Speaking Out of Place: BILL McKIBBEN, Co-Founder of 350.org, Founder Third Act & CAROLINE LEVINE, Author of The Activist Humanist

Speaking Out of Place: BILL McKIBBEN, Co-Founder of 350.org, Founder Third Act & CAROLINE LEVINE, Author of The Activist Humanist

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Co-Founder of 350.org · Founder Third Act · Author of The Activist Humanist

Viewed one way, we live in a very hopeful moment. Thanks to in large part the work of university scientists and engineers, we now live on a planet where the cheapest way to produce power is to point a sheet of glass at the sun. That is to say, we could run our Earth on energy from heaven instead of hell, and we could do it fast. The fast is the hard part here. The only difference between all the examples of the long victories of social justice activism that we're in now is that this one is a time-limited problem. If we don't solve it fast, then no one's got a plan for how you refreeze the Arctic once you've melted it. And so we have to move very quickly. Our systems are not designed to move quickly. It's the easiest thing in the world to slow down and delay change, which is all that the fossil fuel industry at this point is trying to do, and that means that it's time for maximum effort from all of us. The story to tell is that the planet is outside its comfort zone, so we need to be outside ours.

Speaking Out of Place: SARA AHMED discusses The Feminist Killjoy Handbook

Speaking Out of Place: SARA AHMED discusses The Feminist Killjoy Handbook

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Author of The Feminist Killjoy Handbook
Independent Queer Feminist Scholar

You're more likely to progress if you say yes. It's a reproductive mechanism, which is why feminist culture knows so much about everything. We can explain how it is that institutions keep being reproduced in the same way. So what then do you do? Where do you go if your no has nowhere to go? And I think when you say no to the world, and you're pushed out by it, you still find your people. And that there's the world-making is in the people who find in the refusal of the institution a common ground.

Speaking Out of Place: MANIJEH MORADIAN discusses This Flame Within: Iranian Revolutionaries in the United States

Speaking Out of Place: MANIJEH MORADIAN discusses This Flame Within: Iranian Revolutionaries in the United States

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Author of This Flame Within: Iranian Revolutionaries in the United States

So you start having Iranian students coming in the late 1950s. The numbers increased throughout the sixties and seventies. Tens of thousands of Iranian students, more than from any other country, come to the United States to study. At the moment, in 1979, the moment of the revolution, there were 50,000 or more students in the United States. So it's by far the largest foreign student population here. In the 1970s, it became possible for less affluent students to come. For the first time, there were more government scholarships available to certain groups of workers in the oil industry, for example, to their children. They were not blue-collar, but more like white-collar office workers. Before that, it had been mostly wealthy families who could afford to send their children abroad and who had access to education in the first place, but when you have less affluent students coming to less expensive, smaller colleges. By the 1970s, Iran had become so repressive that young people were trying to leave. They want to leave, and some of them want to leave intentionally to become activists and join the Iran student opposition movement.

Speaking Out of Place: SILVIA FEDERICI discusses Re-enchanting the World: Feminism and the Politics of the Commons

Speaking Out of Place: SILVIA FEDERICI discusses Re-enchanting the World: Feminism and the Politics of the Commons

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Scholar · Educator · Feminist Activist
Author of Caliban and the Witch
Re-enchanting the World: Feminism and the Politics of the Commons

When I came to America I had a shock. I never knew what it meant to be in a country that seems to have no history, being in a place where you feel like you are nowhere, you could have been dropped by a plane in a cultural, historical desert. In the United States, they're destroying historic buildings. They've paved over cemeteries of African slaves. They're changing the environment so that memory is destroyed.

Because you are placing yourself in a broader arc of time, I asked a woman from Guatemala: how can women keep fighting for so much power? And she said, "Because, for us, the dead are not dead." This gives them the courage to go on when everything seems to be lost. I think that this is the kind of struggle that we need to make against war, against the destruction of nature.

Speaking Out of Place: SUSAN ALBUHAWA discusses “Palestine Writes”

Speaking Out of Place: SUSAN ALBUHAWA discusses “Palestine Writes”

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Novelist · Poet · Essayist · Scientist · Mother · Activist
Organizer of “Palestine Writes” · the only North American literature festival celebrating Palestinian Writers & Artists
Founder of the Children’s Organization Playgrounds for Palestine

Palestinians have been facing erasure for decades. There's the physical erasure of our villages, the names of our villages, the erasure of the word Palestine from the map, erasure of our identities. And now there's this kind of colonization of our narratives, of our stories, and our history. And Palestine Writes is part of a counterforce against this new form of colonization. The Zionist colonial narrative has always shifted with shifting wind, depending on what's in vogue at the time. Initially, it was a sort of romantic ending to Europe's genocide of its own Jewish population. And there was this epic myth of "a land without people for a people without land". And of course that was unsustainable.

