Colombian Jazz Harpist Virtuoso EDMAR CASTANEDA on Family, Faith & the Creative Process - Highlights

Colombian Jazz Harpist Virtuoso EDMAR CASTANEDA on Family, Faith & the Creative Process - Highlights

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Jazz Harpist

The harp or the instrument that I play is a traditional instrument from Columbia (I’m from Bogota, Columbia). We have traditional music there called Janetta music. It’s the music from the plains of Colombia and Venezuala. It’s like the cowboy music… I met the harp when I was seven years old. That’s the first time I saw this instrument. I was like–Wow! I knew I was born to play the harp that day!

EDMAR CASTANEDA - Jazz Harpist Virtuoso

EDMAR CASTANEDA - Jazz Harpist Virtuoso

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Jazz Harpist

The harp or the instrument that I play is a traditional instrument from Columbia (I’m from Bogota, Columbia). We have traditional music there called Janetta music. It’s the music from the plains of Colombia and Venezuala. It’s like the cowboy music… I met the harp when I was seven years old. That’s the first time I saw this instrument. I was like–Wow! I knew I was born to play the harp that day!

Chilean singer-songwriter & activist NANO STERN On Tradition, Innovation & the Power of Song - Highlights

Chilean singer-songwriter & activist NANO STERN On Tradition, Innovation & the Power of Song - Highlights

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Musician and Songwriter

There is a metaphor to every single word that we say, we're just not aware. But if we were aware, then it would become very interesting. And that's the quest for me to be constantly more and more aware because it's so beautiful. It's a quest for beauty as well.

The Intersection of Music, Culture & Activism with NANO STERN

The Intersection of Music, Culture & Activism with NANO STERN

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Musician and Songwriter

There is a metaphor to every single word that we say, we're just not aware. But if we were aware, then it would become very interesting. And that's the quest for me to be constantly more and more aware because it's so beautiful. It's a quest for beauty as well.

Creating Cultural Impact: VALLEJO GANTNER, Artistic Exec. Director, ONASSIS USA - Highlights

Creating Cultural Impact: VALLEJO GANTNER, Artistic Exec. Director, ONASSIS USA - Highlights

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Executive Artistic Director · Onassis USA

The Humanities Impact Program is something that Young Kim, who is director of education here in New York, really built. And it is, I think, a very impactful, thoughtful program of support and collaboration with a range of organizations that, again, is about trying to build some of these classical ideas into the kind of contemporary practice where historically they've been ignored.

From PS122 to Onassis USA: VALLEJO GANTNER's Journey in the Arts

From PS122 to Onassis USA: VALLEJO GANTNER's Journey in the Arts

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Executive Artistic Director · Onassis USA

The Humanities Impact Program is something that Young Kim, who is director of education here in New York, really built. And it is, I think, a very impactful, thoughtful program of support and collaboration with a range of organizations that, again, is about trying to build some of these classical ideas into the kind of contemporary practice where historically they've been ignored.

Curating Community: Behind the Scenes at GUILD HALL MUSEUM - Highlights

Curating Community: Behind the Scenes at GUILD HALL MUSEUM - Highlights

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Museum Director & Chief Curator · Guild Hall of East Hampton

I think that what you're doing is definitely offering a service to so many people and letting them explore various forms of creativity and how you can use that creativity to enhance the world. I don't mean it in a highfalutin way, but I think that art does influence the world on many different levels. On a daily level, but on a more global level.

Exploring the Artistic Landscape of the Hamptons w/ GUILD HALL MUSEUM's CHRISTINA MOSSAIDES STRASSFIELD

Exploring the Artistic Landscape of the Hamptons w/ GUILD HALL MUSEUM's CHRISTINA MOSSAIDES STRASSFIELD

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Museum Director & Chief Curator · Guild Hall of East Hampton

I think that what you're doing is definitely offering a service to so many people and letting them explore various forms of creativity and how you can use that creativity to enhance the world. I don't mean it in a highfalutin way, but I think that art does influence the world on many different levels. On a daily level, but on a more global level.

