In this time of rapid technological change, how do we hold onto our humanity? How do stories, traditions, and community help us find meaning in loss and face an uncertain future? How can science, art, and spirituality open new pathways to understanding ourselves and the human experience?
At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I’m very privileged to have that be so much a part of my process.
How Deception is Sculpting Our Reality
A Conversation Artist, Geographer, Author TREVOR PAGLEN
At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I’m very privileged to have that be so much a part of my process.
A Conversation with MARK CAMPANALE · Founder of Carbon Tracker
Carbon Tracker is a non-profit financial think tank focused on change and the energy transition. I set it up because I spent 20 years working in the financial world, and I noticed that a lot of coal, oil, and gas projects, even with all the evidence we know about climate change, were getting financed through banks and the stock market. It was almost as if investors were completely disregarding what climate change was going to do within our lifetime. What I wanted to do was challenge that, challenge the way people think, and challenge the financial operators, the bankers, stock exchange regulators, and investors to think about what climate change was going to do and what we could do about it. We're saying to the owners of these companies, the shareholders, "Why don't you think about what the world will look like in 50 years, and why are you putting these young people's pensions into coal, which we know is going to destroy the planet?"
A Conversation with MARK CAMPANALE · Founder of Carbon Tracker
Carbon Tracker is a non-profit financial think tank focused on change and the energy transition. I set it up because I spent 20 years working in the financial world, and I noticed that a lot of coal, oil, and gas projects, even with all the evidence we know about climate change, were getting financed through banks and the stock market. It was almost as if investors were completely disregarding what climate change was going to do within our lifetime. What I wanted to do was challenge that, challenge the way people think, and challenge the financial operators, the bankers, stock exchange regulators, and investors to think about what climate change was going to do and what we could do about it. We're saying to the owners of these companies, the shareholders, "Why don't you think about what the world will look like in 50 years, and why are you putting these young people's pensions into coal, which we know is going to destroy the planet?"
A Conversation with WENDY LIU
Abolishing Silicon Valley means freeing the development of technology from a system that will always relegate it to a subordinate role, that of entrenching existing power relations. It means designing a new system that isn't deluged in the logic of the bucket. It means liberating our worlds from the illegitimate ring of capital. Perhaps this sounds unfair to capital. Perhaps I sound like I'm not grateful enough for everything that capital has given us, but we don't owe capital anything; the things we attribute to capital were built by workers. People can labor and sometimes die in a process. Their contributions are unrecognized in death as in life. So don't thank capital. It doesn't deserve our gratitude, and it doesn't need it. Thank the people who created everything that capital always takes credit for. Capital is a means of accounting for wealth ownership, not its creation. And that means it's perpetually shrouded in a fundamental untruth; we can leap the swamp of capital behind and start over with something new.
In this episode on Speaking Out of Place podcast Professor David Palumbo-Liutalks with Wendy Liu. Ever since its publication, Abolish Silicon Valley—How to Liberate Technology from Capitalism has proven to be more urgent and insightful. Today, he talks with author Wendy Liu about how developments like AI and LLM, further erosions of intellectual property, and increased invasions of privacy make the case for abolishing Silicon Valley even more important. They talk about how abolition is critical at a time when more and more the private sector has come to eviscerate the public good. Turning to the genocide in Gaza, they discuss the ways Capital has enlisted technology in deadly and horrific manners. They end with a meditation on the commons and how one can live with fewer commodities and find value in common projects to make life more valuable and worthwhile outside of the logic of the market.
& The Future of Museums
A Conversation with NICOLA LEES · Director of the Aspen Art Museum
It's a complicated time to think about how we can slow down, be still, and bring a brilliant group of people together to do something that feels purposeful and can be productive. It's a moment where things are moving so fast. When I brought up the idea of a hinge generation, I think it's impossible to know how we will look back and reflect on this time and these moments. This year, there is a real emphasis on the relationship between the question we have posed for the retreat, which is fundamentally about our relationship with technology and identifying our relationship with the world and how we want to be present in the moment.
