Director of Photography of Old Henry
Best Cinematographer Award-Winner · LA Asian Pacific Film Festival
What frame, what scene, ultimately what story is going to capture the most emotion to make you feel something? Because those are the films that have always resonated the most with me. Those films that actually make you feel. They stop you and they make you feel and make you think. They really jar you.
Director of Photography of Old Henry
Best Cinematographer Award-Winner · LA Asian Pacific Film Festival
What frame, what scene, ultimately what story is going to capture the most emotion to make you feel something? Because those are the films that have always resonated the most with me. Those films that actually make you feel. They stop you and they make you feel and make you think. They really jar you.
Indigenous Rights Activist
Winner of Right Livelihood & Skoll Awards
His Fundacion Gaia Amazonas has been named #40 NGOs of the World
I went to the Amazon and I got a canoe and I started rowing into the forest. It was absolutely like going back into the 17th century! I went around for six months on my own and that was fantastic because in this part of the Colombian rainforest there were absolutely no roads, no towns, no electricity, no flowing water. You are with the indigenous group. They are all still in their loincloths. They speak different languages. I went through about eight different ethnic groups. They all spoke different languages. I couldn’t understand what they said. They couldn’t understand what I said, but we got along well.
Indigenous Rights Activist
Winner of Right Livelihood & Skoll Awards
His Fundacion Gaia Amazonas has been named #40 NGOs of the World
I went to the Amazon and I got a canoe and I started rowing into the forest. It was absolutely like going back into the 17th century! I went around for six months on my own and that was fantastic because in this part of the Colombian rainforest there were absolutely no roads, no towns, no electricity, no flowing water. You are with the indigenous group. They are all still in their loincloths. They speak different languages. I went through about eight different ethnic groups. They all spoke different languages. I couldn’t understand what they said. They couldn’t understand what I said, but we got along well.
Award-Winning Writer, Director, Producer, Speaker
& Author of Beyond The Craft: What You Need to Know to Make A Living Creatively!
I like uncovering truth about behaviour, about history. I think all artists are attracted to unveiling truth. I think it’s a mirror of our society, of our world. It’s the soul of our world.
I like uncovering truth about behaviour, about history. I think all artists are attracted to unveiling truth. I think it’s a mirror of our society, of our world. It’s the soul of our world.
Award-Winning Writer, Director, Producer, Speaker
& Author of Beyond The Craft: What You Need to Know to Make A Living Creatively!
I like uncovering truth about behaviour, about history. I think all artists are attracted to unveiling truth. I think it’s a mirror of our society, of our world. It’s the soul of our world.
I like uncovering truth about behaviour, about history. I think all artists are attracted to unveiling truth. I think it’s a mirror of our society, of our world. It’s the soul of our world.
Creator of Cyberpunk · Origins Award-Winning Game Designer
One of the things I’ve noticed is that a lot of those younger people are actually much nicer than they need to be. And they have to realize that this is going to be your world. It turns out the way you want to make it and so you should be thinking now about what you want out of this. What do you want that world to be? Do not wait around until the two generations beyond you have gone ahead and done it the way they want it because, by the time they get done, you’re not going to have the chance to shift it to where you want it. So start thinking now about where do you want to be? What is the future you want? And don’t be nice about it, just go ahead and start planning it now.
Creator of Cyberpunk · Origins Award-Winning Game Designer
One of the things I’ve noticed is that a lot of those younger people are actually much nicer than they need to be. And they have to realize that this is going to be your world. It turns out the way you want to make it and so you should be thinking now about what you want out of this. What do you want that world to be? Do not wait around until the two generations beyond you have gone ahead and done it the way they want it because, by the time they get done, you’re not going to have the chance to shift it to where you want it. So start thinking now about where do you want to be? What is the future you want? And don’t be nice about it, just go ahead and start planning it now.
Author of Water, A Biography
Natural Resource Security & Environmental Sustainability Expert
The problem doesn’t really reside there. The problem is that people have gotten used to thinking about water as a technical issue that can be solved by somebody sitting in a room somewhere with a white coat. The reality is that the history of water shows that this is probably the most political and salient issue of society–How we share the resources that make it possible for us to live is a fundamentally political problem. And in nations that live together under a social contract is fundamentally a constitutional problem. So my hope is that we elevate water to a much higher level of political discourse.
