In Memory of TONY WALTON · 1934-2022 (Part 2)

In Memory of TONY WALTON · 1934-2022 (Part 2)

Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

In Memory of TONY WALTON · 1934-2022 (Part 1)

In Memory of TONY WALTON · 1934-2022 (Part 1)

Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

(Highlights) RENEÉ JAWORSKI · MATT KENT · EMILY KENT

(Highlights) RENEÉ JAWORSKI · MATT KENT · EMILY KENT

Pilobolus Dance Company
Highlights

I guess the part that's our thing is the method or process that Renée Jaworski was describing. The constraint, the framework that we try to put on what we're doing includes that, for this time, let's not map everything out first and try and realize the vision that one person has but to put people together, as Renée was saying, and have something else emerge that's a product of everybody that's involved. Penn Jillette, who we were honored to work with, the way he put it is, "You're not a collective, you're not looking the same, talking the same, you don't use the same terms for movement. All the dancers look different, and they think differently as well. –MATT KENT

RENEÉ JAWORSKI · MATT KENT · EMILY KENT

RENEÉ JAWORSKI · MATT KENT · EMILY KENT

Pilobolus Dance Company

I guess the part that's our thing is the method or process that Renée Jaworski was describing. The constraint, the framework that we try to put on what we're doing includes that, for this time, let's not map everything out first and try and realize the vision that one person has but to put people together, as Renée was saying, and have something else emerge that's a product of everybody that's involved. Penn Jillette, who we were honored to work with, the way he put it is, "You're not a collective, you're not looking the same, talking the same, you don't use the same terms for movement. All the dancers look different, and they think differently as well. –MATT KENT

(Highlights) KATE MUETH

(Highlights) KATE MUETH

Actress, Choreographer, Artistic Director - Neo-Political Cowgirls

I care very deeply about the arts, theater arts. So I had a choice to make, either leave entirely or be the change, as they say. So I started Neo-Political Cowgirls to embrace women in their story, in our story.

KATE MUETH

KATE MUETH

Actress, Choreographer, Artistic Director - Neo-Political Cowgirls

I care very deeply about the arts, theater arts. So I had a choice to make, either leave entirely or be the change, as they say. So I started Neo-Political Cowgirls to embrace women in their story, in our story.

(Highlights) KATE MUETH

(Highlights) KATE MUETH

Actress, Choreographer, Artistic Director - Neo-Political Cowgirls

I care very deeply about the arts, theater arts. So I had a choice to make, either leave entirely or be the change, as they say. So I started Neo-Political Cowgirls to embrace women in their story, in our story.

KATE MUETH

KATE MUETH

Actress, Choreographer, Artistic Director - Neo-Political Cowgirls

I care very deeply about the arts, theater arts. So I had a choice to make, either leave entirely or be the change, as they say. So I started Neo-Political Cowgirls to embrace women in their story, in our story.