Political Scientist & National Medal of Science Recipient ROBERT AXELROD on Political Cooperation

Political Scientist & National Medal of Science Recipient ROBERT AXELROD on Political Cooperation

/

Former Consultant for the UN, World Bank & US Department of Defense
Professor Emeritus of Political Science & Public Policy at University of Michigan
National Medal of Science Award-Winner

I think the most critical thing is education for critical thinking. The ability to listen to a political argument or an argument of any sort, on COVID, for example, or climate change, and not necessarily understand the science behind that, but to understand how to evaluate the credibility of the speaker, how to evaluate the logic of the arguments and to see whether a conspiracy theory is behind this that has no grounding… And so I think what’s especially important in would be an educational in critical thinking.

Academy Award Nominee BENH ZEITLIN on Directing Beasts of the Southern Wild & Wendy

Academy Award Nominee BENH ZEITLIN on Directing Beasts of the Southern Wild & Wendy

/

Writer, Director & Composer

I think it goes to this feeling of freedom, looking how freedom changes as you grow, being a very particular type of freedom that children have just by the nature of not having learned what the rules are. As we grow, we start to limit what we believe is possible. When you’re a kid, there isn’t a delineation between this is real, and this is my imagination. It’s all real. That’s your life experience.

Championing Neurodiversity in the Workplace with MARCIA SCHEINER - Highlights

Championing Neurodiversity in the Workplace with MARCIA SCHEINER - Highlights

/

President & Founder of Integrate Autism Employment Advisors

For autistic individuals, there’s really sort of two paths. There are those today, about 35% percent of 18 year olds with an autism diagnosis who do go on to college or some form of post-secondary education, and then those who don’t. Of those who don’t and want to work, there’s about a 55% unemployment rate. And those who go to college and then look for employment afterwards, there’s about a 75 to 85% underemployment rate. So you can see the unemployment rates whether you go to college or not are astronomical, but they’re even higher if you go to college, which is sort of counterintuitive.

MARCIA SCHEINER - President & Founder of Integrate Autism Employment Advisors

MARCIA SCHEINER - President & Founder of Integrate Autism Employment Advisors

/

President & Founder of Integrate Autism Employment Advisors

For autistic individuals, there’s really sort of two paths. There are those today, about 35% percent of 18 year olds with an autism diagnosis who do go on to college or some form of post-secondary education, and then those who don’t. Of those who don’t and want to work, there’s about a 55% unemployment rate. And those who go to college and then look for employment afterwards, there’s about a 75 to 85% underemployment rate. So you can see the unemployment rates whether you go to college or not are astronomical, but they’re even higher if you go to college, which is sort of counterintuitive.

GAVIN JAMES CREEL - Tony & Olivier Award-Winning Actor, Singer & Songwriter - Highlights

GAVIN JAMES CREEL - Tony & Olivier Award-Winning Actor, Singer & Songwriter - Highlights

/

Tony & Olivier Award-Winning Actor, Singer & Songwriter

To not honor that we are all creative, beautiful, interesting deep, rich individuals. We’re not zeros and ones on a spreadsheet. We’re not scientifically explained. We are not mathematically judged. We are imperfect blobs of emotion and bone and spirit and life and when we come together there is nothing greater than the chemistry and the alchemy of musical theater… There’s a joy, there’s a bounce, there’s an effervescence that’s part of that music. I had a great teacher in college, the head of our program Brent Wagner said, 'With lyrics, I can tell you to open the door, but with music I can tell you how.’ Lyrics are information and music is emotion.

GAVIN JAMES CREEL - A Tony-Winning Journey from The Book of Mormon to Hello, Dolly!

GAVIN JAMES CREEL - A Tony-Winning Journey from The Book of Mormon to Hello, Dolly!

/

Tony & Olivier Award-Winning Actor, Singer & Songwriter

To not honor that we are all creative, beautiful, interesting deep, rich individuals. We’re not zeros and ones on a spreadsheet. We’re not scientifically explained. We are not mathematically judged. We are imperfect blobs of emotion and bone and spirit and life and when we come together there is nothing greater than the chemistry and the alchemy of musical theater… There’s a joy, there’s a bounce, there’s an effervescence that’s part of that music. I had a great teacher in college, the head of our program Brent Wagner said, 'With lyrics, I can tell you to open the door, but with music I can tell you how.’ Lyrics are information and music is emotion.

