The Business of Less: The Role of Companies & Households on a Planet in Peril - ROLAND GEYER - Highlights

The Business of Less: The Role of Companies & Households on a Planet in Peril - ROLAND GEYER - Highlights

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Author of The Business of Less
Professor at Bren School of Environmental Science & Management, UC Santa Barbara

So, if we study transportation, then we need to study urban development and infrastructure. Suddenly, we need to think about housing. We need to think about the co-location of jobs and shops, and you realize it's all connected. That might be one of the challenges of urban sustainability. It's all connected. So the way we move around is connected to the way we built the city. And I think the intrinsic sustainability or non-sustainability in urban areas seems to be designed in. Especially in the United States where there are just so many places where, if you don't have a car, you're basically stranded. You can't go anywhere. The European model is to have co-located things, and I miss that. I think it has some intrinsic sustainability built-in.

ROLAND GEYER - Professor at Bren School of Environmental Science & Management, UC Santa Barbara - Author of The Business of Less

ROLAND GEYER - Professor at Bren School of Environmental Science & Management, UC Santa Barbara - Author of The Business of Less

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Roland Geyer is a Professor at the Bren School of Environmental Science and Management, University of California at Santa Barbara, and the author of The Business of Less. Since 2000, he has worked with a wide range of governmental organizations, trade associations, and companies on environmental sustainability issues. His overarching goal is to help develop the knowledge, tools, and methods necessary to reduce the environmental impact from industrial production and consumption.

This interview was conducted by Mia Funk & Yansong Li with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Yansong Li. Digital Media Coordinator is Phoebe Brous.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).

DAVID AUBURN - Pulitzer & Tony Award-Winning Playwright, Screenwriter & Director

DAVID AUBURN - Pulitzer & Tony Award-Winning Playwright, Screenwriter & Director

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Playwright and Director

I think the big thing writing for the theater has given me is the awareness that it's possible to inhabit another person's subjectivity fully enough to give voice to a set of experiences that aren't your own and you can do that in a way that gives solace and interests people. We're all capable of those kinds of acts of imagination that can bring us closer to the subjectivity of other people.

Just Enough: Lessons in Living Green from Traditional Japan - AZBY BROWN - Highlights

Just Enough: Lessons in Living Green from Traditional Japan - AZBY BROWN - Highlights

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Author of Just Enough · Small Spaces · Lead Researcher for Safecast
Authority on Japanese Architecture, Design & Environmentalism

In Edo Japan, basically life was pretty good, and they recycled everything. Everything was reused, upcycled. Waste was considered taboo. A person who was wasting was considered an ugly person. So there’s a lot that we could talk about design, the layout, scale. Buildings were rarely taller than two storeys. Very good use of environmental features, microclimates, use of wind for cooling, passive solar heating. Good use of planting, gardens, etc. But regarding cities of the future, I think the main thing is it needs to be a place where people feel like they belong and want to take responsibility.


AZBY BROWN - Author of Just Enough - Leading authority on Japanese architecture, design & environmentalism - Lead researcher for Safecast

AZBY BROWN - Author of Just Enough - Leading authority on Japanese architecture, design & environmentalism - Lead researcher for Safecast

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Author of Just Enough · Small Spaces · Lead Researcher for Safecast
Authority on Japanese Architecture, Design & Environmentalism

In Edo Japan, basically life was pretty good, and they recycled everything. Everything was reused, upcycled. Waste was considered taboo. A person who was wasting was considered an ugly person. So there’s a lot that we could talk about design, the layout, scale. Buildings were rarely taller than two storeys. Very good use of environmental features, microclimates, use of wind for cooling, passive solar heating. Good use of planting, gardens, etc. But regarding cities of the future, I think the main thing is it needs to be a place where people feel like they belong and want to take responsibility.


From Titanic to The Mindy Project: SALVADOR PEREZ on Designing Iconic Characters - Highlights

From Titanic to The Mindy Project: SALVADOR PEREZ on Designing Iconic Characters - Highlights

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President · Costume Designers Guild
The Mindy Project, Pitch Perfect trilogy, Four Weddings and a Funeral, Veronica Mars

Whether you're telling a story for the people at work or you're telling a story for your character on camera, I think that we tell a story every day by what we wear.

