Forty Years in Hollywood - Highlights - ED ZWICK

Forty Years in Hollywood - Highlights - ED ZWICK

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Academy Award-winning Writer, Director & Producer
Glory · The Last Samurai · Shakespeare in Love · Thirtysomething
Author of Hits, Flops & Other Illions: My Fortysomething Years in Hollywood

My intention was to write about my experiences, obviously, but also I felt that there was a little bit of a counterintuitive approach, which is to talk about some of the inner experiences of the creative process and being a director, being a writer, and I felt that that would open the window a little bit wider. I liked that it wasn't just a behind-the-scenes look. It is that, and I think it's full of fun anecdotes and little reveals, but it is to be a real book. It presumes to be a memoir, like many of the memoirs that I have loved of creative people in the past.

ED ZWICK - Academy Award-winning Writer, Director & Producer - Glory, The Last Samurai, Shakespeare in Love, Thirtysomething

ED ZWICK - Academy Award-winning Writer, Director & Producer - Glory, The Last Samurai, Shakespeare in Love, Thirtysomething

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Academy Award-winning Writer, Director & Producer
Glory · The Last Samurai · Shakespeare in Love · Thirtysomething
Author of Hits, Flops & Other Illions: My Fortysomething Years in Hollywood

My intention was to write about my experiences, obviously, but also I felt that there was a little bit of a counterintuitive approach, which is to talk about some of the inner experiences of the creative process and being a director, being a writer, and I felt that that would open the window a little bit wider. I liked that it wasn't just a behind-the-scenes look. It is that, and I think it's full of fun anecdotes and little reveals, but it is to be a real book. It presumes to be a memoir, like many of the memoirs that I have loved of creative people in the past.

Highlights - Debra Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

Highlights - Debra Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

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Showrunner of Netflix’s Ginny & Georgia
Writer · Exec. Producer · Director · Alias · Criminal Minds · The OC · Charmed

I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.

Debra J. Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

Debra J. Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

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Showrunner of Netflix’s Ginny & Georgia
Writer · Exec. Producer · Director · Alias · Criminal Minds · The OC · Charmed

I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.

Highlights - Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “The Seven Good Years”

Highlights - Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “The Seven Good Years”

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Cannes Film Festival Award-winning Director
Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years

For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language.

Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “Suddenly a Knock on the Door”

Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “Suddenly a Knock on the Door”

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Cannes Film Festival Award-winning Director
Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years

For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language.

Highlights - Abby Ajayi - Creator of “Riches” - Writer/Producer “Inventing Anna” “The First Lady”

Highlights - Abby Ajayi - Creator of “Riches” - Writer/Producer “Inventing Anna” “The First Lady”

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Creator of the Amazon series Riches
Writer/Producer on Inventing Anna · The First Lady · How to Get Away with Murder

I do feel that if one has the desire and the ability to be a much more big-picture showrunner, I think that's to the best. That benefits the show because there's a creative voice running all the way through. This isn't a movie, where it's a director's medium. It is the writer's medium, so I think the writer should be across producing and also empowering the director, but there is a clear vision. I think Riches has all the hallmarks of the things I've worked on before in terms of complex, slightly subversive women. At the heart of it, it is negotiating power dynamics. And at the heart of it, there are two very complex and yet vulnerable black women, but I've always loved family drama shows and particularly family businesses, whether it's fictional ones or in real life.

Abby Ajayi - Creator of “Riches” - Writer/Producer “Inventing Anna” “The First Lady”

Abby Ajayi - Creator of “Riches” - Writer/Producer “Inventing Anna” “The First Lady”

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Creator of the Amazon series Riches
Writer/Producer on Inventing Anna · The First Lady · How to Get Away with Murder

I do feel that if one has the desire and the ability to be a much more big-picture showrunner, I think that's to the best. That benefits the show because there's a creative voice running all the way through. This isn't a movie, where it's a director's medium. It is the writer's medium, so I think the writer should be across producing and also empowering the director, but there is a clear vision. I think Riches has all the hallmarks of the things I've worked on before in terms of complex, slightly subversive women. At the heart of it, it is negotiating power dynamics. And at the heart of it, there are two very complex and yet vulnerable black women, but I've always loved family drama shows and particularly family businesses, whether it's fictional ones or in real life.

