Comedian & Host of Awakening Orientation Dept. & Soberish
That’s just always been something that’s been inspiring to me which is helping people from the wrong side of the tracks, the misunderstood, the addicted, helping people step into their power and believe in themselves.
National Geographic Explorer
National Science Foundation Research Fellow · Contextual Robotics Institute, UCSD
I’m grateful for the fact that through my work I’ve had a lot of opportunities to go to places that a lot of people just simply won’t ever get a chance to go. I like having those opportunities to try to share with people what that’s like. I honestly had no idea I would ever be here. I’m from a working-class background, didn’t have a huge amount of opportunities but now I can and that’s one thing that I particularly enjoy.
Antonella Wilby is a PhD Candidate and National Science Foundation Graduate Research Fellow at the Contextual Robotics Institute, UC San Diego, and a National Geographic Explorer. Her current research focuses on the development of autonomous underwater robots and vision-based algorithms for mapping and exploration of ocean environments, with the ultimate goal of better understanding and protecting our blue planet. She holds Master of Science and Bachelor of Science degrees in Computer Science from the University of California, San Diego.
This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Anna Iselli. Digital Media Coordinator is Hannah Story Brown.
Mia Funk is an artist, interviewer and founder of The Creative Process.
Director of Cognizant’s Center for the Future of Work
Author of Monster: A Tough Love Letter On Taming the Machines that Rule Our Jobs, Lives
They’re single-purpose engines doing one thing in extraordinary ways, and they’ve been encouraged in that by the ecosystem around them, by the funding that’s being pumped into them by people whose only motivation is simply to make more money–and you can see the results of that in the world as this technology has grown from a little acorn to now being the biggest Sequoia in the forest. And it’s shading every other tree, it’s taking all the light, it’s taking all the energy from the forest, and it’s distorting so much in the world.
Director of Cognizant’s Center for the Future of Work
Author of Monster: A Tough Love Letter On Taming the Machines that Rule Our Jobs, Lives
They’re single-purpose engines doing one thing in extraordinary ways, and they’ve been encouraged that by the ecosystem around them, by the funding that’s being pumped into them by people whose only motivation is simply to make more money–and you can see the results of that in the world as this technology has grown from a little acorn to now being the biggest Sequoia in the forest. And it’s shading every other tree, it’s taking all the light, it’s taking all the energy from the forest, and it’s distorting so much in the world.
Journalist & Author
Build Bridges, Not Walls · Storming the Wall: Climate Change, Migration & Homeland Security
In 2003, the Pentagon commissioned a report titled something like An Abrupt Climate Scenario. They asked some independent researchers to look at what would happen in a worse case scenario. They found that the United States and Australia. They said that they would have to put up defensive fortresses ‘to stop unwanted starving immigrants’…
The Creative Process: Podcast Interviews & Portraits of the World’s Leading Authors & Creative Thinkers
Inspiring Students – Encouraging Reading - Connecting through Stories
The Creative Process exhibition is traveling to universities and museums. The Creative Process exhibition consists of interviews with over 100 esteemed writers, including Joyce Carol Oates, Hilary Mantel, Neil Gaiman, Viet Thanh Nguyen, Tobias Wolff, Richard Ford, Junot Díaz, Marie Darrieussecq, Michel Faber, T.C. Boyle, Jay McInerney, George Saunders, Geoff Dyer, Etgar Keret, Douglas Kennedy, Sam Lipsyte, and Yiyun Li, among others. Artist and interviewer: Mia Funk.
