AI, UFOs, Perception & Reality with Artist, Geographer, Author TREVOR PAGLEN - Highlights

AI, UFOs, Perception & Reality with Artist, Geographer, Author TREVOR PAGLEN - Highlights

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At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I’m very privileged to have that be so much a part of my process.

How AI is Shaping Perception, How Deception is Sculpting Our Reality with Artist TREVOR PAGLEN

How AI is Shaping Perception, How Deception is Sculpting Our Reality with Artist TREVOR PAGLEN

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How Deception is Sculpting Our Reality
A Conversation Artist, Geographer, Author TREVOR PAGLEN

At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I’m very privileged to have that be so much a part of my process.

Art, Empathy & Resilience with CADY McCLAIN, Actor, Director, Writer, Artist, Musician - Highlights

Art, Empathy & Resilience with CADY McCLAIN, Actor, Director, Writer, Artist, Musician - Highlights

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A Conversation with Emmy Award-winning Actor, Director, Writer CADY McCLAIN

I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me. The way I was trained and how I train others is that you know when you’re in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?

A Life in Acting with Emmy Award-winning Actor, Artist, Director CADY McCLAIN

A Life in Acting with Emmy Award-winning Actor, Artist, Director CADY McCLAIN

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A Conversation with Emmy Award-winning Actor, Director, Writer CADY McCLAIN

I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me. The way I was trained and how I train others is that you know when you’re in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?

Life As No One Knows It - Exploring AIR Aspen with NICOLA LEES - Highlights

Life As No One Knows It - Exploring AIR Aspen with NICOLA LEES - Highlights

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& The Future of Museums
A Conversation with NICOLA LEES · Director of the Aspen Art Museum

It's a complicated time to think about how we can slow down, be still, and bring a brilliant group of people together to do something that feels purposeful and can be productive. It's a moment where things are moving so fast. When I brought up the idea of a hinge generation, I think it's impossible to know how we will look back and reflect on this time and these moments. This year, there is a real emphasis on the relationship between the question we have posed for the retreat, which is fundamentally about our relationship with technology and identifying our relationship with the world and how we want to be present in the moment.

The First Artist-Led Global Summit & The Future of Museums - NICOLA LEES, Director, Aspen Art Museum

The First Artist-Led Global Summit & The Future of Museums - NICOLA LEES, Director, Aspen Art Museum

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& The Future of Museums
A Conversation with NICOLA LEES · Director of the Aspen Art Museum

It's a complicated time to think about how we can slow down, be still, and bring a brilliant group of people together to do something that feels purposeful and can be productive. It's a moment where things are moving so fast. When I brought up the idea of a hinge generation, I think it's impossible to know how we will look back and reflect on this time and these moments. This year, there is a real emphasis on the relationship between the question we have posed for the retreat, which is fundamentally about our relationship with technology and identifying our relationship with the world and how we want to be present in the moment.

Examining Monuments, Memory & The History of White Supremacy IRVIN WEATHERSBY JR. - Highlights

Examining Monuments, Memory & The History of White Supremacy IRVIN WEATHERSBY JR. - Highlights

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A Conversation with Author IRVIN WEATHERSBY JR.

One of the biggest symbols of America is Mount Rushmore. This monument, right? But I think most people fail to realize where it's located and why it's located there. Even more importantly, who did it? It's on a sacred Native American mountain, a place that was central to their creation stories. But then you think about who did it, and it was a Klansman. The guy who sculpted Mount Rushmore was a Klansman. People were like, "Wait, really?" Like, how is that a thing? But it seeps into our understanding and our embrace of white supremacy. This whole notion of us using Mount Rushmore as a metric of excellence is really sad. We are honoring slave owners and people who viciously killed natives, and those who pillage other lands in the name of capitalism. That's what America is, I guess.

I think there's such a disinterest in education in America that it is sickening. We can't even agree on facts. It's up to states' rights to decide. Really? States can say that this is true in one state, but it's not true in another? Although these states are united, it's very bizarre. I'm hopeful for revolution. I'm optimistic. I want radical change. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?

In Open Contempt: Confronting White Supremacy in Art & Public Space with IRVIN WEATHERSBY JR.

In Open Contempt: Confronting White Supremacy in Art & Public Space with IRVIN WEATHERSBY JR.

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A Conversation with Author IRVIN WEATHERSBY JR.