Highlights - Karen McManus - Author of “Nothing More to Tell”, “One of Us is Lying”

Highlights - Karen McManus - Author of “Nothing More to Tell”, “One of Us is Lying”

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NYTimes Bestselling Author of Nothing More to Tell, One of Us is Lying

Well, I had a wonderful teacher in second grade who kind of inspired me to start writing and really stuck with me through elementary school and beyond as I made attempts to find my voice, but think part of the reason it never really went anywhere for me as a young person was because I was too afraid to share that with anyone except for that one teacher. I never showed friends. I didn't even really show family. I just always felt that it wasn't quite good enough. And so the thing I always tell writers now if they ask for, you know, "What's one tip?" It's let someone else tell you no, because I just told myself no for pretty much my entire young adulthood. And once I let other people tell me no, they did a lot, you know, but that is how I got better.

Karen McManus - NYTimes Bestselling Author of “Nothing More to Tell”, “One of Us is Lying”

Karen McManus - NYTimes Bestselling Author of “Nothing More to Tell”, “One of Us is Lying”

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NYTimes Bestselling Author of Nothing More to Tell, One of Us is Lying

Well, I had a wonderful teacher in second grade who kind of inspired me to start writing and really stuck with me through elementary school and beyond as I made attempts to find my voice, but think part of the reason it never really went anywhere for me as a young person was because I was too afraid to share that with anyone except for that one teacher. I never showed friends. I didn't even really show family. I just always felt that it wasn't quite good enough. And so the thing I always tell writers now if they ask for, you know, "What's one tip?" It's let someone else tell you no, because I just told myself no for pretty much my entire young adulthood. And once I let other people tell me no, they did a lot, you know, but that is how I got better.

Highlights - Ken Cheng - Writer/Producer of “Easter Sunday” - Co-Founder - Crab Club, Inc.

Highlights - Ken Cheng - Writer/Producer of “Easter Sunday” - Co-Founder - Crab Club, Inc.

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Writer & Executive Producer of Easter Sunday starring Jo Koy, Jimmy O’Yang, Tia Carrere, Tiffany Haddish
Co-Founder of Crab Club, Inc.

I think there's this belief that creativity requires our ability to think outward and extrapolate beyond our own experiences and think of the world in imaginative new ways - which is true in a lot of cases - but I also believe in creativity as the ability to access inward and look introspectively at our own personal experiences and mine those experiences in ways that aren't necessarily one to one copies of our lives, but that we can extrapolate themes and lessons, comedy, drama, humor...into new works.

Ken Cheng - Writer/Producer of “Easter Sunday” starring Jo Koy - Co-Founder - Crab Club, Inc.

Ken Cheng - Writer/Producer of “Easter Sunday” starring Jo Koy - Co-Founder - Crab Club, Inc.

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Writer & Executive Producer of Easter Sunday starring Jo Koy, Jimmy O’Yang, Tia Carrere, Tiffany Haddish
Co-Founder of Crab Club, Inc.

I think there's this belief that creativity requires our ability to think outward and extrapolate beyond our own experiences and think of the world in imaginative new ways - which is true in a lot of cases - but I also believe in creativity as the ability to access inward and look introspectively at our own personal experiences and mine those experiences in ways that aren't necessarily one to one copies of our lives, but that we can extrapolate themes and lessons, comedy, drama, humor...into new works.

Highlights - Claudia Forestieri - Brigitte Muñoz-Liebowitz - “Gordita Chronicles”on HBO Max

Highlights - Claudia Forestieri - Brigitte Muñoz-Liebowitz - “Gordita Chronicles”on HBO Max

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Claudia Forestieri (Creator) & Brigitte Muñoz-Liebowitz (Showrunner)
Gordita Chronicles

When you immigrate, it's kind of like you're going through adolescence because you're in a new place. You feel weird in your own skin. You're learning new things. Everything is changing. You feel awkward. So that also helped us connect the adult stories to the children's stories.

Claudia Forestieri - Brigitte Muñoz-Liebowitz (Creator - Showrunner) “Gordita Chronicles”

Claudia Forestieri - Brigitte Muñoz-Liebowitz (Creator - Showrunner) “Gordita Chronicles”

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Claudia Forestieri (Creator) & Brigitte Muñoz-Liebowitz (Showrunner)
Gordita Chronicles

When you immigrate, it's kind of like you're going through adolescence because you're in a new place. You feel weird in your own skin. You're learning new things. Everything is changing. You feel awkward. So that also helped us connect the adult stories to the children's stories.

