KOVACS - Award-Winning Singer-Songwriter on Life, Love & Turning Personal Struggles into Music - Highlights

KOVACS - Award-Winning Singer-Songwriter on Life, Love & Turning Personal Struggles into Music - Highlights

Sharon Kovacs is a soul-inspired singer from Eindhoven, Netherlands. Her unique passion for musical poetry and unorthodox vocal style made her stand out while attending Eindhoven’s Rock City Institute. After graduating in 2013, she found international success when her debut single, “My Love” became a number one hit in Europe. Kovacs is very honest about the struggles and inner-demons that she continues to face and how they inspire her art. Such is apparent in her song “Shades of Black” which reached the top of the charts in the Netherlands and garnered over 60 million views on YouTube. Kovacs has a clutch of awards to her name and has performed high-profile sets at major festivals such as Glastonbury, Sziget, Pinkpop, and Rock Werchter. 

Songwriting Journal Courtesy of Kovacs

This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Konner Kienzle. Digital Media Coordinator is Hannah Story Brown. 

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Mia Funk is an artist, interviewer and founder of The Creative Process.

Songwriting & Self‐exploration with KOVACS, Award-winning Singer-Songwriter

Songwriting & Self‐exploration with KOVACS, Award-winning Singer-Songwriter

Sharon Kovacs is a soul-inspired singer from Eindhoven, Netherlands. Her unique passion for musical poetry and unorthodox vocal style made her stand out while attending Eindhoven’s Rock City Institute. After graduating in 2013, she found international success when her debut single, “My Love” became a number one hit in Europe. Kovacs is very honest about the struggles and inner-demons that she continues to face and how they inspire her art. Such is apparent in her song “Shades of Black” which reached the top of the charts in the Netherlands and garnered over 60 million views on YouTube. Kovacs has a clutch of awards to her name and has performed high-profile sets at major festivals such as Glastonbury, Sziget, Pinkpop, and Rock Werchter. 

Songwriting Journal Courtesy of Kovacs

This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Konner Kienzle. Digital Media Coordinator is Hannah Story Brown. 

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Mia Funk is an artist, interviewer and founder of The Creative Process.

From Life of Pi to Beatrice & Virgil: The Literary Journey of Booker Prize Winner YANN MARTEL – Highlights

From Life of Pi to Beatrice & Virgil: The Literary Journey of Booker Prize Winner YANN MARTEL – Highlights

Novelist

It's interesting to me that the West has been shaped by two works of fiction, The Iliad and The Odyssey and the Gospels, which are prehistoric artistic works. The West has two feet. They're both fictional feet, and after that we started being rational and reasonable.

Exploring Life, Philosophy & Fiction with YANN MARTEL, Author of Life of Pi

Exploring Life, Philosophy & Fiction with YANN MARTEL, Author of Life of Pi

Novelist

It's interesting to me that the West has been shaped by two works of fiction, The Iliad and The Odyssey and the Gospels, which are prehistoric artistic works. The West has two feet. They're both fictional feet, and after that we started being rational and reasonable.

Memories of the Future with Novelist & Essayist SIRI HUSTVEDT - Highlights

Memories of the Future with Novelist & Essayist SIRI HUSTVEDT - Highlights

Novelist and Essayist

The reason I think you should read in these other disciplines is because it will help you in your own work. Now I really mean that. I think what has happened with the fragmentation of disciplines is that when problems arise. ...the people working in the discipline are unable to see avenues out of the problem that they would easily see if they had worked through problems in other disciplines.

SIRI HUSTVEDT on Living, Thinking, Looking & the Writing Life

SIRI HUSTVEDT on Living, Thinking, Looking & the Writing Life

Novelist and Essayist

The reason I think you should read in these other disciplines is because it will help you in your own work. Now I really mean that. I think what has happened with the fragmentation of disciplines is that when problems arise. ...the people working in the discipline are unable to see avenues out of the problem that they would easily see if they had worked through problems in other disciplines.

