(Highlights) JOHN D'AGATA

(Highlights) JOHN D'AGATA

John D’Agata is the author of Halls of Fame, About a Mountain, and The Lifespan of a Fact, as well as the editor of the 3-volume series  A New History of the Essay, which includes the anthologies The Next American Essay, The Making of the American Essay, and The Lost Origins of the Essay. His work has been supported by a Guggenheim Fellowship, a Howard Foundation Fellowship, an NEA Literature Fellowship, and a Lannan Foundation Fellowship. He holds a B.A. from Hobart College and two M.F.A.s from the University of Iowa, and recently his essays have appeared in The Believer, Harper's, Gulf Coast, and Conjunctions. John D’Agata lives in Iowa City where he teaches creative writing at the University of Iowa. The Lifespan of Fact was adapted into a Broadway play starring Daniel Radcliffe, Cherry Jones, and Bobby Cannavale.

JOHN D'AGATA

For a writer of non-fiction or essayist that’s very difficult to work with because we aren’t, or at least some of us don’t consider ourselves journalists. The tools that we are working with aren’t–What your favorite color is. Where you grew up. Or what your favorite number is. If we’re writing a profile of something, the tools that we’re working with are long conversations in which people are sharing anecdotes about themselves. When I do an interview with somebody, I don’t take out a tape recorder. I don’t have a notebook. I invite them on a walk so that we can feel at least that we’re just chatting.

This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Cameron McDonald. Digital Media Coordinator is Hannah Story Brown. 

Mia Funk is an artist, interviewer and founder of The Creative Process.

JOHN D'AGATA

JOHN D'AGATA

John D’Agata is the author of Halls of Fame, About a Mountain, and The Lifespan of a Fact, as well as the editor of the 3-volume series  A New History of the Essay, which includes the anthologies The Next American Essay, The Making of the American Essay, and The Lost Origins of the Essay. His work has been supported by a Guggenheim Fellowship, a Howard Foundation Fellowship, an NEA Literature Fellowship, and a Lannan Foundation Fellowship. He holds a B.A. from Hobart College and two M.F.A.s from the University of Iowa, and recently his essays have appeared in The Believer, Harper's, Gulf Coast, and Conjunctions. John D’Agata lives in Iowa City where he teaches creative writing at the University of Iowa. The Lifespan of Fact was adapted into a Broadway play starring Daniel Radcliffe, Cherry Jones, and Bobby Cannavale.

JOHN D'AGATA

For a writer of non-fiction or essayist that’s very difficult to work with because we aren’t, or at least some of us don’t consider ourselves journalists. The tools that we are working with aren’t–What your favorite color is. Where you grew up. Or what your favorite number is. If we’re writing a profile of something, the tools that we’re working with are long conversations in which people are sharing anecdotes about themselves. When I do an interview with somebody, I don’t take out a tape recorder. I don’t have a notebook. I invite them on a walk so that we can feel at least that we’re just chatting.

This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Cameron McDonald. Digital Media Coordinator is Hannah Story Brown. 

Mia Funk is an artist, interviewer and founder of The Creative Process.

(Highlights) JOHN BENJAMIN HICKEY

(Highlights) JOHN BENJAMIN HICKEY

Actor and Director

If you are thinking about too much, you're probably not doing it right. Some nights you do it and you're just like, that just felt like it was ten minutes long and I just was on cloud nine. What was I doing? A great, great American actor George C. Scott had a great quote once, he said, "Every actor worth their salt has one good show a week and spends those other seven shows wondering what they did that made them so good that night." And nobody knows. If you could figure that out and if you could bottle that then, of course, everybody could do it.

JOHN BENJAMIN HICKEY

JOHN BENJAMIN HICKEY

Actor and Director

I've been so fortunate to work with such great actors over the years. Laura Linney, Joe Mantello and the entire company of The Normal Heart, Nathan Lane, who I consider one of my great educators. He was a real mentor to me. He was such a professional and he was so devoted to the character and worked tirelessly to make the character in the show as good as it could possibly be. Nathan never ever did it sitting down. He's always full steam ahead and there was a great lesson in that for me to watch somebody's work ethic. It taught me my work ethic.

(Highlights) EMMA WALTON HAMILTON

(Highlights) EMMA WALTON HAMILTON

Children's Book Author · Editor · Producer · Arts Educator

Katherine Anne Porter, essentially what she says is that the arts are what we find when the rubble is cleared away. In other words, they are the sum and substance of our lives, and we can go through wars and changes and all kinds of challenges in the world, but in the end, the arts tell us who we are and they are what remain no matter what. And when we look back and understand other civilizations that went before us, and when we think ahead to how people will view us in future civilizations, it will be our art and the arts that inform that story and tell people who we are and who we were, just as they do now from history.

EMMA WALTON HAMILTON

EMMA WALTON HAMILTON

Children's Book Author · Editor · Producer · Arts Educator

Katherine Anne Porter, essentially what she says is that the arts are what we find when the rubble is cleared away. In other words, they are the sum and substance of our lives, and we can go through wars and changes and all kinds of challenges in the world, but in the end, the arts tell us who we are and they are what remain no matter what. And when we look back and understand other civilizations that went before us, and when we think ahead to how people will view us in future civilizations, it will be our art and the arts that inform that story and tell people who we are and who we were, just as they do now from history.

(Highlights) NEIL PATRICK HARRIS

(Highlights) NEIL PATRICK HARRIS

Interview Highlights

Days are filled with things that happen. And you have to sort of determine whether you're going to make choices for things to happen or just react to things that are happening around you. And why not choose to go do things. You're not going to see art unless you go to the museum.

