Co-founder & CEO of The Best Bees Company
Largest Beekeeping service in the US
I was originally drawn to bees because they're social creatures. And as humans, I always wanted to know about ourselves and how we can be our healthiest selves and our healthiest society. Bees and wasps, and all of these organisms have been around for so long. Bees especially have been around for 100 million years.
I was originally drawn to bees because they're social creatures. And as humans, I always wanted to know about ourselves and how we can be our healthiest selves and our healthiest society. Bees and wasps, and all of these organisms have been around for so long. Bees especially have been around for 100 million years.
Renowned Dinosaur Paleontologist
Technical Advisor on all Jurassic Park / Jurassic World Films
I found my first fossil when I was six years old. And I found my first dinosaur bone when I was eight, my first dinosaur skeleton when I was 13. When I was a kid, I knew I wanted to be a paleontologist, and I didn't think there was much hope for it, though. I was doing very poorly in school. I think I was always a pretty positive kid. And so even though I wasn't doing well in school, I was really happy about the fact that I was finding all these cool fossils, and I was making collections. I don't know when it came to me that I would do this, but I think I just was born this way.
Renowned Dinosaur Paleontologist
Technical Advisor on all Jurassic Park / Jurassic World Films
I found my first fossil when I was six years old. And I found my first dinosaur bone when I was eight, my first dinosaur skeleton when I was 13. When I was a kid, I knew I wanted to be a paleontologist, and I didn't think there was much hope for it, though. I was doing very poorly in school. I think I was always a pretty positive kid. And so even though I wasn't doing well in school, I was really happy about the fact that I was finding all these cool fossils, and I was making collections. I don't know when it came to me that I would do this, but I think I just was born this way.
President/CEO of the GRAMMY Museum
It's actually right in our mission statement that “we celebrate the music of yesterday and today to inspire the music of tomorrow.” And we do it through our exhibits. We have 35,000 square feet of galleries. We travel exhibits, really, all over the world over the world for the past 15 years. And through our education programs, we really focus on the next generation of music's creators and leaders. We do that through really specific curricula that is designed to educate particularly young people, K-12, about the business of music, especially for those who want to go into the industry.
President/CEO of the GRAMMY Museum
It's actually right in our mission statement that “we celebrate the music of yesterday and today to inspire the music of tomorrow.” And we do it through our exhibits. We have 35,000 square feet of galleries. We travel exhibits, really, all over the world over the world for the past 15 years. And through our education programs, we really focus on the next generation of music's creators and leaders. We do that through really specific curricula that is designed to educate particularly young people, K-12, about the business of music, especially for those who want to go into the industry.
Grammy & Emmy Award-winning Producer, Engineer, Composer
We all are looking for a little magic in our lives, and I think that's what art and the creative process allow for, above all. In a world that can be either way too predictable and mundane and create tedium, the creative mind, for me, is the curious mind and the mind that's always learning and allowing yourself to make mistakes. To generate from your core, from your soul, and from your experience something new and experimental and something that is unique to yourself.
Grammy & Emmy Award-winning Producer, Engineer, Composer
We all are looking for a little magic in our lives, and I think that's what art and the creative process allow for, above all. In a world that can be either way too predictable and mundane and create tedium, the creative mind, for me, is the curious mind and the mind that's always learning and allowing yourself to make mistakes. To generate from your core, from your soul, and from your experience something new and experimental and something that is unique to yourself.
Member of Web Collective degrowth.info
Master of Environmental Studies candidate, University of Pennsylvania
Degrowth as an idea has intellectual roots in the environmental critiques of the sixties and seventies found in landmark works like Rachel Carson's Silent Spring, the Club of Rome's Limits to Growth report, Nicholas Georgescu-Roegen's The Entropy Law and the Economic Process, which was a seminal piece of economic theory that applied the laws of thermodynamics to the economy and was very influential for ecological economics, which is intertwined with degrowth. Degrowth was first formulated in 1972 by French philosopher André Gorz in a public debate where he used the term décroissance to question whether planetary stability was compatible with capitalism.
Member of Web Collective degrowth.info
Master of Environmental Studies candidate, University of Pennsylvania
Degrowth as an idea has intellectual roots in the environmental critiques of the sixties and seventies found in landmark works like Rachel Carson's Silent Spring, the Club of Rome's Limits to Growth report, Nicholas Georgescu-Roegen's The Entropy Law and the Economic Process, which was a seminal piece of economic theory that applied the laws of thermodynamics to the economy and was very influential for ecological economics, which is intertwined with degrowth. Degrowth was first formulated in 1972 by French philosopher André Gorz in a public debate where he used the term décroissance to question whether planetary stability was compatible with capitalism.
Dancer, Writer, Choreographer
Associate Director of Dance at The Juilliard School, NYC
In both writing a first draft and in the improvisation of a dancing body, what is so key and relevant and exposed is voice. That internal voice of the artist of what they're writing on the page or what they're writing in space. If you go to fiction workshop, you talk about plot, structure, and you talk about character development, but there are very few classes within a dance curriculum where you break down an improvisation and you talk about voice, point of view, metaphor, or musical composition within a phrase. The lifespan of a phrase. And so this realisation is helping me understand that a one minute post of improvisation or even a ten-minute span of improvisation if it’s recorded is very similar to a first draft of creative writing, where then the artist is in a position to evaluate those 10 minutes and identify what is the setting? What is the voice that has come out of my experience of writing this first draft of an improvisation? And how can I give it structure? How can I give it form?
