RALPH GIBSON

RALPH GIBSON

Award-winning Photographer
Leica Hall of Fame Inductee · Recipient of the French Legion of Honor

I wouldn't be able to effectively delineate where my life ends and photography begins. They're one and the same. If my eyes are open, I'm seeing. If I'm seeing, I'm essentially in that valence within which, or from within which come the images. In that book, Self Exposure, one of the things I did realize as I was writing it: all autobiographies are chronological and anecdotal. That's the way they unfold. And I realized that there were certain decisions I had made along the way that were crucial. And there was really only a handful of them. But I was very fortunate because I had that initial desire to be a photographer. I don't even know if it was a desire. I think it was something much further beyond that. I would have to say it was more of a...I didn't really choose photography, it sort of chose me, you know. I mean, nolo contendere. I just did what I knew I had to do. There was a sense of devoir, you know, you just do it. Claude Lévi-Strauss the great social anthropologist has made this sort of thing clear: Society changes and with it the context through which we observe something has changed as well. And so I like the role of art in society and my relationship to my society and to art in my society. Now I'm interested in this phase of my life and how does the mind influence the mind? 

The Body as Archive · The Self as Myth

The Body as Archive · The Self as Myth

A Conversation with Artist SHEREE HOVSEPIAN

I am navigating the complexities of identity and subjectivity through the lens of embodiment, archival processes, and the interplay of the indexical and the unknown. My work is deeply informed by the dichotomy of the body as an archive—where the physical exists distinct from the psyche—allowing me to explore the physicality of experience and primordial desire.

Colony of Ghosts

Colony of Ghosts

CELIA PAUL at Victoria Miro Gallery, London
March 14th to April 17, 2025

My young self and I— we are the same person. I can stretch out my old hand— with its age spots— and hold my young unblemished hand.

ERIC FISCHL

ERIC FISCHL

Artist

The whole thing is to get them to feel like no matter where their background is from, the difficulty they have in their personal lives, the isolation that they feel in relationship to that, that within the art community they are embraced, they are welcomed. All they have to do is just keep getting better at it, but the community is there. I think that something we're all looking for is where we belong.