The Art of Costume Design with SALVADOR PEREZ, President of the Costume Designers Guild

The Art of Costume Design with SALVADOR PEREZ, President of the Costume Designers Guild

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President · Costume Designers Guild
The Mindy Project, Pitch Perfect trilogy, Four Weddings and a Funeral, Veronica Mars

Whether you're telling a story for the people at work or you're telling a story for your character on camera, I think that we tell a story every day by what we wear.

Cognition and Its Complexities w/ EARL K. MILLER - Prof. of Neuroscience, MIT Picower Institute for Learning and Memory

Cognition and Its Complexities w/ EARL K. MILLER - Prof. of Neuroscience, MIT Picower Institute for Learning and Memory

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Picower Professor of Neuroscience
MIT’s Picower Institute for Learning and Memory & Department of Brain & Cognitive Sciences

There are a lot of distractions in cities. So it's always good to maybe take some time out, be in a quieter place with no distractions so you can let your thoughts run. And that leads into the creative process because new ideas, new thoughts and where they come from. They come from following the garden path of associations in your mind. One thought leads to another, leads to another until your mind is in a new place it's never been before. Or you put two thoughts together that were never together before, but now they are because you managed to somehow follow this garden path of thoughts from one thought to the other. That's where creativity comes from, that's where your ideas come from, seeing things in a new way, seeing things that were never together before. And if you have constant distractions that interferes with that process.

Inside the Mind with Neuroscientist EARL K. MILLER - MIT Picower Institute for Learning & Memory

Inside the Mind with Neuroscientist EARL K. MILLER - MIT Picower Institute for Learning & Memory

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Picower Professor of Neuroscience
MIT’s Picower Institute for Learning and Memory & Department of Brain & Cognitive Sciences

There are a lot of distractions in cities. So it's always good to maybe take some time out, be in a quieter place with no distractions so you can let your thoughts run. And that leads into the creative process because new ideas, new thoughts and where they come from. They come from following the garden path of associations in your mind. One thought leads to another, leads to another until your mind is in a new place it's never been before. Or you put two thoughts together that were never together before, but now they are because you managed to somehow follow this garden path of thoughts from one thought to the other. That's where creativity comes from, that's where your ideas come from, seeing things in a new way, seeing things that were never together before. And if you have constant distractions that interferes with that process.

Origins of the Modern Mind: Three Stages in the Evolution of Culture & Cognition - MERLIN DONALD - Highlights

Origins of the Modern Mind: Three Stages in the Evolution of Culture & Cognition - MERLIN DONALD - Highlights

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Psychologist, Neuroanthropologist & Cognitive Neuroscientist
Author of Origins of the Modern Mind, & A Mind So Rare

Lots of people have written books both optimistic and pessimistic about the Internet. It's a wonderful thing, it gives an opportunity to broaden our experience. I think in many ways the Internet is the only hope if you want to eliminate racism and want to raise the bar across the world, but at the same time, the inequalities are completely ridiculous. They've reached a point of insanity, and we have a moral issue. Is one person ever worth twice as much as another person? Can you justify one human being owning 10 times as much as another person? I don't think you can. I don't think that the president of the biggest cooperation in the world is worth 10 times the poorest person in the world, but that's not what we have. Sometimes he may be “worth” a million times more, a hundred thousand times more. That’s crazy.

MERLIN DONALD - Author of A Mind So Rare: The Evolution of Human Consciousness - Psychologist, Neuroanthropologist & Cognitive Neuroscientist

MERLIN DONALD - Author of A Mind So Rare: The Evolution of Human Consciousness - Psychologist, Neuroanthropologist & Cognitive Neuroscientist

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Psychologist, Neuroanthropologist & Cognitive Neuroscientist
Author of Origins of the Modern Mind, & A Mind So Rare

Lots of people have written books both optimistic and pessimistic about the Internet. It's a wonderful thing, it gives an opportunity to broaden our experience. I think in many ways the Internet is the only hope if you want to eliminate racism and want to raise the bar across the world, but at the same time, the inequalities are completely ridiculous. They've reached a point of insanity, and we have a moral issue. Is one person ever worth twice as much as another person? Can you justify one human being owning 10 times as much as another person? I don't think you can. I don't think that the president of the biggest cooperation in the world is worth 10 times the poorest person in the world, but that's not what we have. Sometimes he may be “worth” a million times more, a hundred thousand times more. That’s crazy.