Speaking Out of Place: CYNTHIA G. FRANKLIN discusses “Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea”

Speaking Out of Place: CYNTHIA G. FRANKLIN discusses “Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea”

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Author of Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea
Professor of English at University of Hawai'i · Coeditor of the journal Biography

I posit narrated humanity as a lens through which to study how narratives participate in struggles to conceive human being beyond juridical and narrative humanity. What I was thinking about was just the kind of narrative codes and conventions and genres that help us to understand who counts as human in ways that people who are fighting for human rights as a thing that you have to do, even as there are all kinds of critiques that can and have been made rightly so of human rights, but that you have to do it.

Speaking Out of Place: DR. JENNIFER M. GÓMEZ discusses “The Cultural Betrayal of Black Women and Girls”

Speaking Out of Place: DR. JENNIFER M. GÓMEZ discusses “The Cultural Betrayal of Black Women and Girls”

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Author of The Cultural Betrayal of Black Women and Girls: A Black Feminist Approach to Healing from Sexual Abuse
Assistant Professor in the School of Social Work · Faculty Affiliate at the Center for Innovation in Social Work & Health at Boston University,

So many of us have experienced things along this vein, and when we know that, then the feelings of isolation can be interrupted with this understanding that many of us have been through these things. And if that person over there can experience joy, well maybe I can experience joy too, and maybe this is a different kind of harm and cultural betrayal. Sexual trauma and abuse as a collective community-level harm, that means community-level healing and personal healing.

Highlights - Debra Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

Highlights - Debra Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

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Showrunner of Netflix’s Ginny & Georgia
Writer · Exec. Producer · Director · Alias · Criminal Minds · The OC · Charmed

I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.

Debra J. Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

Debra J. Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

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Showrunner of Netflix’s Ginny & Georgia
Writer · Exec. Producer · Director · Alias · Criminal Minds · The OC · Charmed

I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.

Highlights - Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “The Seven Good Years”

Highlights - Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “The Seven Good Years”

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Cannes Film Festival Award-winning Director
Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years

For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language.

Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “Suddenly a Knock on the Door”

Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “Suddenly a Knock on the Door”

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Cannes Film Festival Award-winning Director
Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years

For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language.

Highlights - Dr. Jessica Hernandez - Author of “Fresh Banana Leaves: Healing Indigenous Landscapes through Indigenous Science"

Highlights - Dr. Jessica Hernandez - Author of “Fresh Banana Leaves: Healing Indigenous Landscapes through Indigenous Science"

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Transnational Indigenous Scholar, Scientist
Author of Fresh Banana Leaves: Healing Indigenous Landscapes through Indigenous Science

I live my life embodying the teaching my grandmother instilled in me – that no matter which lens I walked on, I had to learn how to build relationships with the land and the Indigenous peoples whose land I reside on to become a welcome guest. As a displaced Indigenous woman, my longing to return to my ancestral homelands will always be there, and this is why I continue to support my communities in the diaspora. However, my relationships are not only with my community, but also the Indigenous communities whose land I am displaced on, and this is the foundation of my work while residing in the Pacific Northwest. I strongly believe that in order to start healing Indigenous landscapes, everyone must understand their positionality as either settlers, unwanted guests, or welcomed guests, and that is ultimately determined by the Indigenous communities whose land you currently reside on or occupy. This teaching has also helped me envision my goals in life. Every day I get closer to becoming an ancestor because life is not guaranteed but rather a gift we are granted from our ancestors who are now in the spiritual world.

Dr. Jessica Hernandez - Transnational Indigenous Scholar, Scientist, Author of “Fresh Banana Leaves”

Dr. Jessica Hernandez - Transnational Indigenous Scholar, Scientist, Author of “Fresh Banana Leaves”

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Transnational Indigenous Scholar, Scientist
Author of Fresh Banana Leaves: Healing Indigenous Landscapes through Indigenous Science

I live my life embodying the teaching my grandmother instilled in me – that no matter which lens I walked on, I had to learn how to build relationships with the land and the Indigenous peoples whose land I reside on to become a welcome guest. As a displaced Indigenous woman, my longing to return to my ancestral homelands will always be there, and this is why I continue to support my communities in the diaspora. However, my relationships are not only with my community, but also the Indigenous communities whose land I am displaced on, and this is the foundation of my work while residing in the Pacific Northwest. I strongly believe that in order to start healing Indigenous landscapes, everyone must understand their positionality as either settlers, unwanted guests, or welcomed guests, and that is ultimately determined by the Indigenous communities whose land you currently reside on or occupy. This teaching has also helped me envision my goals in life. Every day I get closer to becoming an ancestor because life is not guaranteed but rather a gift we are granted from our ancestors who are now in the spiritual world.

(Highlights) JESSA REED

(Highlights) JESSA REED

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Comedian & Host of Awakening Orientation Dept. & Soberish

That’s just always been something that’s been inspiring to me which is helping people from the wrong side of the tracks, the misunderstood, the addicted, helping people step into their power and believe in themselves.

JESSA REED

JESSA REED

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Comedian & Host of Awakening Orientation Dept. & Soberish

That’s just always been something that’s been inspiring to me which is helping people from the wrong side of the tracks, the misunderstood, the addicted, helping people step into their power and believe in themselves.