Dancer, Writer, Choreographer
Associate Director of Dance at The Juilliard School, NYC
In both writing a first draft and in the improvisation of a dancing body, what is so key and relevant and exposed is voice. That internal voice of the artist of what they're writing on the page or what they're writing in space. If you go to fiction workshop, you talk about plot, structure, and you talk about character development, but there are very few classes within a dance curriculum where you break down an improvisation and you talk about voice, point of view, metaphor, or musical composition within a phrase. The lifespan of a phrase. And so this realisation is helping me understand that a one minute post of improvisation or even a ten-minute span of improvisation if it’s recorded is very similar to a first draft of creative writing, where then the artist is in a position to evaluate those 10 minutes and identify what is the setting? What is the voice that has come out of my experience of writing this first draft of an improvisation? And how can I give it structure? How can I give it form?
Author of Another World is Possible: How to Reignite Social & Political Imagination
Professor of Collective Intelligence, Public Policy & Social Innovation at University College London
The great thing about a complex society is there is space for lots of different kinds of people. There's space for wildly visionary poets and accountants and actuaries and engineers. And they all have a slightly different outlook, but it's the combination of this huge diversity, which makes our societies work. But what we probably do need a bit more of are the bilingual people, the trilingual people who are as at ease spending a day, a week, a year designing how a criminal justice system could look in 50 years and then getting back to perhaps working in a real court or real lawyer's office.
Author of Another World is Possible: How to Reignite Social & Political Imagination
Professor of Collective Intelligence, Public Policy & Social Innovation at University College London
The great thing about a complex society is there is space for lots of different kinds of people. There's space for wildly visionary poets and accountants and actuaries and engineers. And they all have a slightly different outlook, but it's the combination of this huge diversity, which makes our societies work. But what we probably do need a bit more of are the bilingual people, the trilingual people who are as at ease spending a day, a week, a year designing how a criminal justice system could look in 50 years and then getting back to perhaps working in a real court or real lawyer's office.
Co-founder & CEO of The Best Bees Company
Largest Beekeeping service in the US
I was originally drawn to bees because they're social creatures. And as humans, I always wanted to know about ourselves and how we can be our healthiest selves and our healthiest society. Bees and wasps, and all of these organisms have been around for so long. Bees especially have been around for 100 million years.
Co-founder & CEO of The Best Bees Company
Largest Beekeeping service in the US
I was originally drawn to bees because they're social creatures. And as humans, I always wanted to know about ourselves and how we can be our healthiest selves and our healthiest society. Bees and wasps, and all of these organisms have been around for so long. Bees especially have been around for 100 million years.
Global Leader in the Study of Present-Day Extinctions & Biodiversity
Founder & Director of Saving Nature
It's a complicated issue. I think a lot of those bird disappearances come from the fact that we have massively intensified our agriculture. Large areas of North America and Europe are now under intense agriculture. They are sprayed with a whole variety of pesticides, which I think is also responsible for the fact that many insects have disappeared, so species that depend on farmland have clearly declined dramatically, but it isn't all birds and there is a piece of this complicated story that involves water birds. Herons and egrets and ducks. Those species both in North America and Europe, are now much more common than they were 30, or 40 years ago. That comes from active conservation of protecting wetlands, making sure we don't shoot our wetland birds. So it’s not all doom and gloom. There are some success stories. There are many things we can do. I think 50 years ago, there were only something like 300 bald eagles in the lower 48 states. Bald eagles are now nesting in every state apart from Hawaii. Our conservation efforts have done a great job.
Global Leader in the Study of Present-Day Extinctions & Biodiversity
Founder & Director of Saving Nature
It's a complicated issue. I think a lot of those bird disappearances come from the fact that we have massively intensified our agriculture. Large areas of North America and Europe are now under intense agriculture. They are sprayed with a whole variety of pesticides, which I think is also responsible for the fact that many insects have disappeared, so species that depend on farmland have clearly declined dramatically, but it isn't all birds and there is a piece of this complicated story that involves water birds. Herons and egrets and ducks. Those species both in North America and Europe, are now much more common than they were 30, or 40 years ago. That comes from active conservation of protecting wetlands, making sure we don't shoot our wetland birds. So it’s not all doom and gloom. There are some success stories. There are many things we can do. I think 50 years ago, there were only something like 300 bald eagles in the lower 48 states. Bald eagles are now nesting in every state apart from Hawaii. Our conservation efforts have done a great job.
Professor of Contemporary Art History, University of Oxford
Fmr. Head, Ruskin School of Art · Co-author of Biennials, Triennials and documenta: The Exhibitions That Created Contemporary Art
I think art can engage with the body, the mind, and the imagination in so many different ways that can compliment modes of thinking, other modes of creating and thinking through and working through and devising.
I was thinking about this in relation to the last 18 months and how the sciences have rightly been heralded as the great way of getting ourselves out of this pandemic, but culture is the way and art is the way that we've been getting through the pandemic.
Professor of Contemporary Art History, University of Oxford
Fmr. Head, Ruskin School of Art · Co-author of Biennials, Triennials and documenta: The Exhibitions That Created Contemporary Art
I think art can engage with the body, the mind, and the imagination in so many different ways that can compliment modes of thinking, other modes of creating and thinking through and working through and devising.
I was thinking about this in relation to the last 18 months and how the sciences have rightly been heralded as the great way of getting ourselves out of this pandemic, but culture is the way and art is the way that we've been getting through the pandemic.
