What Do the June 2024 Elections in India Mean? with Angana Chatterji & Siddhartha Deb

What Do the June 2024 Elections in India Mean? with Angana Chatterji & Siddhartha Deb

/

What Do the June 2024 Elections in India Mean?

I think that the 2024 national elections in India signaled a slowdown in its slide into authoritarianism, but did not halt it. The BJP (Bharatiya Janata Party) and the ways in which it secured votes merit analysis. In his June 4th victory speech, Narendra Modi's rallying cry was "Bharat Mata Ki Jai" (Hail to Mother India), a slogan promoted by Hindu nationalists. It objectifies and feminizes the state, linking control over women and control in general to nationalist assertion. "Bharat Mata" is also associated with "Akhand Bharat," or undivided India, the once and future homeland of Hindus. Modi did not show humility in his speech. Instead, he emphasized the exceptionalism of a third consecutive win, stating, "I believe that the country will write a new chapter of big decisions. This is the Modi guarantee." Nevertheless, he also talked about his government's efforts to weed out forms of corruption, which is ironic given the BJP's recent collusion in the electoral bond scandal.

Artists, Activists & Anarchists Seize Wetlands from the French Republic: We Learn How

Artists, Activists & Anarchists Seize Wetlands from the French Republic: We Learn How

/

Artists, Activists & Anarchists Seize Wetlands from the French Republic
Authors of We are ‘Nature’ Defending Itself: Entangling Art, Activism and Autonomous Zones
the story of a 40-year struggle to preserve 4,000 acres of wetlands from being destroyed to make way for an airport

Speaking Out of Place: SARA AHMED discusses The Feminist Killjoy Handbook

Speaking Out of Place: SARA AHMED discusses The Feminist Killjoy Handbook

/

Author of The Feminist Killjoy Handbook
Independent Queer Feminist Scholar

You're more likely to progress if you say yes. It's a reproductive mechanism, which is why feminist culture knows so much about everything. We can explain how it is that institutions keep being reproduced in the same way. So what then do you do? Where do you go if your no has nowhere to go? And I think when you say no to the world, and you're pushed out by it, you still find your people. And that there's the world-making is in the people who find in the refusal of the institution a common ground.

Speaking Out of Place: ANTHONY ARNOVE & HALEY PESSIN discuss Voices of a People’s History of the United States in the 21st Century

Speaking Out of Place: ANTHONY ARNOVE & HALEY PESSIN discuss Voices of a People’s History of the United States in the 21st Century

/

Co-Editors of Voices of a People’s History of the United States in the 21st Century
(Arnove) Producer of the Academy Award-nominated Dirty Wars · Director of Roam Agency

We have to create alternative institutions to understand history. And to have conversations about how we can intervene because these conversations are increasingly being criminalized, and librarians are being fired and punished. Teachers are also being fired. Whole colleges are being taken over and certain courses are being labeled as not credit-worthy and being canceled. And while conversations around critical race theory and other topics are being declared illegal, there's a long history of book banning in this country. There's a long history of criminalizing dissent in this country, but I do think we all have to recognize that we're in a much more dangerous moment right now, where a new form of McCarthyism is emboldened and we have to speak out against that. - Anthony Arnove

Speaking Out of Place: SILVIA FEDERICI discusses Re-enchanting the World: Feminism and the Politics of the Commons

Speaking Out of Place: SILVIA FEDERICI discusses Re-enchanting the World: Feminism and the Politics of the Commons

/

Scholar · Educator · Feminist Activist
Author of Caliban and the Witch
Re-enchanting the World: Feminism and the Politics of the Commons

When I came to America I had a shock. I never knew what it meant to be in a country that seems to have no history, being in a place where you feel like you are nowhere, you could have been dropped by a plane in a cultural, historical desert. In the United States, they're destroying historic buildings. They've paved over cemeteries of African slaves. They're changing the environment so that memory is destroyed.

Because you are placing yourself in a broader arc of time, I asked a woman from Guatemala: how can women keep fighting for so much power? And she said, "Because, for us, the dead are not dead." This gives them the courage to go on when everything seems to be lost. I think that this is the kind of struggle that we need to make against war, against the destruction of nature.