Living Queer History: Remembrance & Belonging in a Southern City w/ DR. G. SAMANTHA ROSENTHAL
In Memory of TONY WALTON · 1934-2022 (Part 2)

In Memory of TONY WALTON · 1934-2022 (Part 2)

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Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

Behind the Scenes of Ray Donovan with Showrunner Writer DAVID HOLLANDER - Highlights

Behind the Scenes of Ray Donovan with Showrunner Writer DAVID HOLLANDER - Highlights

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Showrunner · Writer · Director

They are very different skill sets and very different ways of approaching storytelling. Writing is very private. I find writing to be very difficult. I have an idea. I have a feeling, and then I write into it. That part of the process is the most painful and the most demanding. Directing is easier. It’s a very different skill set. It’s applying a story to the technique of how you film it, how it’s going to work. That part is so simple. The writing is brutally hard. There’s an architecture to every season that you write in television. I have to see the whole story. This big twelve-hour story. There’s a lot of math in that. There’s a lot of Where am I going? and How is it going to feel? Because at the end of the day, all I’m doing is trying to make people feel something.

In Memory of TONY WALTON · 1934-2022 (Part 1)

In Memory of TONY WALTON · 1934-2022 (Part 1)

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Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

Showrunner DAVID HOLLANDER on Exploring Complex Family Relationships

Showrunner DAVID HOLLANDER on Exploring Complex Family Relationships

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Showrunner · Writer · Director

They are very different skill sets and very different ways of approaching storytelling. Writing is very private. I find writing to be very difficult. I have an idea. I have a feeling, and then I write into it. That part of the process is the most painful and the most demanding. Directing is easier. It’s a very different skill set. It’s applying a story to the technique of how you film it, how it’s going to work. That part is so simple. The writing is brutally hard. There’s an architecture to every season that you write in television. I have to see the whole story. This big twelve-hour story. There’s a lot of math in that. There’s a lot of Where am I going? and How is it going to feel? Because at the end of the day, all I’m doing is trying to make people feel something.

In Memory of TONY WALTON · 1934-2022 (Part 2)

In Memory of TONY WALTON · 1934-2022 (Part 2)

/

Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

In Memory of TONY WALTON · 1934-2022 (Part 1)

In Memory of TONY WALTON · 1934-2022 (Part 1)

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Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

All of the Marvels: A Journey to the Ends of the Biggest Story Ever Told w/ DOUGLAS WOLK - Highlights

All of the Marvels: A Journey to the Ends of the Biggest Story Ever Told w/ DOUGLAS WOLK - Highlights

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Author of NYTimes bestseller All of the Marvels, Eisner Award–winning Reading Comics
Host of the Voice of Latveria podcast

I like the idea that your actions in the world can be motivated by both idealism and realism about how to achieve those ideals. I like the idea that morality is not simple. There is this idea that there are the heroes and there's the villains and you can easily tell who's who, and that's not so true as it used to be in comics and that's meaningful. One thing that is interesting about the Marvel story is there’s basically nobody who's just a bad guy to be a bad guy. Everyone has their reasons. Almost everyone is capable of redemption in some way, even the worst of the worst are capable of tremendous heroism and tremendous idealism and genuinely wanting to heal the world make it a better place.

DOUGLAS WOLK - Eisner Award–winner & Author of NYTimes bestseller All of the Marvels

DOUGLAS WOLK - Eisner Award–winner & Author of NYTimes bestseller All of the Marvels

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Author of NYTimes bestseller All of the Marvels, Eisner Award–winning Reading Comics
Host of the Voice of Latveria podcast

I like the idea that your actions in the world can be motivated by both idealism and realism about how to achieve those ideals. I like the idea that morality is not simple. There is this idea that there are the heroes and there's the villains and you can easily tell who's who, and that's not so true as it used to be in comics and that's meaningful. One thing that is interesting about the Marvel story is there’s basically nobody who's just a bad guy to be a bad guy. Everyone has their reasons. Almost everyone is capable of redemption in some way, even the worst of the worst are capable of tremendous heroism and tremendous idealism and genuinely wanting to heal the world make it a better place.