LAURENT LE BON

LAURENT LE BON

Fmr. President Musée Picasso
President Centre Pompidou

Picasso is a symbol of the creative process.
Always in metamorphosis. Always in transformation. Sometimes when you become wealthy and famous, you stop having the energy of the creative process, but if you see the whole span of his career, you have 50,000 works of art in all mediums. So the main mission of the museum is to display like a kaleidoscope, and we have always a new angle, a new direction.

DOUGLAS WOLK

DOUGLAS WOLK

Author of NYTimes bestseller All of the Marvels, Eisner Award–winning Reading Comics
Host of the Voice of Latveria podcast

I like the idea that your actions in the world can be motivated by both idealism and realism about how to achieve those ideals. I like the idea that morality is not simple. There is this idea that there are the heroes and there's the villains and you can easily tell who's who, and that's not so true as it used to be in comics and that's meaningful. One thing that is interesting about the Marvel story is there’s basically nobody who's just a bad guy to be a bad guy. Everyone has their reasons. Almost everyone is capable of redemption in some way, even the worst of the worst are capable of tremendous heroism and tremendous idealism and genuinely wanting to heal the world make it a better place.

SHINNECOCK INDIAN NATION

SHINNECOCK INDIAN NATION

We're all part of a web like a dreamcatcher. Everybody knows a dreamcatcher and whatever you do that’s wrong will eventually come back and affect you because we’re all connected.

JP OUELLETTE & DYLAN MATLOCK

JP OUELLETTE & DYLAN MATLOCK

Producers of the Award-Winning Mass starring Reed Birney, Ann Dowd, Jason Isaacs & Martha Plimpton

“Usually we just see the soundbites and the news and then there's a new one or a new story, the politics that takes away from what these families are going. These people in these towns are just glossed over, looked over. And that's not the case in real life. They live with this trauma forever…What I hope the next generation takes is just to absorb everything from our generation and our parents’ generation. There are a lot of living generations right now. The longevity of people and the young families, it’s amazing. I had five generations of my family alive at one point in my life, and it was just the most amazing thing I've ever been a part of.” –JP Ouellette

E.J. KOH

E.J. KOH

Award-winning Memoirist & Poet
The Magical Language of Others · A Lesser Love

I had delayed speech, and I had quite a bit of trouble with speaking. I think I must have been five before I was uttering some of my first words and trying to articulate. Simple communication was very difficult for me and my family, especially in a family where we were speaking several languages. They hoped to instill English. It’s the language of survival. There was a lot of frustration and fear in my relationship to language, and the relationship these languages had to each other, that was something I felt very sensitive to since I was young. Since before I could speak.

GEORGE ELLIS

GEORGE ELLIS

Cosmologist, Theoretical physicist & Star of South Africa Medal Recipient

Artistic creativity and it’s crucial to artistic creativity amongst many other things. In artistic creativity, from my viewpoint, is that you start off with an idea and you’re shaping and you’re totally in control and it doesn’t matter if it's music or sculpture or painting or a novel, eventually the thing sparks its own life, becomes itself, and at that point, the role of the artist is to stand back and let it become what its got to become. And that’s where you get the great art.

MASTER SHI HENG YI

MASTER SHI HENG YI

35th Generation of Shaolin Masters
Headmaster of the Shaolin Temple Europe

Just getting to know what is Buddhism, which is the foundation of every monastery. The Shaolin Temple is in the core, first of all, it’s a Buddhist monastery and when you are starting to read about Buddhism, one of the key sentences, in the beginning, is: With your thoughts, you are creating the world…So it’s very rarely clearly stated that it is the thoughts that are creating the world. Nevertheless, if you are now looking at the practices that the Shaolin Temple offers, that is quite physical. There is a lot of physicality in there, so you might think but why are you saying with thoughts you create the world, but you have so many different physical activities. It is because if you want to have mental freedom. If you want to approach freedom, you cannot just approach freedom by doing things or trying to chase freedom. The freedom that we are looking for is the type of freedom that is derived and that is very closely related to its counterpart, which is very hard restriction or very hard structure. So if you want to experience what freedom is, look at the restrictions of your life.

EARL K. MILLER, Ph.D.

EARL K. MILLER, Ph.D.

Picower Professor of Neuroscience
MIT’s Picower Institute for Learning and Memory & Department of Brain & Cognitive Sciences

There are a lot of distractions in cities. So it's always good to maybe take some time out, be in a quieter place with no distractions so you can let your thoughts run. And that leads into the creative process because new ideas, new thoughts and where they come from. They come from following the garden path of associations in your mind. One thought leads to another, leads to another until your mind is in a new place it's never been before. Or you put two thoughts together that were never together before, but now they are because you managed to somehow follow this garden path of thoughts from one thought to the other. That's where creativity comes from, that's where your ideas come from, seeing things in a new way, seeing things that were never together before. And if you have constant distractions that interferes with that process.

JOHANNES STRIPPLE & HARRIET BULKELEY

JOHANNES STRIPPLE & HARRIET BULKELEY

Carbon Ruins · Climate Futures · Climaginaries · Earth Systems Governance Project

Our starting point was that a lot of the stories we tell about future worlds are quite poor. It’s not stories that are meeting the world as it is now. It’s difficult for people to inhabit the kinds of worlds that we imagine through scenarios or modelling, so there is a kind of distance between where we are now and the life worlds of a decarbonized or a post-fossil world.

MIKE DAVIS

MIKE DAVIS

CEO of Global Witness

As an organization, Global Witness has to take security risks extremely seriously. We encounter quite a range of threats to our work and some of those take the form of cyberattacks, we’re regularly threatened with lawsuits by powerful companies and individuals who don’t like the scrutiny we place them under, but far and away the most serious category of threats is to those we work with in fragile and sometimes dangerous parts of the world.

ROB PRINGLE

ROB PRINGLE

Ecology & Evolutionary Biology Professor Princeton University · Pringle Lab

For nature and natural beauty to survive, people have to want it. If they don’t ever experience it, why should they want it? What could you see of value in it, something that you not only have never experienced but don’t ever expect to. We intellectually know that the Amazon is an important thing because it stores carbon and it’s home to many species, but I’ve been there. That’s a different thing entirely to be able to appreciate it on that level and care about it for the sheer beauty and magic and joy of being in a place that’s still so big and so wild. So that I think is the most important thing for the next generation.