"PICASSO is a symbol of the creative process" - LAURENT LE BON, Fmr. President, Musée Picasso, President Centre Pompidou - Highlights

"PICASSO is a symbol of the creative process" - LAURENT LE BON, Fmr. President, Musée Picasso, President Centre Pompidou - Highlights

Fmr. President Musée Picasso
President Centre Pompidou

Picasso is a symbol of the creative process.
Always in metamorphosis. Always in transformation. Sometimes when you become wealthy and famous, you stop having the energy of the creative process, but if you see the whole span of his career, you have 50,000 works of art in all mediums. So the main mission of the museum is to display like a kaleidoscope, and we have always a new angle, a new direction.

Curating Cultural Legacies - LAURENT LE BON on Picasso, Modern Art and the Future of Museums

Curating Cultural Legacies - LAURENT LE BON on Picasso, Modern Art and the Future of Museums

Fmr. President Musée Picasso
President Centre Pompidou

Picasso is a symbol of the creative process.
Always in metamorphosis. Always in transformation. Sometimes when you become wealthy and famous, you stop having the energy of the creative process, but if you see the whole span of his career, you have 50,000 works of art in all mediums. So the main mission of the museum is to display like a kaleidoscope, and we have always a new angle, a new direction.

Race, Feminism & The Art of the Memoir with REBECCA WALKER - Higlights

Race, Feminism & The Art of the Memoir with REBECCA WALKER - Higlights

Rebecca Walker has contributed to the global conversation about race, gender, power, and the evolution of the human family for three decades. Since graduating from Yale, she has authored and edited seven bestselling books on subjects ranging from intergenerational feminism and multiracial identity to Black Cool and ambivalent motherhood, and written dozens of articles on topics as varied as Barack Obama’s masculinity, the work of visual artist Ana Mendieta, and the changing configuration of the American family. 

Rebecca has written, developed and produced film and television projects with Warner Brothers, NBCUniversal, Amazon, HBO, and Paramount, and spoken at over four hundred universities and corporate campuses internationally, including Harvard, The Whitney Museum, and TEDx Lund. When Rebecca was 21, she co-founded the Third Wave Fund, which makes grants to womxn and transgender youth working for social justice.

Rebecca has won many awards, including the Women Who Could Be President Award from the League of Women Voters, was named by Time Magazine as one of the most influential leaders of her generation, and continues to teach her masterclass, The Art of Memoir, at gorgeous and inspiring places around the world.

REBECCA WALKER

I talk a little bit about Buddhism because the Buddhism that I study is very much about the sense of emptiness and of letting go of ideas and of concepts as things that dominate our lives. 

*

The idea of writing memoir is about listening carefully. The way to find a story or, at least the story that needs to be told is that moment that you’re writing is the emerges from a deep kind of inner listening and finding the memories that are charged that don’t want to leave that have a certain kind of energy to them and, if you listen to them, and you allow them to be born in the writing, you discover your own story because your story is basically made up of all the memories that continue to hold the charge for you. All the memories that are lodged in your mind that you’ve secreted away and when you can excavate that story and you can write it down, then you can make sense of it and you can understand why you’re living the way you’re living and why you feel the way you feel. And you can also decide to to release those memories so that you can have new memories that can define and can shape your life.

This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Reagan-Koffink.

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Mia Funk is an artist, interviewer and founder of The Creative Process. 

Building a Sustainable Society: HANS BRUYNINCKX on Equality, Democracy & Environmental Governance – Highlights

Building a Sustainable Society: HANS BRUYNINCKX on Equality, Democracy & Environmental Governance – Highlights

Executive Director · European Environment Agency

I'm a deep believer in the values of democracy, human rights, and the system where civil society and people play a key role in the discussions about society and also assuming responsibility, whether it's through labor unions, youth organizations…I think one key solution at the level of society is more equality. More equal societies bring a lot of advantages. I think that is a critical component to building a sustainable society. We cannot pretend that the current distribution of wealth on this planet between countries and within countries is a fertile ground for longterm sustainability. It isn’t.