FRANÇOIS CLEMMONS - 1st African American Actor on Children’s TV - Officer Clemmons on Mister Rogers’ Neighborhood - Highlights

FRANÇOIS CLEMMONS - 1st African American Actor on Children’s TV - Officer Clemmons on Mister Rogers’ Neighborhood - Highlights

/

Singer · Author
1st African American Actor on Children’s TV · Officer Clemmons on Mister Rogers’ Neighborhood

I always find it an ironic thing to think about the fact that Fred Rogers was colour-blind. He could barely tell a blue from a grey. I was young and to him I was a child and I certainly played the role of a child and he played the role of parent… He was profoundly patient.

Grammy Award Winner FRANÇOIS CLEMMONS on Pioneering African American Representation on Children's TV

Grammy Award Winner FRANÇOIS CLEMMONS on Pioneering African American Representation on Children's TV

/

Singer · Author
1st African American Actor on Children’s TV · Officer Clemmons on Mister Rogers’ Neighborhood

I always find it an ironic thing to think about the fact that Fred Rogers was colour-blind. He could barely tell a blue from a grey. I was young and to him I was a child and I certainly played the role of a child and he played the role of parent… He was profoundly patient.

Exploring Jewish Identity: TAL HEVER-CHYBOWSKI on Literature, Translation & Yiddish Culture - Highlights

Exploring Jewish Identity: TAL HEVER-CHYBOWSKI on Literature, Translation & Yiddish Culture - Highlights

/

Director of the Paris Yiddish Center (Maison de la Culture Yiddish) & Medem Library

A lot of people in my family and among my friends when they heard that I study Yiddish and that later made it my livelihood, they are very surprised. Yiddish? How come Yiddish? Why Yiddish? They even laugh sometimes, they are very surprised. And what I answer to them is that there is nothing surprising about the fact that I study or speak Yiddish. The real surprise, the real question that has to be asked is how come my parents, this last generation, didn’t speak Yiddish? Because, if you consider my family, for hundreds of years on all sides they spoke Yiddish.

TAL HEVER-CHYBOWSKI - Director, Paris Yiddish Center (Maison de la Culture Yiddish) & Medem Library

TAL HEVER-CHYBOWSKI - Director, Paris Yiddish Center (Maison de la Culture Yiddish) & Medem Library

/

Director of the Paris Yiddish Center (Maison de la Culture Yiddish) & Medem Library

A lot of people in my family and among my friends when they heard that I study Yiddish and that later made it my livelihood, they are very surprised. Yiddish? How come Yiddish? Why Yiddish? They even laugh sometimes, they are very surprised. And what I answer to them is that there is nothing surprising about the fact that I study or speak Yiddish. The real surprise, the real question that has to be asked is how come my parents, this last generation, didn’t speak Yiddish? Because, if you consider my family, for hundreds of years on all sides they spoke Yiddish.

Writer, Director ETGAR KERET on Dreams, Memory & Writing as a Healing Process - Highlights

Writer, Director ETGAR KERET on Dreams, Memory & Writing as a Healing Process - Highlights

/

Writer and Director

When I compare novelists to short story writers or very short story writers, I can’t compare them, but one thing for sure, the purpose is different. I think that someone who writes tries to create or document a world. And when you write very short fiction you try to document a motion, some kind of movement.

Writer/Filmmaker ETGAR KERET: A Voice for Humanity, Culture & Creativity

Writer/Filmmaker ETGAR KERET: A Voice for Humanity, Culture & Creativity

/

Writer and Director

When I compare novelists to short story writers or very short story writers, I can’t compare them, but one thing for sure, the purpose is different. I think that someone who writes tries to create or document a world. And when you write very short fiction you try to document a motion, some kind of movement.