Shelter Songs with Singer, Songwriter TERRY RADIGAN

Shelter Songs with Singer, Songwriter TERRY RADIGAN

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Musician and Songwriter

So, I started the program called Shelter Songs. I'm in two shelters now and expanding to 4 or 5 throughout the city. It's a nice thing to just look at them and say, "I'm with you for an hour. I'm here to serve you. Whatever you want. I have no agenda on what we're going to write.

Breaking Boundaries in Classical and Jazz - ROBERT DICK - Flutist, Composer - Highlights

Breaking Boundaries in Classical and Jazz - ROBERT DICK - Flutist, Composer - Highlights

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Award-winning Flutist, Composer, Teacher & Author

I decided that I wanted to explore the flute. I mean really explore the flute. People had known a few multi-phonics where you could play two notes. But they had been basically “special effects”, sort of sprinkled into a traditional line to spice it up. And I thought, why not just go the whole way? So my concept that first of all music is made by people. All art is made by people. Music is not made by instruments. The sound of the flute is silence. The sound of the piano is silence. The mark of a brush is a white canvas until the person makes the mark. So music comes from people. We use instruments.

ROBERT DICK - Award-winning Flutist, Composer, Teacher & Author

ROBERT DICK - Award-winning Flutist, Composer, Teacher & Author

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Award-winning Flutist, Composer, Teacher & Author

I decided that I wanted to explore the flute. I mean really explore the flute. People had known a few multi-phonics where you could play two notes. But they had been basically “special effects”, sort of sprinkled into a traditional line to spice it up. And I thought, why not just go the whole way? So my concept that first of all music is made by people. All art is made by people. Music is not made by instruments. The sound of the flute is silence. The sound of the piano is silence. The mark of a brush is a white canvas until the person makes the mark. So music comes from people. We use instruments.

Behind the Curtain: JULIAN FLEISHER - Jazz Singer, Writer, Radio Host & Producer - Highlights

Behind the Curtain: JULIAN FLEISHER - Jazz Singer, Writer, Radio Host & Producer - Highlights

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Jazz Singer, Writer, Radio Host & Producer

Over the years I’ve had a career as an actor, as a writer. I wrote books for many years. I’ve been singer, singer, songwriter, radio host… When I look at the whole drawing on the napkin, and I tried to ask myself–What unifies all of these things? And it came down to songs. Songs really are at the heart of all of these pursuits. Something about songs really matters to me. In the same people believe in Jesus Christ, and they can’t really get through the day without connecting with that figure. That’s how I am about songs. They are the fuel for me.

JULIAN FLEISHER - Jazz Singer, Writer, Radio Host & Producer

JULIAN FLEISHER - Jazz Singer, Writer, Radio Host & Producer

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Jazz Singer, Writer, Radio Host & Producer

Over the years I’ve had a career as an actor, as a writer. I wrote books for many years. I’ve been singer, singer, songwriter, radio host… When I look at the whole drawing on the napkin, and I tried to ask myself–What unifies all of these things? And it came down to songs. Songs really are at the heart of all of these pursuits. Something about songs really matters to me. In the same people believe in Jesus Christ, and they can’t really get through the day without connecting with that figure. That’s how I am about songs. They are the fuel for me.

Otherwise Known as the Human Condition with GEOFF DYER - Highlights

Otherwise Known as the Human Condition with GEOFF DYER - Highlights

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In a way, I sometimes think that it’s when the divergences from what really happened are quite small that it calls for the services of a very scrupulous and clever biographer. Certainly the stuff you get about me from my books it’s not–how can I put it?–it’s not reliable as evidence in any court of law. I’m very conscious that I’m not under oath when I’m writing.

Beyond Genre: GEOFF DYER's Journey Through Novels, Essays, and Experimental Writing

Beyond Genre: GEOFF DYER's Journey Through Novels, Essays, and Experimental Writing

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In a way, I sometimes think that it’s when the divergences from what really happened are quite small that it calls for the services of a very scrupulous and clever biographer. Certainly the stuff you get about me from my books it’s not–how can I put it?–it’s not reliable as evidence in any court of law. I’m very conscious that I’m not under oath when I’m writing.