Author of Water, A Biography
Natural Resource Security & Environmental Sustainability Expert
The problem doesn’t really reside there. The problem is that people have gotten used to thinking about water as a technical issue that can be solved by somebody sitting in a room somewhere with a white coat. The reality is that the history of water shows that this is probably the most political and salient issue of society–How we share the resources that make it possible for us to live is a fundamentally political problem. And in nations that live together under a social contract is fundamentally a constitutional problem. So my hope is that we elevate water to a much higher level of political discourse.
Tony Award-Winning Singer, Actor and Star of Chicago, the longest-running American Musical in Broadway History
All the themes are very contemporary. I think what moves this story is the search for instantaneous celebrity. That’s what the girls are all about, Roxie and Velma. They want to be famous. Of course everything that you cited, corruption, crimes, the press focusing on sensational stories–it’s all there. And I think that’s why the public relates so much to it.
Tony Award-Winning Singer, Actor and Star of Chicago, the longest-running American Musical in Broadway History
All the themes are very contemporary. I think what moves this story is the search for instantaneous celebrity. That’s what the girls are all about, Roxie and Velma. They want to be famous. Of course everything that you cited, corruption, crimes, the press focusing on sensational stories–it’s all there. And I think that’s why the public relates so much to it.
Comedian & Host of Awakening Orientation Dept. & Soberish
That’s just always been something that’s been inspiring to me which is helping people from the wrong side of the tracks, the misunderstood, the addicted, helping people step into their power and believe in themselves.
Comedian & Host of Awakening Orientation Dept. & Soberish
That’s just always been something that’s been inspiring to me which is helping people from the wrong side of the tracks, the misunderstood, the addicted, helping people step into their power and believe in themselves.
Environmental Historian, Historical Geographer & Professor of Sociology · Binghamton University
We’re not waiting for the disasters to happen. They have happened. They are happening, and the disasters aren’t natural. They involve climate, but the disasters are very much made by the conditions of capitalist accumulation. We are not going to be able to grapple with the challenges of planetary crisis with the thinking that created planetary crisis.
Environmental Historian, Historical Geographer & Professor of Sociology · Binghamton University
We’re not waiting for the disasters to happen. They have happened. They are happening, and the disasters aren’t natural. They involve climate, but the disasters are very much made by the conditions of capitalist accumulation. We are not going to be able to grapple with the challenges of planetary crisis with the thinking that created planetary crisis.
National Geographic Explorer
National Science Foundation Research Fellow · Contextual Robotics Institute, UCSD
I’m grateful for the fact that through my work I’ve had a lot of opportunities to go to places that a lot of people just simply won’t ever get a chance to go. I like having those opportunities to try to share with people what that’s like. I honestly had no idea I would ever be here. I’m from a working-class background, didn’t have a huge amount of opportunities but now I can and that’s one thing that I particularly enjoy.
Antonella Wilby is a PhD Candidate and National Science Foundation Graduate Research Fellow at the Contextual Robotics Institute, UC San Diego, and a National Geographic Explorer. Her current research focuses on the development of autonomous underwater robots and vision-based algorithms for mapping and exploration of ocean environments, with the ultimate goal of better understanding and protecting our blue planet. She holds Master of Science and Bachelor of Science degrees in Computer Science from the University of California, San Diego.
This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Anna Iselli. Digital Media Coordinator is Hannah Story Brown.
Mia Funk is an artist, interviewer and founder of The Creative Process.
Interview Highlights
Days are filled with things that happen. And you have to sort of determine whether you're going to make choices for things to happen or just react to things that are happening around you. And why not choose to go do things. You're not going to see art unless you go to the museum.
Actor · Comedian · Filmmaker · Magician · Singer · Writer
And I remember I was just the whitest kid ever from small-town New Mexico in this big city of Los Angeles…I'm sitting there watching this play about a lower middle-class African-American man in Pittsburgh and his family. And I just remember being so moved, moved to tears at 13, 14 years old…And it was so moving. And I did think even back then, I recognized the impact that the theater can have on someone that isn't even anything like what they're like.
The Creative Process: Podcast Interviews & Portraits of the World’s Leading Authors & Creative Thinkers
Inspiring Students – Encouraging Reading - Connecting through Stories
The Creative Process exhibition is traveling to universities and museums. The Creative Process exhibition consists of interviews with over 100 esteemed writers, including Joyce Carol Oates, Hilary Mantel, Neil Gaiman, Viet Thanh Nguyen, Tobias Wolff, Richard Ford, Junot Díaz, Marie Darrieussecq, Michel Faber, T.C. Boyle, Jay McInerney, George Saunders, Geoff Dyer, Etgar Keret, Douglas Kennedy, Sam Lipsyte, and Yiyun Li, among others. Artist and interviewer: Mia Funk.