One of the biggest symbols of America is Mount Rushmore. This monument, right? But I think most people fail to realize where it's located and why it's located there. Even more importantly, who did it? It's on a sacred Native American mountain, a place that was central to their creation stories. But then you think about who did it, and it was a Klansman. The guy who sculpted Mount Rushmore was a Klansman. People were like, "Wait, really?" Like, how is that a thing? But it seeps into our understanding and our embrace of white supremacy. This whole notion of us using Mount Rushmore as a metric of excellence is really sad. We are honoring slave owners and people who viciously killed natives, and those who pillage other lands in the name of capitalism. That's what America is, I guess.

I think there's such a disinterest in education in America that it is sickening. We can't even agree on facts. It's up to states' rights to decide. Really? States can say that this is true in one state, but it's not true in another? Although these states are united, it's very bizarre. I'm hopeful for revolution. I'm optimistic. I want radical change. I think we are repeating history. We are going through a cycle of fascism and greed, and I think we're going to see a lot of states collapse. As a result of that, I think people are going to be forced back to their primal needs and concerns, but I think they're going to be forced to think about what makes us human. How do we become more human? Because we've lost that. We've given it up to technology. How can we figure out what makes us a really powerful species again?

ADAM MOSS - Fmr. Editor of New York Magazine, Author, Artist on Creativity as a Process - Highlights

ADAM MOSS - Fmr. Editor of New York Magazine, Author, Artist on Creativity as a Process - Highlights

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ADAM MOSS
Author · Artist · Fmr. Editor of New York magazine · The New York Times Magazine

 I was very interested in the state of mind of an artist as he or she goes about making. I think one of the things that artists have is not just an interest in their own subconscious, but also an ability to find ways, tricks, and hacks to access their subconscious. Over time, they understand how to make productive use of what they find there. We all have subconsciousness; we all dream and daydream. We all have disassociated thoughts that float through our head, but we don't generally know what to do with them. One of the traits that successful artists seem to have is this ability to cross borders into recesses of their own minds.

The Work of Art: How Something Comes from Nothing w/ ADAM MOSS Fmr. Editor of New York Magazine

The Work of Art: How Something Comes from Nothing w/ ADAM MOSS Fmr. Editor of New York Magazine

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ADAM MOSS
Author · Artist · Fmr. Editor of New York magazine · The New York Times Magazine

 I was very interested in the state of mind of an artist as he or she goes about making. I think one of the things that artists have is not just an interest in their own subconscious, but also an ability to find ways, tricks, and hacks to access their subconscious. Over time, they understand how to make productive use of what they find there. We all have subconsciousness; we all dream and daydream. We all have disassociated thoughts that float through our head, but we don't generally know what to do with them. One of the traits that successful artists seem to have is this ability to cross borders into recesses of their own minds.

Feminism in the 21st Century

Feminism in the 21st Century

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Artists, Writers, Filmmakers Share their Stories

Marilyn Minter ·  Sharmeen Obaid-Chinoy ·  Dean Spade ·  Laura Eason ·  Intan Paramaditha ·  Tey Meadow ·  Sara Ahmed ·  Ellen Rapoport ·  Dian Hanson ·  Kate Mueth on the importance of agency, owning the narrative, and the joy of creation.

How Art Helps Us Understand the World - Filmmakers, Writers & Artists Share their Stories

How Art Helps Us Understand the World - Filmmakers, Writers & Artists Share their Stories

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Filmmakers, Writers & Artists Share their Stories

How do the arts help us understand the world? How do our personal lives influence the art we make? Benoît Delhomme, John Patrick Shanley, Jim Shepard, Anthony White, Laura Eason, Mark Gottlieb & Michael Begler explore their creative process.

Elon Musk, Putin's Russia, Murdoch's Fox News: How Billionaires Shape Our World with DARRYL CUNNINGHAM

Elon Musk, Putin's Russia, Murdoch's Fox News: How Billionaires Shape Our World with DARRYL CUNNINGHAM

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The Lives of Billionaires Comic Artist & Author DARRYL CUNNINGHAM on Making Complex Subjects Simple

No one should be a billionaire because it's damaging. There's a certain level of wealth that's damaging to a country. Billionaires have so much wealth that they have enormous political power, which is undemocratic. There should be a ceiling on wealth. I have nothing against people becoming millionaires or even multi-millionaires. But multi-billionaires are incredibly bad for all of us. If you have so much money that you can buy an entire political party, that's a thing that shouldn't exist.

