Do good deeds offset bad deeds? How do our families shape who we become?- Highlights - DAN FUTTERMAN & ADAM RAPP

Do good deeds offset bad deeds? How do our families shape who we become?- Highlights - DAN FUTTERMAN & ADAM RAPP

/

Award-winning Screenwriters · Exec. Producers · Directors
American Rust · The Looming Tower
Capote · The Outsiders musical

We're all culpable in some way of being both good and bad, being virtuous and also questionable at times in our own lives. And I think when you start answering questions on either side of that too firmly, I think it allows the audience to disconnect from it. And then you just have this sort of a good and bad guy narrative that is oversimplified all too often in our culture. I think viewers will relate to this nature versus nurture versus DNA, raising all the questions of psychological and biological inheritance.

Exploring American Rust: Broken Justice w/ DAN FUTTERMAN & ADAM RAPP - Award-winning Screenwriters/EPs

Exploring American Rust: Broken Justice w/ DAN FUTTERMAN & ADAM RAPP - Award-winning Screenwriters/EPs

/

Award-winning Screenwriters · Exec. Producers · Directors
American Rust · The Looming Tower
Capote · The Outsiders musical

We're all culpable in some way of being both good and bad, being virtuous and also questionable at times in our own lives. And I think when you start answering questions on either side of that too firmly, I think it allows the audience to disconnect from it. And then you just have this sort of a good and bad guy narrative that is oversimplified all too often in our culture. I think viewers will relate to this nature versus nurture versus DNA, raising all the questions of psychological and biological inheritance.

Highlights - Actress CATHERINE CURTIN (Orange is the New Black) & Artistic Director KATE MUETH (Director, Educator, Choreographer)

Highlights - Actress CATHERINE CURTIN (Orange is the New Black) & Artistic Director KATE MUETH (Director, Educator, Choreographer)

/

"I don't know why we would really want to tell stories without being connected to the meaning. And I think that's especially for women, but I do think for human beings, that is how we can work as hard and be able to get up the next morning and keep going. Because we are working through the meaning, and it feeds us as we're like making sense of it all, trying to make sense of it, and for being in community and communion.” - Kate Mueth
”What we've done today is we've made everything so fast and so easy that I think there's something to the creative process about it being a little bit more of an exploration than it is wham bam, it's done. Let's go have lunch. And I think there is something to the creative process where it's allowed to develop. It's called process because it is a process. I'm always glad to just relax in the creative process, and I'm always very grateful for that. I think it's why I do so much indie film because it's really fun.” -Catherine Curtin

Actress CATHERINE CURTIN (Stranger Things) & Artistic Director KATE MUETH (Neo-Political Cowgirls)

Actress CATHERINE CURTIN (Stranger Things) & Artistic Director KATE MUETH (Neo-Political Cowgirls)

/

"I don't know why we would really want to tell stories without being connected to the meaning. And I think that's especially for women, but I do think for human beings, that is how we can work as hard and be able to get up the next morning and keep going. Because we are working through the meaning, and it feeds us as we're like making sense of it all, trying to make sense of it, and for being in community and communion.” - Kate Mueth
”What we've done today is we've made everything so fast and so easy that I think there's something to the creative process about it being a little bit more of an exploration than it is wham bam, it's done. Let's go have lunch. And I think there is something to the creative process where it's allowed to develop. It's called process because it is a process. I'm always glad to just relax in the creative process, and I'm always very grateful for that. I think it's why I do so much indie film because it's really fun.” -Catherine Curtin

(Highlights) Candace Fujikane · Author of "Mapping Abundance for a Planetary Future”

(Highlights) Candace Fujikane · Author of "Mapping Abundance for a Planetary Future”

/

Author of Mapping Abundance for a Planetary Future
Professor of English at the University of the Hawaiʻi at Manoa

The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranforma- tion will enable them to survive what capital cannot.

Candace Fujikane - Author of "Mapping Abundance for a Planetary Future"

Candace Fujikane - Author of "Mapping Abundance for a Planetary Future"

/

Author of Mapping Abundance for a Planetary Future
Professor of English at the University of the Hawaiʻi at Manoa

The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranforma- tion will enable them to survive what capital cannot.

