The Art of Dance: How JILL JOHNSON Transforms Movement into Meaning

The Art of Dance: How JILL JOHNSON Transforms Movement into Meaning

Dancer · Choreographer and Ballet Stager · Fmr. Director Harvard Dance

Keeping people interested in dance is exposing folks, no matter how big or small an audience, to the different ways of seeing. How can you place a value on solace, joy, or tenderness and vulnerability?

JILL JOHNSON: Bridging Art & Emotion in Dance - Choreographer & Ballet Stager - Fmr. Dance Director, Harvard

JILL JOHNSON: Bridging Art & Emotion in Dance - Choreographer & Ballet Stager - Fmr. Dance Director, Harvard

Dancer · Choreographer and Ballet Stager · Fmr. Director Harvard Dance

Keeping people interested in dance is exposing folks, no matter how big or small an audience, to the different ways of seeing. How can you place a value on solace, joy, or tenderness and vulnerability?

In Memory of TONY WALTON · 1934-2022 (Part 2)

In Memory of TONY WALTON · 1934-2022 (Part 2)

Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

In Memory of TONY WALTON · 1934-2022 (Part 1)

In Memory of TONY WALTON · 1934-2022 (Part 1)

Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

Showrunner DAVID HOLLANDER on Exploring Complex Family Relationships

Showrunner DAVID HOLLANDER on Exploring Complex Family Relationships

Showrunner · Writer · Director

They are very different skill sets and very different ways of approaching storytelling. Writing is very private. I find writing to be very difficult. I have an idea. I have a feeling, and then I write into it. That part of the process is the most painful and the most demanding. Directing is easier. It’s a very different skill set. It’s applying a story to the technique of how you film it, how it’s going to work. That part is so simple. The writing is brutally hard. There’s an architecture to every season that you write in television. I have to see the whole story. This big twelve-hour story. There’s a lot of math in that. There’s a lot of Where am I going? and How is it going to feel? Because at the end of the day, all I’m doing is trying to make people feel something.

In Memory of TONY WALTON · 1934-2022 (Part 2)

In Memory of TONY WALTON · 1934-2022 (Part 2)

Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

In Memory of TONY WALTON · 1934-2022 (Part 1)

In Memory of TONY WALTON · 1934-2022 (Part 1)

Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

Academy Award-nominated Composer - CARTER BURWELL on Cinematic Storytelling

Academy Award-nominated Composer - CARTER BURWELL on Cinematic Storytelling

Film Composer

When I look at a film, I normally think what is missing from that, and that's what I'm trying to bring. I'm trying to find something that I think isn't there and that I could bring that would make it more interesting, make it more cinematic, more dramatic.

Creating Iconic Scores - CARTER BURWELL On Carol, True Grit & Three Billboards Outside Ebbing, Missouri - Highlights

Creating Iconic Scores - CARTER BURWELL On Carol, True Grit & Three Billboards Outside Ebbing, Missouri - Highlights

Interview Highlights

So my musical education just completely killed any interest in music I would have had. And it was only later when I was a teenager a friend showed me a little bit about improvisation on the piano and that got me back into playing and that's why I'm doing this now. It was very therapeutic as a teenager, as an adolescent just to sit at the piano and just express things that I couldn't express in some other way.

Otherwise Known as the Human Condition with GEOFF DYER - Highlights

Otherwise Known as the Human Condition with GEOFF DYER - Highlights

In a way, I sometimes think that it’s when the divergences from what really happened are quite small that it calls for the services of a very scrupulous and clever biographer. Certainly the stuff you get about me from my books it’s not–how can I put it?–it’s not reliable as evidence in any court of law. I’m very conscious that I’m not under oath when I’m writing.

Beyond Genre: GEOFF DYER's Journey Through Novels, Essays, and Experimental Writing

Beyond Genre: GEOFF DYER's Journey Through Novels, Essays, and Experimental Writing

In a way, I sometimes think that it’s when the divergences from what really happened are quite small that it calls for the services of a very scrupulous and clever biographer. Certainly the stuff you get about me from my books it’s not–how can I put it?–it’s not reliable as evidence in any court of law. I’m very conscious that I’m not under oath when I’m writing.

Telling Stories with Sound: MARCELO ZARVOS on Creating Iconic Film & TV Scores

Telling Stories with Sound: MARCELO ZARVOS on Creating Iconic Film & TV Scores

Pianist and TV/Film Composer

I think the music, the way that it's shot, and the way that it's written, of course, all work in conjunction. There’s something about a passage of time in your mind. Then it's not about the clocks. It's more about the suspended, almost like the absence of clocks, and the idea of suspended time, which memory is more like that since in our memory all time happens at once.