NEIL PATRICK HARRIS

NEIL PATRICK HARRIS

Actor · Comedian · Filmmaker · Magician · Singer · Writer

And I remember I was just the whitest kid ever from small-town New Mexico in this big city of Los Angeles…I'm sitting there watching this play about a lower middle-class African-American man in Pittsburgh and his family. And I just remember being so moved, moved to tears at 13, 14 years old…And it was so moving. And I did think even back then, I recognized the impact that the theater can have on someone that isn't even anything like what they're like.

(Highlights) GAVIN JAMES CREEL

(Highlights) GAVIN JAMES CREEL

Tony & Olivier Award-Winning Actor, Singer & Songwriter

To not honor that we are all creative, beautiful, interesting deep, rich individuals. We’re not zeros and ones on a spreadsheet. We’re not scientifically explained. We are not mathematically judged. We are imperfect blobs of emotion and bone and spirit and life and when we come together there is nothing greater than the chemistry and the alchemy of musical theater… There’s a joy, there’s a bounce, there’s an effervescence that’s part of that music. I had a great teacher in college, the head of our program Brent Wagner said, 'With lyrics, I can tell you to open the door, but with music I can tell you how.’ Lyrics are information and music is emotion.

GAVIN JAMES CREEL

GAVIN JAMES CREEL

Tony & Olivier Award-Winning Actor, Singer & Songwriter

To not honor that we are all creative, beautiful, interesting deep, rich individuals. We’re not zeros and ones on a spreadsheet. We’re not scientifically explained. We are not mathematically judged. We are imperfect blobs of emotion and bone and spirit and life and when we come together there is nothing greater than the chemistry and the alchemy of musical theater… There’s a joy, there’s a bounce, there’s an effervescence that’s part of that music. I had a great teacher in college, the head of our program Brent Wagner said, 'With lyrics, I can tell you to open the door, but with music I can tell you how.’ Lyrics are information and music is emotion.

DR. FRANÇOIS CLEMMONS

DR. FRANÇOIS CLEMMONS

Singer · Author
1st African American Actor on Children’s TV · Officer Clemmons on Mister Rogers’ Neighborhood

I always find it an ironic thing to think about the fact that Fred Rogers was colour-blind. He could barely tell a blue from a grey. I was young and to him I was a child and I certainly played the role of a child and he played the role of parent… He was profoundly patient.

(Highlights) DR. FRANÇOIS CLEMMONS

(Highlights) DR. FRANÇOIS CLEMMONS

Singer · Author
1st African American Actor on Children’s TV · Officer Clemmons on Mister Rogers’ Neighborhood

I always find it an ironic thing to think about the fact that Fred Rogers was colour-blind. He could barely tell a blue from a grey. I was young and to him I was a child and I certainly played the role of a child and he played the role of parent… He was profoundly patient.

(Highlights) TAL HEVER-CHYBOWSKI

(Highlights) TAL HEVER-CHYBOWSKI

Director of the Paris Yiddish Center (Maison de la Culture Yiddish) & Medem Library

A lot of people in my family and among my friends when they heard that I study Yiddish and that later made it my livelihood, they are very surprised. Yiddish? How come Yiddish? Why Yiddish? They even laugh sometimes, they are very surprised. And what I answer to them is that there is nothing surprising about the fact that I study or speak Yiddish. The real surprise, the real question that has to be asked is how come my parents, this last generation, didn’t speak Yiddish? Because, if you consider my family, for hundreds of years on all sides they spoke Yiddish.

TAL HEVER-CHYBOWSKI

TAL HEVER-CHYBOWSKI

Director of the Paris Yiddish Center (Maison de la Culture Yiddish) & Medem Library

A lot of people in my family and among my friends when they heard that I study Yiddish and that later made it my livelihood, they are very surprised. Yiddish? How come Yiddish? Why Yiddish? They even laugh sometimes, they are very surprised. And what I answer to them is that there is nothing surprising about the fact that I study or speak Yiddish. The real surprise, the real question that has to be asked is how come my parents, this last generation, didn’t speak Yiddish? Because, if you consider my family, for hundreds of years on all sides they spoke Yiddish.

(Highlights) AVRA SIDIROPOULOU

(Highlights) AVRA SIDIROPOULOU

Author & Artistic Director of Athens-based Persona Theatre Company

Unless it starts from within you, then you’re not going to set the same amount of investment. So there are moments when I feel I’m suffocating within the limits of those roles I have to play, and sometimes I feel like I’m failing them all. I’m always on the lookout for the next thing to quench the desire to create.

AVRA SIDIROPOULOU

AVRA SIDIROPOULOU

Author & Artistic Director of Athens-based Persona Theatre Company

Unless it starts from within you, then you’re not going to set the same amount of investment. So there are moments when I feel I’m suffocating within the limits of those roles I have to play, and sometimes I feel like I’m failing them all. I’m always on the lookout for the next thing to quench the desire to create.

DOUG WRIGHT

DOUG WRIGHT

Playwright & President of the Dramatists Guild of America

I think we have to look to find the voices of women and marginalized people because sometimes it's the most disenfranchised people in the culture that are the most articulate about it and most aware of the innate injustice in certain social systems. So I think we really have examine our canon and broaden and deepen it to include more voices.

(Highlights) KATE MUETH

(Highlights) KATE MUETH

Actress, Choreographer, Artistic Director - Neo-Political Cowgirls

I care very deeply about the arts, theater arts. So I had a choice to make, either leave entirely or be the change, as they say. So I started Neo-Political Cowgirls to embrace women in their story, in our story.

KATE MUETH

KATE MUETH

Actress, Choreographer, Artistic Director - Neo-Political Cowgirls

I care very deeply about the arts, theater arts. So I had a choice to make, either leave entirely or be the change, as they say. So I started Neo-Political Cowgirls to embrace women in their story, in our story.