Exec. Director, European Environment Agency HANS BRUYNINCKX on Democracy, Human Rights & Sustainability

Exec. Director, European Environment Agency HANS BRUYNINCKX on Democracy, Human Rights & Sustainability

Executive Director · European Environment Agency

I'm a deep believer in the values of democracy, human rights, and the system where civil society and people play a key role in the discussions about society and also assuming responsibility, whether it's through labor unions, youth organizations…I think one key solution at the level of society is more equality. More equal societies bring a lot of advantages. I think that is a critical component to building a sustainable society. We cannot pretend that the current distribution of wealth on this planet between countries and within countries is a fertile ground for longterm sustainability. It isn’t.

A Movement for Change: KATHLEEN ROGERS on the Evolution of Earth Day and Global Environmental Action – Highlights

A Movement for Change: KATHLEEN ROGERS on the Evolution of Earth Day and Global Environmental Action – Highlights

President · EARTHDAY.ORG

On the Importance of Climate Literacy & Training Programs
Not a single country in the world makes–probably one of the most important skills you’ll ever have–which is understanding the planet, a requirement. Nobody graduates from our high schools having those skills.

Earth Day’s Legacy: KATHLEEN ROGERS, President of EARTHDAY.ORG on Civic Engagement & Environmental Advocacy

Earth Day’s Legacy: KATHLEEN ROGERS, President of EARTHDAY.ORG on Civic Engagement & Environmental Advocacy

President · EARTH DAY.org


On the Importance of Climate Literacy & Training Programs
Not a single country in the world makes–probably one of the most important skills you’ll ever have–which is understanding the planet, a requirement. Nobody graduates from our high schools having those skills.

Many Voices, One Vision: UNESCO World Heritage Centre - Highlights
UNESCO World Heritage Centre w/ Director MECHTILD RÖSSLER
A New Era of Art: Inside Greece’s National Museum of Contemporary Art EMST - Highlights

A New Era of Art: Inside Greece’s National Museum of Contemporary Art EMST - Highlights

The National Museum of Contemporary Art EMST started its operation in Athens in 2000. With help from grants and funding, EMST was able to begin moving into a permanent museum space by 2015 and opened fully to the public in February 2020. This museum is the first of its kind in Greece, as much of the museums and culture are focused more on ancient history or foreign artists. Curators Daphne Vitali, Tina Pandi, and Elena Ganiti are focused on the areas of painting, sculpture, and engraving, while Stamatis Schizakis curates photography and audiovisual works.

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Mia Funk is an artist, interviewer and founder of The Creative Process. 

Exploring the National Museum of Contemporary Art EMST in Athens w/ Curators DAPHNE VITALI, TINA PANDI, ELENA GANITI, STAMATIS SCHIZAKIS

Exploring the National Museum of Contemporary Art EMST in Athens w/ Curators DAPHNE VITALI, TINA PANDI, ELENA GANITI, STAMATIS SCHIZAKIS

The National Museum of Contemporary Art EMST started its operation in Athens in 2000. With help from grants and funding, EMST was able to begin moving into a permanent museum space by 2015 and opened fully to the public in February 2020. This museum is the first of its kind in Greece, as much of the museums and culture are focused more on ancient history or foreign artists. Curators Daphne Vitali, Tina Pandi, and Elena Ganiti are focused on the areas of painting, sculpture, and engraving, while Stamatis Schizakis curates photography and audiovisual works.

mia-funk-painting-new-york-the-creative-process-panoramic copy.png

Mia Funk is an artist, interviewer and founder of The Creative Process. 

Behind the Lens: JONATHAN FURMANSKI on Filming Search Party, Good Boys, Inside Amy Schumer - Highlights

Behind the Lens: JONATHAN FURMANSKI on Filming Search Party, Good Boys, Inside Amy Schumer - Highlights

Cinematographer Jonathan Furmanski’s credits include the film Good Boys. For TV, he’s lensed the cult crime comedy Search Party, Inside Amy Schumer, and The Detour. He’s shot on massive glaciers, active volcanos, and in international combat zones. His documentary feature films include The Zen Diaries of Garry Shandling, May It Last: A Portrait of the Avett Brothers, 30 for 30: Doc & Darryl, Big Men and The Family Business: Trump and Taxes.

