By Millicent Borges Accardi

from a line by Natalie Diaz

Marking words to delete, like
people who do not belong, precious
darlings, a writing teacher called 
them. The clever lines you smile 
about and pronounce defiantly at 
poetry readings, repeating them 
with gusto and fight, hiding 
a well-knowing smile, as you say,
 I CRACK in the DARK. I SHINE
In the SNOW. You have a shoebox 
full of castaways, the lost words
you forever-keep, meshing inside 
you and delighting over, only,
to want desperately to use and be used
by them, like the short red dress
that draws you into its candy 
apple arms. On a date, you know 
you are in trouble when you check 
the taste of the lime and gin for a 
hint of peppermint, but the temptation 
is too fierce, pulling to the opposite
of the pushing back; you know you
must give in to the, do, be and have-
yet words, the no, yes and you must fight
the poetic temptations of which you 
are so certain are bad and will end 
with a bang and a scream where you
and your poem are on  a rooftop, 
with your arms gesturing at the poem
to the moon, saying, Keep the LINE
I LOVE THAT LINE, while rushes 
of warm air heat up your new 
thoughts and wrap around you like 
a cocktail and a freshly washed bed sheet

The Importance of Arts, Culture & The Creative Process

Especially in these times, it is important to focus on the arts, critical thinking and to (as poet Carolyn Forché says) to stop focusing ONLY on the oppressor(s) and to put our energies on those oppressed and build up our own strength.

What was the inspiration for your creative work?
I was reading Natalie Diaz and a line of hers "across the frozen page" struck me, and I kept mulling it over in relation to my own writing process. How frozen a page can seem and how weary we are of hanging onto our favorite lines and always eager to latch onto a new fresh idea.a

Tell us something about the natural world that you love and don’t wish to lose. What are your thoughts on the kind of world we are leaving for the next generation?
Kindness, art and literature and natural resources.

Millicent Borges Accardi, a Portuguese-American writer, is the author of four poetry collections, including Only More So (Salmon), and the recent Quarantine Highway (FlowerSong Press). Among her awards are fellowships from CantoMundo, National Endowment for the Arts (NEA), Fulbright, California Arts Council, Foundation for Contemporary Arts (Covid grant), and the Barbara Deming Foundation. She is a mentor in the Adroit Journal and AWP Writer 2 Writer summer programs.