JERICHO BROWN - Pulitzer Prize-Winning Poet, Author of "The Tradition", "The New Testament"

JERICHO BROWN - Pulitzer Prize-Winning Poet, Author of "The Tradition", "The New Testament"

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Pulitzer Prize-winning Poet
Author of The Tradition & The New Testament

I just want to make the poems like a living being…There are moments that I’m not at the desk, but I’m living life. And living life is actually what leads to writing. You have to have experiences to write about. Whether or not you are aware of those experiences as you are writing them down because if you’re doing music first, maybe you’re not aware of what you’re writing. And yet, those experiences are what come to fruition in your writing. You become aware. Oh, I did come on that roller coaster that time that I haven’t thought about in twenty years. Oh I did make love to that cute person that I haven’t thought about in ten years, but you’ve got to make love, you’ve got to get on roller coasters, you’ve got to get your heart broken. You’ve got to dance. You gotta get out and do things and that, too, is a part of writing. You have to trust you’re a writer by identity. And if you can trust that you’re a writer by identity, then you don’t have to be at a desk.

ANTHONY JOSEPH - T.S. Eliot Award-winning Poet, Novelist & Musician, Lead vocalist of The Spasm Band

ANTHONY JOSEPH - T.S. Eliot Award-winning Poet, Novelist & Musician, Lead vocalist of The Spasm Band

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T.S. Eliot Award-winning Poet, Novelist & Musician, Lead vocalist of The Spasm Band
Author of Sonnets for Albert

The life of Caribbean people is not really documented. So this idea of Caribbean life being fragmented is something that I've had in my mind for a long time. So when I came to write this collection for my father, I realized that it was the same process and what I had were fragments, especially with him, because he wasn't around in a physical sense all the time. So all I had were little photographs, scattered memories, and remembrances. They're little parts of his life and parts of my experience with him... I never disliked my father. I always loved him and always was fascinated and captivated by him.

Highlights - Lee Jaffe - Author of “Jean-Michel Basquiat: Crossroads” - Intimate Portraits of Bob Marley - Basquiat

Highlights - Lee Jaffe - Author of “Jean-Michel Basquiat: Crossroads” - Intimate Portraits of Bob Marley - Basquiat

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Artist, Musician, Poet
Author of Jean-Michel Basquiat: Crossroads

Jean-Michel Basquiat's combination of words and images, this visual poetry, just from a cultural standpoint has been so important. When I met him in 1983, black people were not allowed in the art market, pretty much. And you see that he broke down this barrier, which opened the door for all this multiculturalism within the art market. And you can't diminish the importance of that at all. It's helped to give a voice and an audience to all these incredible artists that might not have had that.

Lee Jaffe - Author of “Jean-Michel Basquiat: Crossroads” - Intimate Portraits of Bob Marley - Basquiat

Lee Jaffe - Author of “Jean-Michel Basquiat: Crossroads” - Intimate Portraits of Bob Marley - Basquiat

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Artist, Musician, Poet
Author of Jean-Michel Basquiat: Crossroads

Jean-Michel Basquiat's combination of words and images, this visual poetry, just from a cultural standpoint has been so important. When I met him in 1983, black people were not allowed in the art market, pretty much. And you see that he broke down this barrier, which opened the door for all this multiculturalism within the art market. And you can't diminish the importance of that at all. It's helped to give a voice and an audience to all these incredible artists that might not have had that.

Highlights - Karen McManus - Author of “Nothing More to Tell”, “One of Us is Lying”

Highlights - Karen McManus - Author of “Nothing More to Tell”, “One of Us is Lying”

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NYTimes Bestselling Author of Nothing More to Tell, One of Us is Lying

Well, I had a wonderful teacher in second grade who kind of inspired me to start writing and really stuck with me through elementary school and beyond as I made attempts to find my voice, but think part of the reason it never really went anywhere for me as a young person was because I was too afraid to share that with anyone except for that one teacher. I never showed friends. I didn't even really show family. I just always felt that it wasn't quite good enough. And so the thing I always tell writers now if they ask for, you know, "What's one tip?" It's let someone else tell you no, because I just told myself no for pretty much my entire young adulthood. And once I let other people tell me no, they did a lot, you know, but that is how I got better.

Karen McManus - NYTimes Bestselling Author of “Nothing More to Tell”, “One of Us is Lying”

Karen McManus - NYTimes Bestselling Author of “Nothing More to Tell”, “One of Us is Lying”

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NYTimes Bestselling Author of Nothing More to Tell, One of Us is Lying

Well, I had a wonderful teacher in second grade who kind of inspired me to start writing and really stuck with me through elementary school and beyond as I made attempts to find my voice, but think part of the reason it never really went anywhere for me as a young person was because I was too afraid to share that with anyone except for that one teacher. I never showed friends. I didn't even really show family. I just always felt that it wasn't quite good enough. And so the thing I always tell writers now if they ask for, you know, "What's one tip?" It's let someone else tell you no, because I just told myself no for pretty much my entire young adulthood. And once I let other people tell me no, they did a lot, you know, but that is how I got better.

Highlights - Vitaliy Katsenelson - Author of “Soul in the Game: The Art of a Meaningful Life” - CEO of IMA

Highlights - Vitaliy Katsenelson - Author of “Soul in the Game: The Art of a Meaningful Life” - CEO of IMA

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Author of Soul in the Game: The Art of a Meaningful Life
CEO of IMA - Investment Management Associates

There are four modes of communicating: preacher, prosecutor, politician, and scientist. So those three Ps are very important modes, but if you spend all your time in these modes, you will learn very little because all of them are kind of outward-looking modes. You're trying to convince others, and you don't learn very much when you're in those modes. Now, I would argue that most of us need to spend a good chunk of our time in a scientist mode. If you are in a scientist mode, then you are doing what Seneca said, "time discovers truth.