A Conversation with Pulitzer Prize-winning Author VIET THANH NGUYEN
What I've discovered as a writer is that fear is a good indicator that there is a truth. To speak the truth in a society is oftentimes an act that requires some courage. Those processes of being an other for me in the United States were obviously very fundamental to shaping who I am as a person and as a writer. It was very difficult to undergo, but to become a writer who could talk about those issues was also a lot of fun. Writing The Sympathizer was a lot of fun, and I hope that the novel was enjoyable and humorous to read as well, despite its very serious politics. When I wrote The Committed, I also had a lot of fun as an outsider to France. In writing the novel itself, The Committed, there was a lot of humor, satire, and these kinds of tools to confront the tragedy of othering. This is very important to me as literary and political devices. I think I could do that in both The Sympathizer and The Committed because I had a lot of distance from the time periods that those novels described. My challenge right now is to try to find my sense of humor in describing what the United States is undergoing and doing to other countries, its own immigrants, and its own people of color, and minorities in the present. That's proving to be a little more challenging at this moment.
& The Future of Museums
A Conversation with NICOLA LEES · Director of the Aspen Art Museum
It's a complicated time to think about how we can slow down, be still, and bring a brilliant group of people together to do something that feels purposeful and can be productive. It's a moment where things are moving so fast. When I brought up the idea of a hinge generation, I think it's impossible to know how we will look back and reflect on this time and these moments. This year, there is a real emphasis on the relationship between the question we have posed for the retreat, which is fundamentally about our relationship with technology and identifying our relationship with the world and how we want to be present in the moment.
A Conversation with BECCA LEWIS
I think I've always been interested in the far-right end of technology, or I should say for several years that’s what I’ve been studying. However, I kept feeling that gender was understudied in these elements. When I was studying the alt-right online, the focus more than anything else was frequently on white nationalism and the racial dynamic. The scholars whose work really inspired me, like sociologist Jesse Daniels, showed how the racial dynamic was always interconnected with the gender dynamic. As I started following breadcrumbs and looking at certain figures, it became clear that gender was at the heart of their worldview, and there was no getting around it. There were absolutely elements around race and immigration and all sorts of different topics, but in many ways, gender was the core of the worldview, and everything else emanated from there.
It's a really dangerous time we're living through, and I do think that when we talk about these progressive policies, a huge problem in the US is that we still have a lot of stigma left over from the Cold War that keeps us from really great ideas because they're branded as socialist or communist. And I’ve seen, in the time I've been a journalist for the past 15 years, how that stigma has slowly faded. And you see that younger people are more and more interested in these ideas, whether or not they're considered socialist.
A Conversaton with LINDSAY WEINBERG & ROBERT OVETZ
Under the guise of “personalizing” education and increasing efficiency, universities are increasingly sold on AI as a cure to their financial ills as public funds dry up and college applications drop. Rather than maintain that education is an essential public good that needs broad support, universities are looking to technology in ways that are changing the nature of education in dangerous and destructive ways. As Lindsay writes in the book, Smart University: “Higher education is becoming increasingly synonymous with digital surveillance in the United States. Advanced network infrastructure, internet- connected devices and sensors, radio frequency identification (RFID), data analytics, and artificial intelligence (AI) are being celebrated as a means of ushering in the age of “smart universities,” one where institutions canrun their services more efficiently and strengthen the quality of higher education using digital tools. However, as this book demonstrates, these tools have a darker side. They allow public universities to respond to and perpetuate corporate logics of austerity, use student data to reduce risk of financial investment in the face of dwindling public resources, and track student behavior to encourage compliance with institutional metrics of success. Surveillance of student behavior forms the foundation of the smart university, often in ways that prove harmful to students— particularly those who are already marginalized within the academy.
The Creative Process: Podcast Interviews & Portraits of the World’s Leading Authors & Creative Thinkers
Inspiring Students – Encouraging Reading - Connecting through Stories
The Creative Process exhibition is traveling to universities and museums. The Creative Process exhibition consists of interviews with over 100 esteemed writers, including Joyce Carol Oates, Hilary Mantel, Neil Gaiman, Viet Thanh Nguyen, Tobias Wolff, Richard Ford, Junot Díaz, Marie Darrieussecq, Michel Faber, T.C. Boyle, Jay McInerney, George Saunders, Geoff Dyer, Etgar Keret, Douglas Kennedy, Sam Lipsyte, and Yiyun Li, among others. Artist and interviewer: Mia Funk.
