FRED PEARCE · Environmental Journalist · Author of Despite It All
Observing the world and talking to people around the world, I find a huge amount of spirit and optimism and hope among communities around the world. That really helps. And it's fabulous also to see how nature recovers from almost the worst things that we are doing.
On Earth Day, we explore the Living World—a reality where we are not merely on a planet, but are a moving part of its metabolism. We travel from the High Sierras with Paul Hawken to the glowing forests of Costa Rica with Thomas Crowther. We travel from the Red Sea’s coral reefs with Ibrahim AlHusseini to the glowing forests of Costa Rica with Thomas Crowther. Guided by Paul Hawken, Merlin Sheldrake and David George Haskell, we explore policy and poetry with guests Paula Pinho, Hans Bruyninckx, Bill Hare and Alice Schmidt. Alongside Tiokasin Ghosthorse, Tom Chi, Erland Cooper, Rebecca Tickell and Britt Wray, we ask what happens when we stop trying to dominate and start trying to collaborate with the Earth?
CARISSA VÉLIZ · Author of Prophecy: Prediction, Power & the Fight for the Future · Privacy is Power: Why & How You Should Take Back Control of Your Data
Algorithms are deciding whether you are eligible for a loan, a job, an apartment or insurance. They determine what you see online, who reads your social media posts and who connects with you on dating apps. They may even decide whether you get arrested or go to jail. Your very life hangs in the balance of prophecies.
If you are unlucky, a prediction will be what kills you. Forecasts can determine your place on a waiting list for an organ transplant or whether you get medical care in an emergency. Policymaking hinges on predictions. War and peace and whether someone lives or dies are decided based on forecasts about the strength of an adversary, the impact of a mission or the identity of a person. And yet no one has asked your permission to make those guesses. No governmental agency is supervising them. No one is informing you of the prophecies that shape your fate. Prophecies are the grounds on which fights over the future take place.
TOM CHI · Physicist · Designer · Inventor · Google X Co-founder (Glass, Loon, Waymo) · Founding Partner of At One Ventures · Author of Climate Capital
In the book I spend a bunch of time basically teaching skills and frameworks of thinking. Not to indoctrinate, it's not a framework like an ideology where you need to believe exactly these things. This is a lot more about how does one use their minds effectively to solve problems that have been solved before. I work on things that have to do with investment and climate and the future of the economy and automation. The main things I'm trying to teach in the book are skills around creativity, critical thinking, community compassion and frameworks around how to go and use that on problems that should be relatively portable to a bunch of problems that are meaningful to you. The way that education needs to change is that people need to actively be working on things that truly matter to them so that over time they end up being able to go make that difference.
Biologist · Author DAVID GEORGE HASKELL on Deep Time, Plant Intelligence & Listening to the Living World
For at least 150 years biological sciences emphasized individuality and aloneness. So individual species, individual genes, individual organisms. And that's a useful view, up to a point. I mean, it is true that I am an individual organism. I've got a skin, and then the air begins and there's a gap between me and the next person over. But that view is also utterly false in many ways, in that the human body is not just comprised of human cells. There are bacteria, fungi, and viruses, all these other creatures that we now know are essential to our health. Our minds are not solitary. They're formed in relation to other beings. Ecosystems work only through relationship. So relationship and interconnection, not separation. And atomism is in fact the fundamental nature of life. Even from the very, very first fossils that we have of living organisms way back more than 3 billion years ago, these little cells are sitting next to one another.
I want to be wowed by the world. I want to gaze at it in awe and wonder.
Clayton Page Aldern, David George Haskell, Yann Martel, Carl Safina, Martín von Hildebrand, Richard Black, Tom Chi, Paula Pinho, Osprey Orielle Lake, Bill Hare, Fred Pearce reflect on Climate Change & The Rights of Nature
YANN MARTEL · Booker Prize-winning Author of Son of Nobody · Life of Pi
Storytelling, which is a very whole person kind of activity, is one that delivers all kinds of truths. Facts are just the ground upon which we build the edifices that we actually live in. And those are not just made of facts. They're made of other kinds of truths that make the stories of who we are, the cities we live in, the languages we speak—these are made of fact and fiction together, and those are the stories that define our lives.
Journalist FATEMEH JAMALPOUR
Then I started to write about the interrogation sessions. I knew that writing is jumping over the death row. I knew they couldn't shut down my mind. I had all these notes about returning and the interrogation sessions because I was facing the whole ideological core of the regime. We realized that to tell the full, human side of the story of our people, we needed a book.
Actress · Director CHERIEN DABIS discusses All That's Left of You
For me, we Palestinians are so much more than our pain and suffering, and the world often sees only our pain and suffering. I wanted to show other facets of who we are, no matter whether we're on the activist side of the spectrum or audience members who don't know very much about the situation. At the end of the day, we all have to choose humanity. In many ways I was inspired by observing the different generations of my own family and how our identities were shaped by everything happening in Palestine. That became the first idea for this film, to really show how it is a collective trauma for all Palestinians. That trauma is being passed down from generation to generation. Even if you're not a direct descendant of Nakba survivors, you still have that trauma. I wanted to explore that passage of trauma, that inheritance of my own trauma and take a look at how history and political events shape people.
