What does the future hold for our late-stage capitalist society with mega-corps controlling everything? - Highlights - KYLE HIGGINS, KARINA MANASHIL & KID CUDI

What does the future hold for our late-stage capitalist society with mega-corps controlling everything? - Highlights - KYLE HIGGINS, KARINA MANASHIL & KID CUDI

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Eisner Award-nominated Comic Book Author KYLE HIGGINS
Emmy-nominated Producer KARINA MANASHIL & KID CUDI on the Making of Moon Man

So, as we started talking and going through what this could look like. What a new black superhero in 2024 could look like? What would the threats be? What the world might look like if it's maybe not even five minutes in the future? I would argue it's like two and a half minutes in the future. And then what kind of really complex, emotionally layered journey we could put this character through?

Comics, Music, Ethics & AI: KYLE HIGGINS, KARINA MANASHIL & KID CUDI on the Making of Moon Man

Comics, Music, Ethics & AI: KYLE HIGGINS, KARINA MANASHIL & KID CUDI on the Making of Moon Man

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Eisner Award-nominated Comic Book Author KYLE HIGGINS
Emmy-nominated Producer KARINA MANASHIL & KID CUDI on the Making of Moon Man

So, as we started talking and going through what this could look like. What a new black superhero in 2024 could look like? What would the threats be? What the world might look like if it's maybe not even five minutes in the future? I would argue it's like two and a half minutes in the future. And then what kind of really complex, emotionally layered journey we could put this character through?

(Highlights) ROBERT J. LANG

(Highlights) ROBERT J. LANG

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Master Origamist, Physicist & Author

In origami design, historically people have always used their intuition. They probably started by folding traditional shapes or folding designs by others, developed an intuitive understanding of how the paper behaves and then from there they can explore that intuition to create new shapes. That was the way design worked for years and years, that was the way it worked for me, but I eventually hit a limit to what I could do with my intuition and so part of my motivation for exploring mathematical methods was to externalise some of the design process. If I could get some of the design process on paper in a meaningful way, then I could handle more complicated goals than I could just fit in my brain.

ROBERT J. LANG

ROBERT J. LANG

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Master Origamist, Physicist & Author

In origami design, historically people have always used their intuition. They probably started by folding traditional shapes or folding designs by others, developed an intuitive understanding of how the paper behaves and then from there they can explore that intuition to create new shapes. That was the way design worked for years and years, that was the way it worked for me, but I eventually hit a limit to what I could do with my intuition and so part of my motivation for exploring mathematical methods was to externalise some of the design process. If I could get some of the design process on paper in a meaningful way, then I could handle more complicated goals than I could just fit in my brain.