(Highlights) IAIN McGILCHRIST

(Highlights) IAIN McGILCHRIST

/

Author of The Matter with Things · The Master and his Emissary: The Divided Brain and the Making of the Western World Psychiatrist, Neuroscience Researcher, Philosopher & Literary Scholar

The heart also reports to the brain and receives from the brain. So our bodies are in dialogue with the brain. And we don't really know where consciousness is, we sort of imagine it's somewhere in the head. We have no real reason to suppose that it's just we identify it with our sight and we, therefore, think it must be somewhere up there behind the eyes, but it's something that takes in the whole of us and to which the whole of us contributes.

IAIN McGILCHRIST

IAIN McGILCHRIST

/

Author of The Matter with Things · The Master and his Emissary: The Divided Brain and the Making of the Western World Psychiatrist, Neuroscience Researcher, Philosopher & Literary Scholar

The heart also reports to the brain and receives from the brain. So our bodies are in dialogue with the brain. And we don't really know where consciousness is, we sort of imagine it's somewhere in the head. We have no real reason to suppose that it's just we identify it with our sight and we, therefore, think it must be somewhere up there behind the eyes, but it's something that takes in the whole of us and to which the whole of us contributes.

(Highlights) WILLIAM McDONOUGH

(Highlights) WILLIAM McDONOUGH

/

Leader in Sustainable Design & Development
Architect, Co-author of Cradle to Cradle: Remaking the Way We Make Things

I think believing in something is also part of the responsibility of the believer to sift through these things. So there are a lot of people saying I'm green because they do something less badly. So for me, it’s not green yet, it's just less bad. It's not really good yet. It's not really fabulous, but that just means there's an opportunity to keep going to share information and help each other because in the end, I think what we're dealing with now is the recognition that the world has a very serious issue with climate, that's very clear now. So how can we help each other? The question is no longer what is wrong with the way you're doing it. The real question now is how can I help you?

WILLIAM McDONOUGH

WILLIAM McDONOUGH

/

Leader in Sustainable Design & Development
Architect, Co-author of Cradle to Cradle: Remaking the Way We Make Things

I think believing in something is also part of the responsibility of the believer to sift through these things. So there are a lot of people saying I'm green because they do something less badly. So for me, it’s not green yet, it's just less bad. It's not really good yet. It's not really fabulous, but that just means there's an opportunity to keep going to share information and help each other because in the end, I think what we're dealing with now is the recognition that the world has a very serious issue with climate, that's very clear now. So how can we help each other? The question is no longer what is wrong with the way you're doing it. The real question now is how can I help you?

(Highlights) AZBY BROWN

(Highlights) AZBY BROWN

/

Author of Just Enough · Small Spaces · Lead Researcher for Safecast
Authority on Japanese Architecture, Design & Environmentalism

In Edo Japan, basically life was pretty good, and they recycled everything. Everything was reused, upcycled. Waste was considered taboo. A person who was wasting was considered an ugly person. So there’s a lot that we could talk about design, the layout, scale. Buildings were rarely taller than two storeys. Very good use of environmental features, microclimates, use of wind for cooling, passive solar heating. Good use of planting, gardens, etc. But regarding cities of the future, I think the main thing is it needs to be a place where people feel like they belong and want to take responsibility.


AZBY BROWN

AZBY BROWN

/

Author of Just Enough · Small Spaces · Lead Researcher for Safecast
Authority on Japanese Architecture, Design & Environmentalism

In Edo Japan, basically life was pretty good, and they recycled everything. Everything was reused, upcycled. Waste was considered taboo. A person who was wasting was considered an ugly person. So there’s a lot that we could talk about design, the layout, scale. Buildings were rarely taller than two storeys. Very good use of environmental features, microclimates, use of wind for cooling, passive solar heating. Good use of planting, gardens, etc. But regarding cities of the future, I think the main thing is it needs to be a place where people feel like they belong and want to take responsibility.


(Highlights) EARL K. MILLER, Ph.D.

(Highlights) EARL K. MILLER, Ph.D.

/

Picower Professor of Neuroscience
MIT’s Picower Institute for Learning and Memory & Department of Brain & Cognitive Sciences

There are a lot of distractions in cities. So it's always good to maybe take some time out, be in a quieter place with no distractions so you can let your thoughts run. And that leads into the creative process because new ideas, new thoughts and where they come from. They come from following the garden path of associations in your mind. One thought leads to another, leads to another until your mind is in a new place it's never been before. Or you put two thoughts together that were never together before, but now they are because you managed to somehow follow this garden path of thoughts from one thought to the other. That's where creativity comes from, that's where your ideas come from, seeing things in a new way, seeing things that were never together before. And if you have constant distractions that interferes with that process.

