Family, Addiction & Overcoming Trauma - LIZ MOORE on Long Bright River starring AMANDA SEYFRIED

Family, Addiction & Overcoming Trauma - LIZ MOORE on Long Bright River starring AMANDA SEYFRIED

I think income inequality really greatly contributes to the rage that people might feel, even as some Americans won't. What don't recognize that a more communal society might benefit them. What they see instead is, why don't I have what that person has? Something's getting in my way. And it's not a lack of, of community, it's: somebody else is keeping me down, you know? And that's, I think that's a theme that emerges in The God of the Woods.

I think there's a certain thread in American history of, like, individualism at all costs. The Van Laars named their house Self-reliance, which is a testament to the idea that they, I think, falsely believe themselves to have, have created their own power, their own capital, their own wealth, and ignore the fact that it's really the labor of the working class community around them- that, and of the people of Albany who've invested their money in the Van Laars Bank - that that really contributed to the acquisition of this enormous wealth that they now have and this enormous power that they now have.

JULIE ANDREWS - PAUL SCHRADER - JULIAN SCHNABEL on Filmmaking & Creative Process

JULIE ANDREWS - PAUL SCHRADER - JULIAN SCHNABEL on Filmmaking & Creative Process

“Taxi Driver, the first script I wrote, it is very much a young man's film. And it's full of, the anger of a young man. And the striking out. And also it's full of the pathology of suicidal glory.”

”Tony Walton, when he was designing the costumes, he said, ‘I think somehow Mary Poppins has a bit of a secret life. She's a bit naughty..’ And it was a great clue for me because that little wicked thing that she has occasionally. And then while doing and thinking and talking to the director, you do form certain things like flying with the feet turned out and the way she walked. I tried to make her walk almost as if she weren't quite touching the ground.”

“I think that the truth of the movie is maybe as true as I could tell the story. What I thought was possible. It's a movie. And in working with actors. I mean, what are we doing when we're doing that?…A story can be true to whatever narrative, but it can be very boring to watch. I think that Willem's performance is probably the best performance he gave in his life.”

APRIL GORNIK - Artist, Environmentalist, Co-founder of The Church: Arts & Creativity Center

APRIL GORNIK - Artist, Environmentalist, Co-founder of The Church: Arts & Creativity Center

Artist · Environmentalist
Co-founder of The Church · Arts & Creativity Center
Co-director of Sag Harbor Cinema Board

I've chosen my work because I've loved the outside world. I love the things outside of myself. I love what isn't immediate to me. And I love projecting onto that as a way of kind of trying to reach the distance between my inner self and the vastness. To try to do that in a way that makes other people feel inspired by it, not be chided for not taking care of it. It's not something that I intend to be a message per se. I'd rather people look at the natural world and see the heartbreaking beauty of it and sense its fragility and its impermanence and their own impermanence and fragility and then have a response to that rather than say, you know, you have to act, you have to do something. I would hope that would inspire action rather than to cudgel them with a directive.