PATON MILLER - Artist & World Traveler - Highlights

PATON MILLER - Artist & World Traveler - Highlights

/

Artist & World Traveler

When we moved back to Hawaii and lived on Molokai. I was teaching at the Kalaupapa Leprosy Colony, we had no money. And I was spearfishing, not for sport, but to get food for my family. And it was a beautiful time of our lives. We were so poor, but we were not poor. Poor is a state of mind. We were without money, but we were having so much fun.

Exploring Mythology & World Culture through Art with PATON MILLER

Exploring Mythology & World Culture through Art with PATON MILLER

/

Artist & World Traveler

When we moved back to Hawaii and lived on Molokai. I was teaching at the Kalaupapa Leprosy Colony, we had no money. And I was spearfishing, not for sport, but to get food for my family. And it was a beautiful time of our lives. We were so poor, but we were not poor. Poor is a state of mind. We were without money, but we were having so much fun.

Colombian Jazz Harpist Virtuoso EDMAR CASTANEDA on Family, Faith & the Creative Process - Highlights

Colombian Jazz Harpist Virtuoso EDMAR CASTANEDA on Family, Faith & the Creative Process - Highlights

/

Jazz Harpist

The harp or the instrument that I play is a traditional instrument from Columbia (I’m from Bogota, Columbia). We have traditional music there called Janetta music. It’s the music from the plains of Colombia and Venezuala. It’s like the cowboy music… I met the harp when I was seven years old. That’s the first time I saw this instrument. I was like–Wow! I knew I was born to play the harp that day!

EDMAR CASTANEDA - Jazz Harpist Virtuoso

EDMAR CASTANEDA - Jazz Harpist Virtuoso

/

Jazz Harpist

The harp or the instrument that I play is a traditional instrument from Columbia (I’m from Bogota, Columbia). We have traditional music there called Janetta music. It’s the music from the plains of Colombia and Venezuala. It’s like the cowboy music… I met the harp when I was seven years old. That’s the first time I saw this instrument. I was like–Wow! I knew I was born to play the harp that day!

Tony Award Winner JOHN BENJAMIN HICKEY on The Normal Heart, The Big C & Beyond - Highlights

Tony Award Winner JOHN BENJAMIN HICKEY on The Normal Heart, The Big C & Beyond - Highlights

/

Actor and Director

If you are thinking about too much, you're probably not doing it right. Some nights you do it and you're just like, that just felt like it was ten minutes long and I just was on cloud nine. What was I doing? A great, great American actor George C. Scott had a great quote once, he said, "Every actor worth their salt has one good show a week and spends those other seven shows wondering what they did that made them so good that night." And nobody knows. If you could figure that out and if you could bottle that then, of course, everybody could do it.

JOHN BENJAMIN HICKEY - Tony & Obie Award-Winning Actor & Director

JOHN BENJAMIN HICKEY - Tony & Obie Award-Winning Actor & Director

/

Actor and Director

I've been so fortunate to work with such great actors over the years. Laura Linney, Joe Mantello and the entire company of The Normal Heart, Nathan Lane, who I consider one of my great educators. He was a real mentor to me. He was such a professional and he was so devoted to the character and worked tirelessly to make the character in the show as good as it could possibly be. Nathan never ever did it sitting down. He's always full steam ahead and there was a great lesson in that for me to watch somebody's work ethic. It taught me my work ethic.

From Campus to Community - JESS WILBER on Citizens’ Climate Lobby - Highlights

From Campus to Community - JESS WILBER on Citizens’ Climate Lobby - Highlights

/

International Outreach Citizens’ Climate Lobby
Coordinator, Senior Stewards Acting for the Environment

When I was in highschool, I recognized that climate change was going to be the largest problem facing my generation and future generations, and I couldn’t help but feel like there was nothing I could do in the face of such an impending problem. So I was actively looking at different organizations that I could become involved with that would help me develop the skills and knowledge I needed to be an effective climate advocate.

JESS WILBER

JESS WILBER

/

International Outreach Citizens’ Climate Lobby
Coordinator, Senior Stewards Acting for the Environment

When I was in highschool, I recognized that climate change was going to be the largest problem facing my generation and future generations, and I couldn’t help but feel like there was nothing I could do in the face of such an impending problem. So I was actively looking at different organizations that I could become involved with that would help me develop the skills and knowledge I needed to be an effective climate advocate.