Art, Creativity & Intuition - Filmmakers, Musicians & Artists discuss their Creative Process

Art, Creativity & Intuition - Filmmakers, Musicians & Artists discuss their Creative Process

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Filmmakers, Musicians & Artists discuss their Creative Process

Where does our intuition come from? How are lifelong creative partnerships formed and what role do friendship and personal connection play? How do our personal lives influence the art we make?

How Can Museums Stay Relevant & Engage with Communities? - Highlights - STEPHEN REILY
The Future of Museums - STEPHEN REILY, Founding Director of Remuseum on Transforming Cultural Spaces
What can AI teach us about human cognition & creativity? - Highlights - RAPHAËL MILLIÈRE

What can AI teach us about human cognition & creativity? - Highlights - RAPHAËL MILLIÈRE

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Asst. Professor in Philosophy of AI · Macquarie University
I'd like to focus more on the immediate harms that the kinds of AI technologies we have today might pose. With language models, the kind of technology that powers ChatGPT and other chatbots, there are harms that might result from regular use of these systems, and then there are harms that might result from malicious use. Regular use would be how you and I might use ChatGPT and other chatbots to do ordinary things. There is a concern that these systems might reproduce and amplify, for example, racist or sexist biases, or spread misinformation. These systems are known to, as researchers put it, “hallucinate” in some cases, making up facts or false citations. And then there are the harms from malicious use, which might result from some bad actors using the systems for nefarious purposes. That would include disinformation on a mass scale. You could imagine a bad actor using language models to automate the creation of fake news and propaganda to try to manipulate voters, for example. And this takes us into the medium term future, because we're not quite there, but another concern would be language models providing dangerous, potentially illegal information that is not readily available on the internet for anyone to access. As they get better over time, there is a concern that in the wrong hands, these systems might become quite powerful weapons, at least indirectly, and so people have been trying to mitigate these potential harm

How can we ensure that AI is aligned with human values? - RAPHAËL MILLIÈRE

How can we ensure that AI is aligned with human values? - RAPHAËL MILLIÈRE

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Asst. Professor in Philosophy of AI · Macquarie University
I'd like to focus more on the immediate harms that the kinds of AI technologies we have today might pose. With language models, the kind of technology that powers ChatGPT and other chatbots, there are harms that might result from regular use of these systems, and then there are harms that might result from malicious use. Regular use would be how you and I might use ChatGPT and other chatbots to do ordinary things. There is a concern that these systems might reproduce and amplify, for example, racist or sexist biases, or spread misinformation. These systems are known to, as researchers put it, “hallucinate” in some cases, making up facts or false citations. And then there are the harms from malicious use, which might result from some bad actors using the systems for nefarious purposes. That would include disinformation on a mass scale. You could imagine a bad actor using language models to automate the creation of fake news and propaganda to try to manipulate voters, for example. And this takes us into the medium term future, because we're not quite there, but another concern would be language models providing dangerous, potentially illegal information that is not readily available on the internet for anyone to access. As they get better over time, there is a concern that in the wrong hands, these systems might become quite powerful weapons, at least indirectly, and so people have been trying to mitigate these potential harm

Exploring Science, Art, Music, AI & Consciousness with MAX COOPER - Highlights

Exploring Science, Art, Music, AI & Consciousness with MAX COOPER - Highlights

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Electronic Musician · Fmr. Computational Biologist

As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.

What can music teach us that science can’t? - MAX COOPER - A/V Artist, Musician, Fmr. Computational Biologist

What can music teach us that science can’t? - MAX COOPER - A/V Artist, Musician, Fmr. Computational Biologist

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Electronic Musician · Fmr. Computational Biologist

As technology becomes more dominant, the arts become ever more important for us to stay in touch the things that the sciences can't tackle. What it's actually like to be a person? What's actually important? We can have this endless progress inside this capitalist machine for greater wealth and longer life and more happiness, according to some metric. Or we can try and quantify society and push it forward. Ultimately, we all have to decide what's important to us as humans, and we need the arts to help with that. So, I think what's important really is just exposing ourselves to as many different ideas as we can, being open-minded, and trying to learn about all facets of life so that we can understand each other as well. And the arts is an essential part of that.