-Founder - Crab Club, Inc.

Ken Cheng - Writer/Producer of “Easter Sunday” starring Jo Koy - Co-Founder - Crab Club, Inc.

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Writer & Executive Producer of Easter Sunday starring Jo Koy, Jimmy O’Yang, Tia Carrere, Tiffany Haddish
Co-Founder of Crab Club, Inc.

I think there's this belief that creativity requires our ability to think outward and extrapolate beyond our own experiences and think of the world in imaginative new ways - which is true in a lot of cases - but I also believe in creativity as the ability to access inward and look introspectively at our own personal experiences and mine those experiences in ways that aren't necessarily one to one copies of our lives, but that we can extrapolate themes and lessons, comedy, drama, humor...into new works.

Bruce Mau - Award-winning Designer, Author of “Mau MC24…24 Principles for Designing Massive Change”

Bruce Mau - Award-winning Designer, Author of “Mau MC24…24 Principles for Designing Massive Change”

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Award-winning Designer, Artist & Educator
Co-founder & CEO of Massive Change Network
Author/Co-author of Mau MC24 · The Nexus · S, M, L, XL

I would like them to know just how powerful they are, that they have the power to shape the world. At some point, I realized that the world is produced. The world is designed and produced, and since we designed and produced it, we can redesign it. And you can play a part in designing it. You can play a part in that production. It doesn't have to happen to you. And I think, for too many people, too much power and too much control is concentrated in too few hands. People need to have the power to control and design their own life.

David Farrier - Author of “Footprints: In Search of Future Fossils” - Prof. U of Edinburgh

David Farrier - Author of “Footprints: In Search of Future Fossils” - Prof. U of Edinburgh

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Author of Footprints: In Search of Future Fossils · Anthropocene Poetics
Professor of Literature & the Environment · University of Edinburgh.

Just thinking about how our actions play out over multiple generations who will have to live with the consequences of these decisions. I think we need to stretch our sense of time, and within that stretch our sense of empathy. The philosopher Roman Krznaric talks about that in his book The Good Ancestor, that we need a more elastic sense of empathy that can encompass not just those close to us or living alongside us, but those who have yet to be born will have to inherit the world that we passed down to them. But I think in stretching that sense of empathy and stretching that sense of the times that we touch, if you like, because all of us are engaged in activities that will lead long legacies, long tails, in terms of the fossil fuels we're consuming. And so, alongside that, I think we need to accept that the time we live in is a strange one, and time itself is doing strange things in the anthropocene.

John Beaton - Founder, Director & Co-Visionary of Fairhaven Farm

John Beaton - Founder, Director & Co-Visionary of Fairhaven Farm

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Founder, Director & Co-Visionary of Fairhaven Farm

What's trending now with beginning farmers is that it is creating this kind of community connection. It's bringing people to the farm. It's connecting them to their food source. That creates community. It helps cultivate culture and connectivity, and so I think overall, it's like the landscape and agriculture as a whole is shifting towards a different direction.

Donald Hoffman - Prof. of Cognitive Sciences, UC Irvine - Author of “The case against reality”

Donald Hoffman - Prof. of Cognitive Sciences, UC Irvine - Author of “The case against reality”

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Professor of Cognitive Sciences, UC Irvine
Author of The case against reality: Why evolution hid the truth from our eyes

This is really what life, I think, is about - learning to not believe your thoughts. Watch your thoughts, see their patterns and learn that you are not at the whim and beck and call of your thoughts. You can watch your thoughts, and you can choose to let go of thoughts and just be present and let go of the complaints. And that then opens up a level of creativity that's surprising. It could be in dance, science, it could be in music, or art. Wherever you have creative expression, letting go of thought and having this balance between thinking and no thinking, going into complete silence and then pulling ideas back for your art, your science, your dance, whatever it might be, is really the dance of life.