(Highlights) Ellen Rapoport · Creator, Exec. Producer & Showrunner of “Minx” for HBO Max

(Highlights) Ellen Rapoport · Creator, Exec. Producer & Showrunner of “Minx” for HBO Max

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Creator, Executive Producer & Showrunner of Minx
starring Ophelia Lovibond & Jake Johnson

What drew me to the time period of the 70s was the real story of these magazines Playgirl, Viva, Foxy Lady, all the magazines that existed in this period. So it was a natural outgrowth of trying to tell a story that was inspired by, to some extent, real-life events. When I started developing Minx, what struck me about the 70s, in particular, is just how similar it was to our time. It seems like the magazines were covering all the same issues that we're now talking about. Obviously, we all saw with the leaked decision in Roe vs. Wade just how close we are to that time period and how far we haven't come.

Ellen Rapoport · Creator, Exec. Producer & Showrunner of “Minx” for HBO Max

Ellen Rapoport · Creator, Exec. Producer & Showrunner of “Minx” for HBO Max

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Creator, Executive Producer & Showrunner of Minx
starring Ophelia Lovibond & Jake Johnson

What drew me to the time period of the 70s was the real story of these magazines Playgirl, Viva, Foxy Lady, all the magazines that existed in this period. So it was a natural outgrowth of trying to tell a story that was inspired by, to some extent, real-life events. When I started developing Minx, what struck me about the 70s, in particular, is just how similar it was to our time. It seems like the magazines were covering all the same issues that we're now talking about. Obviously, we all saw with the leaked decision in Roe vs. Wade just how close we are to that time period and how far we haven't come.

(Highlights) ALI SCHOUTEN

(Highlights) ALI SCHOUTEN

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Emmy-Nominated Showrunner, Executive Producer & Writer of iCarly

What we deal more in the second season with how your online persona and your real-life persona sometimes can't help but be at odds with one another. In the first episode back we get into how women are treated, how women in relationships are treated online. In a later episode, we deal with how women are or are not allowed to express their anger online as content creators. So it’s something we talked a lot about in the room. That fracturing of self, that even in a goofy show that's very lighthearted and entertaining, it’s something that we do discuss and try to sneak little tidbits in there.

ALI SCHOUTEN

ALI SCHOUTEN

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Emmy-Nominated Showrunner, Executive Producer & Writer of iCarly

What we deal more in the second season with how your online persona and your real-life persona sometimes can't help but be at odds with one another. In the first episode back we get into how women are treated, how women in relationships are treated online. In a later episode, we deal with how women are or are not allowed to express their anger online as content creators. So it’s something we talked a lot about in the room. That fracturing of self, that even in a goofy show that's very lighthearted and entertaining, it’s something that we do discuss and try to sneak little tidbits in there.

(Highlights) DOUGLAS WOLK

(Highlights) DOUGLAS WOLK

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Author of NYTimes bestseller All of the Marvels, Eisner Award–winning Reading Comics
Host of the Voice of Latveria podcast

I like the idea that your actions in the world can be motivated by both idealism and realism about how to achieve those ideals. I like the idea that morality is not simple. There is this idea that there are the heroes and there's the villains and you can easily tell who's who, and that's not so true as it used to be in comics and that's meaningful. One thing that is interesting about the Marvel story is there’s basically nobody who's just a bad guy to be a bad guy. Everyone has their reasons. Almost everyone is capable of redemption in some way, even the worst of the worst are capable of tremendous heroism and tremendous idealism and genuinely wanting to heal the world make it a better place.

DOUGLAS WOLK

DOUGLAS WOLK

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Author of NYTimes bestseller All of the Marvels, Eisner Award–winning Reading Comics
Host of the Voice of Latveria podcast

I like the idea that your actions in the world can be motivated by both idealism and realism about how to achieve those ideals. I like the idea that morality is not simple. There is this idea that there are the heroes and there's the villains and you can easily tell who's who, and that's not so true as it used to be in comics and that's meaningful. One thing that is interesting about the Marvel story is there’s basically nobody who's just a bad guy to be a bad guy. Everyone has their reasons. Almost everyone is capable of redemption in some way, even the worst of the worst are capable of tremendous heroism and tremendous idealism and genuinely wanting to heal the world make it a better place.