Multiple GRAMMY Award-winning composer
One of the ten most performed composers in America
“Architecture is frozen music,” as Goethe said…There is something about when you’re exploring not knowing exactly where it’s going to go or how it’s going to turn out which creates an element of surprise and an element of intrigue.
Multiple GRAMMY Award-winning composer
One of the ten most performed composers in America
“Architecture is frozen music,” as Goethe said…There is something about when you’re exploring not knowing exactly where it’s going to go or how it’s going to turn out which creates an element of surprise and an element of intrigue.
MacArthur & ASCAP Award-Winning Composer, Conductor & Pianist
I try to preserve the Chinese music flavor. So, you imagine in Chinese band, the country music that people usually reserve for weddings or for big moments or for funerals. That kind of a feeling. Drums and music playing. I try to preserve it from my memory because what we have now is just a tune. You can probably recognize the tune, but the execution of translating that for a Western orchestra and make it sound like it’s a Chinese band playing Chinese instruments.
MacArthur & ASCAP Award-Winning Composer, Conductor & Pianist
I try to preserve the Chinese music flavor. So, you imagine in Chinese band, the country music that people usually reserve for weddings or for big moments or for funerals. That kind of a feeling. Drums and music playing. I try to preserve it from my memory because what we have now is just a tune. You can probably recognize the tune, but the execution of translating that for a Western orchestra and make it sound like it’s a Chinese band playing Chinese instruments.
Editor, Writer, Curator, Content Creator, Pianist & Composer
This particular exhibition definitely had to do with my close relationship to dance. I have collaborated a lot with choreographers for contemporary dance theater, and I was often advising collaborators, so we would create the tasks and the content of the choreography together. We would exchange the tasks. We would create the score and narrative together. Also, because I’m a pianist, which is a very physically demanding instrument, you have this geography of the piano. I think this exhibitions links to my own experience as a performer and composer for dance and the relationship that music has with the body.
Editor, Writer, Curator, Content Creator, Pianist & Composer
This particular exhibition definitely had to do with my close relationship to dance. I have collaborated a lot with choreographers for contemporary dance theater, and I was often advising collaborators, so we would create the tasks and the content of the choreography together. We would exchange the tasks. We would create the score and narrative together. Also, because I’m a pianist, which is a very physically demanding instrument, you have this geography of the piano. I think this exhibitions links to my own experience as a performer and composer for dance and the relationship that music has with the body.
Writer, Director & Composer
I think it goes to this feeling of freedom, looking how freedom changes as you grow, being a very particular type of freedom that children have just by the nature of not having learned what the rules are. As we grow, we start to limit what we believe is possible. When you’re a kid, there isn’t a delineation between this is real, and this is my imagination. It’s all real. That’s your life experience.
Founding Conductor of the Four Seasons Orchestra
Principal Violist of the Scottsdale Philharmonic
I feel that the earth is like a classroom for soul growth and we’re put here to overcome challenges, and we may be working on something like humility or compassion or love of humanity. The challenges might be something like war or cancer. Everybody gets a challenge to work on in their lives, but they also get a great gift to help them through those challenges. You just have to know how to use those gifts.
Founding Conductor of the Four Seasons Orchestra
Principal Violist of the Scottsdale Philharmonic
I feel that the earth is like a classroom for soul growth and we’re put here to overcome challenges, and we may be working on something like humility or compassion or love of humanity. The challenges might be something like war or cancer. Everybody gets a challenge to work on in their lives, but they also get a great gift to help them through those challenges. You just have to know how to use those gifts.
Award-winning Flutist, Composer, Teacher & Author
I decided that I wanted to explore the flute. I mean really explore the flute. People had known a few multi-phonics where you could play two notes. But they had been basically “special effects”, sort of sprinkled into a traditional line to spice it up. And I thought, why not just go the whole way? So my concept that first of all music is made by people. All art is made by people. Music is not made by instruments. The sound of the flute is silence. The sound of the piano is silence. The mark of a brush is a white canvas until the person makes the mark. So music comes from people. We use instruments.
Award-winning Flutist, Composer, Teacher & Author
I decided that I wanted to explore the flute. I mean really explore the flute. People had known a few multi-phonics where you could play two notes. But they had been basically “special effects”, sort of sprinkled into a traditional line to spice it up. And I thought, why not just go the whole way? So my concept that first of all music is made by people. All art is made by people. Music is not made by instruments. The sound of the flute is silence. The sound of the piano is silence. The mark of a brush is a white canvas until the person makes the mark. So music comes from people. We use instruments.
The Creative Process: Podcast Interviews & Portraits of the World’s Leading Authors & Creative Thinkers
Inspiring Students – Encouraging Reading - Connecting through Stories
The Creative Process exhibition is traveling to universities and museums. The Creative Process exhibition consists of interviews with over 100 esteemed writers, including Joyce Carol Oates, Hilary Mantel, Neil Gaiman, Viet Thanh Nguyen, Tobias Wolff, Richard Ford, Junot Díaz, Marie Darrieussecq, Michel Faber, T.C. Boyle, Jay McInerney, George Saunders, Geoff Dyer, Etgar Keret, Douglas Kennedy, Sam Lipsyte, and Yiyun Li, among others. Artist and interviewer: Mia Funk.
