JULIE ANDREWS · PAUL SCHRADER · JOHN PATRICK SHANLEY · ETGAR KERET · JOY GORMAN WETTELS · CHAYSE IRVIN · MANUEL BILLETER
Share their Stories
Writer · Philosopher · Independent Scholar
You have all the different languages interplaying with each other. Little scraps of Irish languages and idioms have stories that have been told, but how Ireland actually comes about as an idea, as to where the Irish come from. A lot of these kinds of debates are just placed, you know, in day-to-day conversation, and then they trail off. People start something; they trail off and might come back to it later. That phenomenon of speaking over each other, tales that are known and not known, I always found very interesting. It was literally like a radio that was kept on all day in the kitchen.
You would come in and out, and you would hear certain things, and you'd have to work out the context and the conversation and the speakers. In some way, one of the big personalities in the book is just a radio that’s playing, and some of these conversations are not actually taking place between characters in real-time. They're just snippets that have been overheard on radios.
Writer · Philosopher · Independent Scholar
You have all the different languages interplaying with each other. Little scraps of Irish languages and idioms have stories that have been told, but how Ireland actually comes about as an idea, as to where the Irish come from. A lot of these kinds of debates are just placed, you know, in day-to-day conversation, and then they trail off. People start something; they trail off and might come back to it later. That phenomenon of speaking over each other, tales that are known and not known, I always found very interesting. It was literally like a radio that was kept on all day in the kitchen.
You would come in and out, and you would hear certain things, and you'd have to work out the context and the conversation and the speakers. In some way, one of the big personalities in the book is just a radio that’s playing, and some of these conversations are not actually taking place between characters in real-time. They're just snippets that have been overheard on radios.
Neuroscientist · Fmr. Dancer
Author of The Pathway to Flow: The New Science of Harnessing Creativity to Heal and Unwind the Body & Mind
The state of being in flow and seeking out that state, sort of disappearing from the here and now... it must have been something that has been part of human cultures for many millennia. We know that, for example, dancing can bring you into these states. And we know from many anthropological works that people dance themselves into trance, a type of flow. So, there is that flow in this scientific sense of a state of well-being. And we will speak about what that does to our brain and our broader wellbeing, but also the flow in what cues enter into our senses. So that would be a scientific field that looks at brain synchrony, physiology synchrony, these waves that we see that sort of connect with us.
Neuroscientist · Fmr. Dancer
Author of The Pathway to Flow: The New Science of Harnessing Creativity to Heal and Unwind the Body & Mind
The state of being in flow and seeking out that state, sort of disappearing from the here and now... it must have been something that has been part of human cultures for many millennia. We know that, for example, dancing can bring you into these states. And we know from many anthropological works that people dance themselves into trance, a type of flow. So, there is that flow in this scientific sense of a state of well-being. And we will speak about what that does to our brain and our broader wellbeing, but also the flow in what cues enter into our senses. So that would be a scientific field that looks at brain synchrony, physiology synchrony, these waves that we see that sort of connect with us.
Writer · Director 1947-2024
What happens is a space is created. And maybe it’s the only space of its kind in the world in which two absolute strangers can meet each other on terms of absolute intimacy. I think this is what is at the heart of the experience and why once you become a reader that you want to repeat that experience, that very deep total communication with that invisible stranger who has written the book that you’re holding in your hands. And that’s why I think, in spite of everything, novels are not going to stop being written, no matter what the circumstances. We need stories. We’re all human beings, and it’s stories from the moment we’re able to talk.
Award-winning Photographer
Leica Hall of Fame Inductee · Recipient of the French Legion of Honor
I wouldn't be able to effectively delineate where my life ends and photography begins. They're one and the same. If my eyes are open, I'm seeing. If I'm seeing, I'm essentially in that valence within which, or from within which come the images. In that book, Self Exposure, one of the things I did realize as I was writing it: all autobiographies are chronological and anecdotal. That's the way they unfold. And I realized that there were certain decisions I had made along the way that were crucial. And there was really only a handful of them. But I was very fortunate because I had that initial desire to be a photographer. I don't even know if it was a desire. I think it was something much further beyond that. I would have to say it was more of a...I didn't really choose photography, it sort of chose me, you know. I mean, nolo contendere. I just did what I knew I had to do. There was a sense of devoir, you know, you just do it. Claude Lévi-Strauss the great social anthropologist has made this sort of thing clear: Society changes and with it the context through which we observe something has changed as well. And so I like the role of art in society and my relationship to my society and to art in my society. Now I'm interested in this phase of my life and how does the mind influence the mind?