JONATHAN FURMANSKI

Directing is its own art form, so I have great respect and appreciation for directing and all the directors that I’ve had an opportunity to work with, but I just know that’s not me. So I’m happy that cinematography found me or I found it. I appreciate what you said about how cinematography, obviously is its own art form and can function as a character in a project and in the audience’s experience of watching that project. I think cinematography can–I don’t want to say make or break a project–because I think ultimately the writing and the performances are the foundation of any good project, but I think that cinematography can either elevate or undermine both the writing or the performances, depending on how it’s treated and how it’s executed. So, to me, it’s a fundamental part of the process.

This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Leni Sperry-Fromm. Digital Media Coordinator is Yu Young Lee. 

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Mia Funk is an artist, interviewer and founder of The Creative Process. 

The Art of Cinematography: JONATHAN FURMANSKI From Search Party to The Zen Diaries of Garry Shandling

The Art of Cinematography: JONATHAN FURMANSKI From Search Party to The Zen Diaries of Garry Shandling

Cinematographer Jonathan Furmanski’s credits include the film Good Boys. For TV, he’s lensed the cult crime comedy Search Party, Inside Amy Schumer, and The Detour. He’s shot on massive glaciers, active volcanos, and in international combat zones. His documentary feature films include The Zen Diaries of Garry Shandling, May It Last: A Portrait of the Avett Brothers, 30 for 30: Doc & Darryl, Big Men and The Family Business: Trump and Taxes.

JONATHAN FURMANSKI

Directing is its own art form, so I have great respect and appreciation for directing and all the directors that I’ve had an opportunity to work with, but I just know that’s not me. So I’m happy that cinematography found me or I found it. I appreciate what you said about how cinematography, obviously is its own art form and can function as a character in a project and in the audience’s experience of watching that project. I think cinematography can–I don’t want to say make or break a project–because I think ultimately the writing and the performances are the foundation of any good project, but I think that cinematography can either elevate or undermine both the writing or the performances, depending on how it’s treated and how it’s executed. So, to me, it’s a fundamental part of the process.

This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Leni Sperry-Fromm. Digital Media Coordinator is Yu Young Lee. 



mia-funk-painting-the-creative-process-abstract-david-hollander copy.jpg

Mia Funk is an artist, interviewer and founder of The Creative Process. 

The Midnight Sky & Collaborating with GEORGE CLOONEY - MARTIN RUHE on The Art of Cinematography - Highlights

The Midnight Sky & Collaborating with GEORGE CLOONEY - MARTIN RUHE on The Art of Cinematography - Highlights

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.

Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe’s meticulously arranged shots helped to build the tone of The American, while reviews applauded the film’s beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009’s Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.

MARTIN RUHE

Early on in my career, I met a cameraman called Mike Southon. When I was working as a runner in London, on weekends I would try to go to shoots and see as many shoots as I could. Mike once told me our job would be. 10% is craft, 10% is talent, and 80% would be diplomacy. It’s actually interesting because quite often we caught in-between producers telling you, “Oh, you can’t have this.” Or, you have to do this. Or this is the framework. And then directors telling you, “I want to see the whole world at night.” And you go, “That’s a lot of money...” So, I think that’s one interesting thing I learned early on.

There are many people you meet along the way and you pick up things from them. I loved when I started working with Anton Corbijn. His photography is so…he mainly uses one lens. One camera. It’s not complicated, but he gets intimate with people in the way he is with them. That’s why his portrait photography is so stunning. Over the years, it’s relevant because he’s curious, he’s open, and he just allows things to happen. I love that. I love creative things.

Early on, I did some workshops with some of the great DPs like Robby Müller. And then you watch films, you read, you listen to what people have to say about them.


This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Bret Young. Digital Media Coordinator is Yu Young Lee. 

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Mia Funk is an artist, interviewer and founder of The Creative Process.

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