From Charlotte's Web to Fried Green Tomatoes: Bringing Beloved Classics to Screen w/ Producer JORDAN KERNER - Highlights

From Charlotte's Web to Fried Green Tomatoes: Bringing Beloved Classics to Screen w/ Producer JORDAN KERNER - Highlights

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Jordan Kerner is a widely acclaimed film and television producer. He is president and founder of The Kerner Entertainment Company, which is committed to high quality, value-oriented, provocative entertainment. Most recently, Kerner was engaged to develop and produce a film adaptation of Clifford the Big Red Dog. His previous films include The Smurfs, Charlotte’s Web, The Mighty Ducks, Fried Green Tomatoes, and When A Man Loves A Woman. Kerner is also a dedicated custodian of his community-- he is involved with such organizations as Planned Parenthood, RiverLA, and the Starbright Foundation.

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Mia Funk is an artist, interviewer and founder of The Creative Process. 

JORDAN KERNER - Award-Winning Film & TV Producer

JORDAN KERNER - Award-Winning Film & TV Producer

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Jordan Kerner is a widely acclaimed film and television producer. He is president and founder of The Kerner Entertainment Company, which is committed to high quality, value-oriented, provocative entertainment. Most recently, Kerner was engaged to develop and produce a film adaptation of Clifford the Big Red Dog. His previous films include The Smurfs, Charlotte’s Web, The Mighty Ducks, Fried Green Tomatoes, and When A Man Loves A Woman. Kerner is also a dedicated custodian of his community - he is involved with such organizations as Planned Parenthood, RiverLA, and the Starbright Foundation.

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Mia Funk is an artist, interviewer and founder of The Creative Process. 

Creating Characters through Movement w/ Principal Dancer NOELANI PANTASTICO of Pacific Northwest Ballet

Creating Characters through Movement w/ Principal Dancer NOELANI PANTASTICO of Pacific Northwest Ballet

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Principal Dancer · Pacific Northwest Ballet

I always do a lot of studying into the history of something, if I feel like that is going to help me. And then, if that's not going to help me, I make up a story. I do a lot of different things for each role and each performance, and sometimes when I repeat something something else will come through. So it really changes every single time.

Curating the World: Culture as a Catalyst for Change - HANS-ULRICH OBRIST - Highlights

Curating the World: Culture as a Catalyst for Change - HANS-ULRICH OBRIST - Highlights

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Curator · Writer · Interviewer & Artistic Director of Serpentine Gallery

I always thought that curating has to do with junction making. I think when I wake up in the morning, I always think how can I bring people together? We haven't met each other yet. And I think my activity has always to do with junction making. When I do exhibitions, I make junctions between artworks. I make junctions between artists. I make junctions between art and different disciplines because I think we live in a society where there are a lot of silos. There are different very specialized worlds. And I've always seen it as my role to make connections between these different worlds. If we want to address the big questions or challenges of the 21st century–if it's extinction and ecology or if it's inequality or if it's the future of technology–I think it's very important that we go beyond the fear of pooling knowledge. We go beyond these silos of knowledge and bring the different disciplines together.

The Art of Curation: HANS-ULRICH OBRIST, Artistic Director, Serpentine Galleries, London

The Art of Curation: HANS-ULRICH OBRIST, Artistic Director, Serpentine Galleries, London

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Curator · Writer · Interviewer & Artistic Director of Serpentine Gallery

I always thought that curating has to do with junction making. I think when I wake up in the morning, I always think how can I bring people together? We haven't met each other yet. And I think my activity has always to do with junction making. When I do exhibitions, I make junctions between artworks. I make junctions between artists. I make junctions between art and different disciplines because I think we live in a society where there are a lot of silos. There are different very specialized worlds. And I've always seen it as my role to make connections between these different worlds. If we want to address the big question or challenges of the 21st century–if it's extinction and ecology or if it's inequality or if it's the future of technology–I think it's very important that we go beyond the fear of pooling knowledge. We go beyond these silos of knowledge and bring the different disciplines together.

Remembering PAUL AUSTER - Writer, Director (1947-2024)

Remembering PAUL AUSTER - Writer, Director (1947-2024)

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Writer · Director 1947-2024

What happens is a space is created. And maybe it’s the only space of its kind in the world in which two absolute strangers can meet each other on terms of absolute intimacy. I think this is what is at the heart of the experience and why once you become a reader that you want to repeat that experience, that very deep total communication with that invisible stranger who has written the book that you’re holding in your hands. And that’s why I think, in spite of everything, novels are not going to stop being written, no matter what the circumstances. We need stories. We’re all human beings, and it’s stories from the moment we’re able to talk.

ETGAR KERET - Award-Winning Writer, Director - Highlights

ETGAR KERET - Award-Winning Writer, Director - Highlights

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Writer and Director

When I compare novelists to short story writers or very short story writers, I can’t compare them, but one thing for sure, the purpose is different. I think that someone who writes tries to create or document a world. And when you write very short fiction you try to document a motion, some kind of movement.

Writer/Filmmaker ETGAR KERET: A Voice for Humanity, Culture & Creativity

Writer/Filmmaker ETGAR KERET: A Voice for Humanity, Culture & Creativity

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Writer and Director

When I compare novelists to short story writers or very short story writers, I can’t compare them, but one thing for sure, the purpose is different. I think that someone who writes tries to create or document a world. And when you write very short fiction you try to document a motion, some kind of movement.

NEIL GAIMAN - Writer, Producer, Showrunner “The Sandman”, “American Gods”, “Good Omens”, “Coraline”

NEIL GAIMAN - Writer, Producer, Showrunner “The Sandman”, “American Gods”, “Good Omens”, “Coraline”

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Author · Executive Producer · Showrunner
The Sandman American Gods · Good Omens · Coraline

Neil Gaiman is the #1 New York Times bestselling author of more than twenty books, including The Sandman, American Gods, Good Omens, Stardust, Coraline, Norse Mythology, Neverwhere, and The Graveyard Book. He’s adapted many of his books for television and film. Among his numerous literary awards are the Newbery and Carnegie medals, and the Hugo, Nebula, World Fantasy, and Will Eisner awards. He is a Global Goodwill Ambassador for United Nations High Commissioner for Refugees (UNHCR). In this episode, Gaiman reads his poems “A Writer’s Prayer” and “These Are Not Our Faces”.