Award-winning Photographer
Leica Hall of Fame Inductee · Recipient of the French Legion of Honor
I wouldn't be able to effectively delineate where my life ends and photography begins. They're one and the same. If my eyes are open, I'm seeing. If I'm seeing, I'm essentially in that valence within which, or from within which come the images. In that book, Self Exposure, one of the things I did realize as I was writing it: all autobiographies are chronological and anecdotal. That's the way they unfold. And I realized that there were certain decisions I had made along the way that were crucial. And there was really only a handful of them. But I was very fortunate because I had that initial desire to be a photographer. I don't even know if it was a desire. I think it was something much further beyond that. I would have to say it was more of a...I didn't really choose photography, it sort of chose me, you know. I mean, nolo contendere. I just did what I knew I had to do. There was a sense of devoir, you know, you just do it. Claude Lévi-Strauss the great social anthropologist has made this sort of thing clear: Society changes and with it the context through which we observe something has changed as well. And so I like the role of art in society and my relationship to my society and to art in my society. Now I'm interested in this phase of my life and how does the mind influence the mind?
Poet & Author of World of Wonders: In Praise of Fireflies, Whale Sharks & Other Astonishments
I think something happened in 2016, where I just snapped. There was a lot of a hateful news going around with American politics, and I didn’t know how to answer a lot of my kids questions then. Something I know I can do is to tell them things that I loved about this planet or things that I loved in other people because all they saw or heard about was just this weird ugliness, school shootings, leaders who were saying ‘build that wall’ to anybody who looked different than them, and so I remember the night I shut myself up in my office after the kids went to bed and just started writing about plants and animals that I loved from my childhood.
Poet & Author of World of Wonders: In Praise of Fireflies, Whale Sharks & Other Astonishments
I think something happened in 2016, where I just snapped. There was a lot of a hateful news going around with American politics, and I didn’t know how to answer a lot of my kids questions then. Something I know I can do is to tell them things that I loved about this planet or things that I loved in other people because all they saw or heard about was just this weird ugliness, school shootings, leaders who were saying ‘build that wall’ to anybody who looked different than them, and so I remember the night I shut myself up in my office after the kids went to bed and just started writing about plants and animals that I loved from my childhood.
Pushcart Award-Winning Poet
When I was younger, I never really thought of living past twenty-five…I felt like I was in a movie. I thought that I was living this movie idea of things and there’d be gunshots around you. You hear it hitting the concrete, and you’re like ‘Oh, shit’. Seriously, I didn’t think of it as real life. When you’re young, the idea that I’d known people that were killed early, you go to prison. These just felt like matter of fact. They seemed to be this part of life and you just accepted them.
Pushcart Award-Winning Poet
When I was younger, I never really thought of living past twenty-five…I felt like I was in a movie. I thought that I was living this movie idea of things and there’d be gunshots around you. You hear it hitting the concrete, and you’re like ‘Oh, shit’. Seriously, I didn’t think of it as real life. When you’re young, the idea that I’d known people that were killed early, you go to prison. These just felt like matter of fact. They seemed to be this part of life and you just accepted them.
The Creative Process: Podcast Interviews & Portraits of the World’s Leading Authors & Creative Thinkers
Inspiring Students – Encouraging Reading - Connecting through Stories
The Creative Process exhibition is traveling to universities and museums. The Creative Process exhibition consists of interviews with over 100 esteemed writers, including Joyce Carol Oates, Hilary Mantel, Neil Gaiman, Viet Thanh Nguyen, Tobias Wolff, Richard Ford, Junot Díaz, Marie Darrieussecq, Michel Faber, T.C. Boyle, Jay McInerney, George Saunders, Geoff Dyer, Etgar Keret, Douglas Kennedy, Sam Lipsyte, and Yiyun Li, among others. Artist and interviewer: Mia Funk.
