In Memory of TONY WALTON · 1934-2022 (Part 1)

In Memory of TONY WALTON · 1934-2022 (Part 1)

Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

In Memory of TONY WALTON · 1934-2022 (Part 1)

In Memory of TONY WALTON · 1934-2022 (Part 1)

Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

Reality of Gun Violence in America - JP OUELLETTE & DYLAN MATLOCK on Mass starring Reed Birney, Ann Dowd, Jason Isaacs & Martha Plimpton - Highlights

Reality of Gun Violence in America - JP OUELLETTE & DYLAN MATLOCK on Mass starring Reed Birney, Ann Dowd, Jason Isaacs & Martha Plimpton - Highlights

Producers of the Award-Winning Mass starring Reed Birney, Ann Dowd, Jason Isaacs & Martha Plimpton

“Usually we just see the soundbites and the news and then there's a new one or a new story, the politics that takes away from what these families are going. These people in these towns are just glossed over, looked over. And that's not the case in real life. They live with this trauma forever…What I hope the next generation takes us just to absorb everything from our generation and our parents’ generation. There are a lot of living generations right now. The longevity of people and the young families, it’s amazing. I had five generations of my family alive at one point in my life, and it was just the most amazing I've ever been a part of.” –JP Ouellette

JP OUELLETTE & DYLAN MATLOCK on Mass starring Reed Birney, Ann Dowd, Jason Isaacs & Martha Plimpton

JP OUELLETTE & DYLAN MATLOCK on Mass starring Reed Birney, Ann Dowd, Jason Isaacs & Martha Plimpton

Producers of the Award-Winning Mass starring Reed Birney, Ann Dowd, Jason Isaacs & Martha Plimpton

“Usually we just see the soundbites and the news and then there's a new one or a new story, the politics that takes away from what these families are going. These people in these towns are just glossed over, looked over. And that's not the case in real life. They live with this trauma forever…What I hope the next generation takes us just to absorb everything from our generation and our parents’ generation. There are a lot of living generations right now. The longevity of people and the young families, it’s amazing. I had five generations of my family alive at one point in my life, and it was just the most amazing I've ever been a part of.” –JP Ouellette

Cinematographers ANTE CHENG & MATTHEW CHUANG on Blue Bayou starring Justin Chon & Alicia Vikander - Highlights

Cinematographers ANTE CHENG & MATTHEW CHUANG on Blue Bayou starring Justin Chon & Alicia Vikander - Highlights

Cinematographers Ante Cheng & Matthew Chuang
Blue Bayou starring Justin Chon & Alicia Vikander

The search for identity is something I think everyone goes through in their lives. It’s a constantly evolving answer. I think all of us can relate to the sense of belonging and what is home. Alicia Vikander’s scene was memorable to me. One of the rare times I cried while operating the camera.

There’s not really many stories about people who look like me in Australia, so I was just making films. How do I be invisible in a way and transcend whatever I’m shooting? It wasn’t until I came to the U.S…it was the first time I had to think about me being Asian and my experiences and how does that relate to what we’re telling in this film.

Telling the Asian American Story - ANTE CHENG & MATTHEW CHUANG on Blue Bayou & the Art of Cinematography

Telling the Asian American Story - ANTE CHENG & MATTHEW CHUANG on Blue Bayou & the Art of Cinematography

Cinematographers Ante Cheng & Matthew Chuang
Blue Bayou starring Justin Chon & Alicia Vikander

The search for identity is something I think everyone goes through in their lives. It’s a constantly evolving answer. I think all of us can relate to the sense of belonging and what is home. Alicia Vikander’s scene was memorable to me. One of the rare times I cried while operating the camera.

There’s not really many stories about people who look like me in Australia, so I was just making films. How do I be invisible in a way and transcend whatever I’m shooting? It wasn’t until I came to the U.S…it was the first time I had to think about me being Asian and my experiences and how does that relate to what we’re telling in this film.