精选片段: TODD KASHDAN: 获奖作者 “不服从的艺术:如何有效地提出异议和反抗”

精选片段: TODD KASHDAN: 获奖作者 “不服从的艺术:如何有效地提出异议和反抗”

托德·B·卡什丹 (Todd B. Kashdan) 博士是乔治梅森大学心理学教授,也是关于人类幸福感、好奇心、勇气和韧性领域的权威学者。 他发表了 220 多篇科学文章,被引用超过 35,000 次,并获得美国心理学会 颁发的早期职业心理学杰出科学贡献奖。 他是多本书的作者,其中包括《不服从的艺术:《如何有效地提出异议和反抗,好奇吗?》 和《你的黑暗面的好处》,已被翻译成超过十五种语言。 他的研究经常出现在《纽约时报》、《大西洋月刊》和《时代》杂志上,他的文章也出现在《哈佛商业评论》、《国家地理》和其他出版物上。 他是微软、梅赛德斯-奔驰、保德信、通用磨坊、美国国防部和世界银行集团等不同组织的主讲人和顾问。

TODD KASHDAN: 获奖作者 “不服从的艺术:如何有效地提出异议和反抗”

TODD KASHDAN: 获奖作者 “不服从的艺术:如何有效地提出异议和反抗”

APA Award-winning Author of The Art of Insubordination: How to Dissent and Defy Effectively
Curious? · The Upside of Your Dark Side
Leading Authority on Well-being, Curiosity, Courage & Resilience

We're really talking about principled rebels. And when we talk about insubordination, we're talking about most of us live in these social hierarchies, and there's the idea, this started in the military and still goes on, where if someone at a lower rank questions or challenges a command or a norm that someone of a higher rank, that's considered an act of insubordination. And one of the main problems of that, I think anyone who's listening can acknowledge, is it depends on the quality of the idea of the person who's raising the question. I just realized there was this whole body of literature on minority influence that no one had put together into a book for the general public, and considering the racial reckoning that occurred during COVID-19, the extra attention to diversity, to disadvantaged groups, every moment of society, it just feels like it's more and more relevant of what I've been working on.

 精选片段:马克思·里希特 MAX RICHTER:作曲家与可持续发展创新者

精选片段:马克思·里希特 MAX RICHTER:作曲家与可持续发展创新者

Award-winning Composer & Pianist
His album Sleep is the most streamed classical album of all time
Film & TV scores for Ad Astra · Black Mirror · Shutter Island · The Leftovers · Arrival · Taboo

For me, the creative process is a sort of a continuous thing in the sense that I'm writing kind of all the time, at some level. And that doesn't mean I'm sitting at my desk all the time, but it does mean that I've got a continuous thought process, a continuous engagement with the material I'm trying to shape. And it's many different kinds of processes. First of all, obviously an intention. You need to have an intention. What is it I'm trying to do? But then you get a process of making things, and then you get into a process of dialogue with the things you've made where they start to take on properties and it feels like the material has intentions of its own.

So then you are trying to - it's like herding cats, you know? - sort of corralling this material into some kind of structure, some kind of formed object. Then it becomes like a sculptural process on the large scale.

马克思·里希特 MAX RICHTER:作曲家与可持续发展创新者

马克思·里希特 MAX RICHTER:作曲家与可持续发展创新者

Award-winning Composer & Pianist
His album Sleep is the most streamed classical album of all time
Film & TV scores for Ad Astra · Black Mirror · Shutter Island · The Leftovers · Arrival · Taboo

For me, the creative process is a sort of a continuous thing in the sense that I'm writing kind of all the time, at some level. And that doesn't mean I'm sitting at my desk all the time, but it does mean that I've got a continuous thought process, a continuous engagement with the material I'm trying to shape. And it's many different kinds of processes. First of all, obviously an intention. You need to have an intention. What is it I'm trying to do? But then you get a process of making things, and then you get into a process of dialogue with the things you've made where they start to take on properties and it feels like the material has intentions of its own.

So then you are trying to - it's like herding cats, you know? - sort of corralling this material into some kind of structure, some kind of formed object. Then it becomes like a sculptural process on the large scale.