HELEN WHYBROW
Writer · Shepherd · Organic Farmer
There are two ways that I measure diminishment in the natural world, a world we all have the ability to see and sense no matter where we live. The first is ecological: a loss of vitality, complexity and stability. This can be studied and measured, but it can also be perceived by simply listening and noticing. Nature has a voice that sings in different registers and in those registers you can hear health or struggle, presence or absence. The second way I measured diminishment is in the human experience-- loss of beauty, of meaning, of pattern language these also become more available to us as we watch and listen take in what surrounds us.
A Conversation with Philosopher C. THI NGUYEN · Author of The Score · Games: Agency as Art
To be in the process of making things, to be in the process of talking to people about what things mean… The creative process is actually, I think, the most meaningful part of life, but it's very hard to measure. When we get shoved towards a world that demands easy measurables, it's very hard to optimize away from the creative process and optimize towards things that are more static.
YURI HERRERA on Benito Juarez and Today's Political Crises
Benito Juarez is a really important figure in Mexican culture, politics and history. He is probably the most respected figure in that sense in Mexico, only akin to what Lincoln is in American culture. Juarez was an orphan in the state of Oaxaca who spoke a variant of Zapotec, an indigenous language. He was sent to a seminary and was going to become a priest, but in his own words, he felt repulsed by the way the priests were manipulating the people in Oaxaca.
Writers, Artists, Filmmakers & Activists Share Their Stories
Manuela Luca-Dazio, Siri Hustvedt, Hala Alyan, Ana Castillo, Sharmeen Obaid-Chinoy, Sara Ahmed, Marilyn Minter, Ellen Rapoport, Intan Paramaditha, Ada Limón and Ami Vitale discuss art and storytelling as a tool for political solidarity, legal change and exploring freedom.
Author · Activist · Stand-Up Comedian AL KENNEDY · Author of Alive in the Merciful Country
The thing that puzzled him was why people don't agree to be fully expressed while they're alive. Why does it only happen in their last moment? Why wouldn't you live being fully expressed? If you have love, eventually you're going to win. It's not that people aren't going to die. It's not terrible things aren't going to happen. But if you stay with that and you stay centered in that, you'll get through and you will not have turned into a monster in order to overcome monsters.”
Author SIRI HUSTVEDT Remembers Her Late Husband, PAUL AUSTER
Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.
DAISY FANCOURT · Author of Art Cure · Director of WHO Collaborating Centre on Arts & Health · Prof. Psychobiology & Epidemiology at UCL
Within society we seem to have separated the arts out, so they’re not so much a part of our daily lives. As I’ve become a mother and I have children now, it’s been really eye-opening to rediscover lots of arts things that I’d stopped doing in my own childhood. But now coming back to them I think probably the most meaningful one for me is one I describe in the book, which is about my younger daughter, Daphne, who was premature and unfortunately got incredibly ill with meningitis and was in intensive care when she was just a few days old.
Musician & Activist PLUMES
Mostly I’ll play in a minor key, something sad, which I think can work for an animal because they can sense the sadness, and they try to reassure me and comfort me. I chose love songs because I'm convinced they are very intuitive and they can sense what I am trying to say to them, and profess my love in a way. I think there's always a way to connect, and if you're being cautious and don't threaten the animals, something beautiful can happen.
A Conversation with Author DOUG WOODHAM
Fmr. President of the Americas at Christie’s · Managing Partner, Art Fiduciary Partners
All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.
A Conversation with International Gallerist, Curator & Podcast Host
Today, the world is very divided, lots of fractures. It is the time for art and culture to come into play because art is about soft power. If we want to resolve misunderstandings, art is the best, best, best way to communicate. So use this.
Everybody wants happiness, joyfulness, peaceful world. Our 21st century will not be easy century… I can change my mind. I can reduce anger, hatred. Nothing to do with religion. All religions carry the message of love, loving kindness, and tolerance. This century should be century of compassion, century of peace. No more bloodshed. We should develop a big “we,” rather than “we” or “they.” With these wings, you can fly. -THE DALAI LAMA, Wisdom of Happiness
The Creative Process: Podcast Interviews & Portraits of the World’s Leading Authors & Creative Thinkers
Inspiring Students – Encouraging Reading - Connecting through Stories
The Creative Process exhibition is traveling to universities and museums. The Creative Process exhibition consists of interviews with over 100 esteemed writers, including Joyce Carol Oates, Hilary Mantel, Neil Gaiman, Viet Thanh Nguyen, Tobias Wolff, Richard Ford, Junot Díaz, Marie Darrieussecq, Michel Faber, T.C. Boyle, Jay McInerney, George Saunders, Geoff Dyer, Etgar Keret, Douglas Kennedy, Sam Lipsyte, and Yiyun Li, among others. Artist and interviewer: Mia Funk.