EARL K. MILLER, Ph.D.

EARL K. MILLER, Ph.D.

/

Picower Professor of Neuroscience
MIT’s Picower Institute for Learning and Memory & Department of Brain & Cognitive Sciences

There are a lot of distractions in cities. So it's always good to maybe take some time out, be in a quieter place with no distractions so you can let your thoughts run. And that leads into the creative process because new ideas, new thoughts and where they come from. They come from following the garden path of associations in your mind. One thought leads to another, leads to another until your mind is in a new place it's never been before. Or you put two thoughts together that were never together before, but now they are because you managed to somehow follow this garden path of thoughts from one thought to the other. That's where creativity comes from, that's where your ideas come from, seeing things in a new way, seeing things that were never together before. And if you have constant distractions that interferes with that process.

(Highlights) MERLIN DONALD

(Highlights) MERLIN DONALD

/

Psychologist, Neuroanthropologist & Cognitive Neuroscientist
Author of Origins of the Modern Mind, & A Mind So Rare

Lots of people have written books both optimistic and pessimistic about the Internet. It's a wonderful thing, it gives an opportunity to broaden our experience. I think in many ways the Internet is the only hope if you want to eliminate racism and want to raise the bar across the world, but at the same time, the inequalities are completely ridiculous. They've reached a point of insanity, and we have a moral issue. Is one person ever worth twice as much as another person? Can you justify one human being owning 10 times as much as another person? I don't think you can. I don't think that the president of the biggest cooperation in the world is worth 10 times the poorest person in the world, but that's not what we have. Sometimes he may be “worth” a million times more, a hundred thousand times more. That’s crazy.

MERLIN DONALD

MERLIN DONALD

/

Psychologist, Neuroanthropologist & Cognitive Neuroscientist
Author of Origins of the Modern Mind, & A Mind So Rare

Lots of people have written books both optimistic and pessimistic about the Internet. It's a wonderful thing, it gives an opportunity to broaden our experience. I think in many ways the Internet is the only hope if you want to eliminate racism and want to raise the bar across the world, but at the same time, the inequalities are completely ridiculous. They've reached a point of insanity, and we have a moral issue. Is one person ever worth twice as much as another person? Can you justify one human being owning 10 times as much as another person? I don't think you can. I don't think that the president of the biggest cooperation in the world is worth 10 times the poorest person in the world, but that's not what we have. Sometimes he may be “worth” a million times more, a hundred thousand times more. That’s crazy.

JEFFREY D. SACHS

JEFFREY D. SACHS

/

President of UN Sustainable Development Solutions Network
Director of Center for Sustainable Development, Columbia University

If we’re badly educated, we’re not going to make it on this planet. If I had to put my finger on one Sustainable Development Goal above all else, it is let’s empower young people so that they know the future. They know the world that they’re going to be leading soon. They can do something about it…If you’re in elementary school up to university, you should be learning–What is climate change? What is biodiversity? What can we do about it? And this kind of learning is not only book learning, but is also experiential learning.

(Highlights) GEORGE ELLIS

(Highlights) GEORGE ELLIS

/

Cosmologist, Theoretical physicist & Star of South Africa Medal Recipient

Artistic creativity and it’s crucial to artistic creativity amongst many other things. In artistic creativity, from my viewpoint, is that you start off with an idea and you’re shaping and you’re totally in control and it doesn’t matter if it's music or sculpture or painting or a novel, eventually the thing sparks its own life, becomes itself, and at that point, the role of the artist is to stand back and let it become what its got to become. And that’s where you get the great art.

GEORGE ELLIS

GEORGE ELLIS

/

Cosmologist, Theoretical physicist & Star of South Africa Medal Recipient

Artistic creativity and it’s crucial to artistic creativity amongst many other things. In artistic creativity, from my viewpoint, is that you start off with an idea and you’re shaping and you’re totally in control and it doesn’t matter if it's music or sculpture or painting or a novel, eventually the thing sparks its own life, becomes itself, and at that point, the role of the artist is to stand back and let it become what its got to become. And that’s where you get the great art.

(Highlights) SIRI HUSTVEDT

(Highlights) SIRI HUSTVEDT

/

Novelist and Essayist

The reason I think you should read in these other disciplines is because it will help you in your own work. Now I really mean that. I think what has happened with the fragmentation of disciplines is that when problems arise. ...the people working in the discipline are unable to see avenues out of the problem that they would easily see if they had worked through problems in other disciplines.