Vitaliy Katsenelson - Author of “Soul in the Game: The Art of a Meaningful Life” - CEO of IMA

Vitaliy Katsenelson - Author of “Soul in the Game: The Art of a Meaningful Life” - CEO of IMA

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Author of Soul in the Game: The Art of a Meaningful Life
CEO of IMA - Investment Management Associates

There are four modes of communicating: preacher, prosecutor, politician, and scientist. So those three Ps are very important modes, but if you spend all your time in these modes, you will learn very little because all of them are kind of outward-looking modes. You're trying to convince others, and you don't learn very much when you're in those modes. Now, I would argue that most of us need to spend a good chunk of our time in a scientist mode. If you are in a scientist mode, then you are doing what Seneca said, "time discovers truth.

Highlights - Anthony Joseph - Award-winning Writer, Musician & Educator - “Sonnets for Albert”

Highlights - Anthony Joseph - Award-winning Writer, Musician & Educator - “Sonnets for Albert”

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Award-winning Poet, Novelist & Musician, Lead vocalist of The Spasm Band
Author of Sonnets for Albert

The life of Caribbean people is not really documented. So this idea of Caribbean life being fragmented is something that I've had in my mind for a long time. So when I came to write this collection for my father, I realized that it was the same process and what I had were fragments, especially with him, because he wasn't around in a physical sense all the time. So all I had were little photographs, scattered memories, and remembrances. They're little parts of his life and parts of my experience with him... I never disliked my father. I always loved him and always was fascinated and captivated by him.

Anthony Joseph - Award-winning Writer, Musician & Educator - Author of “Sonnets for Albert”

Anthony Joseph - Award-winning Writer, Musician & Educator - Author of “Sonnets for Albert”

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Award-winning Poet, Novelist & Musician, Lead vocalist of The Spasm Band
Author of Sonnets for Albert

The life of Caribbean people is not really documented. So this idea of Caribbean life being fragmented is something that I've had in my mind for a long time. So when I came to write this collection for my father, I realized that it was the same process and what I had were fragments, especially with him, because he wasn't around in a physical sense all the time. So all I had were little photographs, scattered memories, and remembrances. They're little parts of his life and parts of my experience with him... I never disliked my father. I always loved him and always was fascinated and captivated by him.

Highlights - David Farrier - Author of “Footprints: In Search of Future Fossils”

Highlights - David Farrier - Author of “Footprints: In Search of Future Fossils”

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Author of Footprints: In Search of Future Fossils · Anthropocene Poetics
Professor of Literature & the Environment · University of Edinburgh.

Just thinking about how our actions play out over multiple generations who will have to live with the consequences of these decisions. I think we need to stretch our sense of time, and within that stretch our sense of empathy. The philosopher Roman Krznaric talks about that in his book The Good Ancestor, that we need a more elastic sense of empathy that can encompass not just those close to us or living alongside us, but those who have yet to be born will have to inherit the world that we passed down to them. But I think in stretching that sense of empathy and stretching that sense of the times that we touch, if you like, because all of us are engaged in activities that will lead long legacies, long tails, in terms of the fossil fuels we're consuming. And so, alongside that, I think we need to accept that the time we live in is a strange one, and time itself is doing strange things in the anthropocene.

David Farrier - Author of “Footprints: In Search of Future Fossils” - Prof. U of Edinburgh

David Farrier - Author of “Footprints: In Search of Future Fossils” - Prof. U of Edinburgh

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Author of Footprints: In Search of Future Fossils · Anthropocene Poetics
Professor of Literature & the Environment · University of Edinburgh.

Just thinking about how our actions play out over multiple generations who will have to live with the consequences of these decisions. I think we need to stretch our sense of time, and within that stretch our sense of empathy. The philosopher Roman Krznaric talks about that in his book The Good Ancestor, that we need a more elastic sense of empathy that can encompass not just those close to us or living alongside us, but those who have yet to be born will have to inherit the world that we passed down to them. But I think in stretching that sense of empathy and stretching that sense of the times that we touch, if you like, because all of us are engaged in activities that will lead long legacies, long tails, in terms of the fossil fuels we're consuming. And so, alongside that, I think we need to accept that the time we live in is a strange one, and time itself is doing strange things in the anthropocene.

Highlights - William Irvine - Author of “The Stoic Challenge”, “A Guide to the Good Life”

Highlights - William Irvine - Author of “The Stoic Challenge”, “A Guide to the Good Life”

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Author of The Stoic Challenge & A Guide to the Good Life: The Ancient Art of Stoic Joy

Happiness is another interesting thing. I've been thinking about this lately. You know, people take aim at happiness. I don't know if you can actually do that, if you can have a recipe for attaining happiness. Happiness is something that just happens as a byproduct of something else going on in your life, and that is having a day where you're experiencing equanimity. You don't have this abundance of negative emotions, where you value the things you've already got, where you value the relationships you've got, where you feel good inside your own body. You like being who you are. And I think, if all that happens, then suddenly, you know, it'll dawn on me. 'Gosh, I guess I'm happy...'

William Irvine - Author of “The Stoic Challenge”, “A Guide to the Good Life”

William Irvine - Author of “The Stoic Challenge”, “A Guide to the Good Life”

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Author of The Stoic Challenge & A Guide to the Good Life: The Ancient Art of Stoic Joy

Happiness is another interesting thing. I've been thinking about this lately. You know, people take aim at happiness. I don't know if you can actually do that, if you can have a recipe for attaining happiness. Happiness is something that just happens as a byproduct of something else going on in your life, and that is having a day where you're experiencing equanimity. You don't have this abundance of negative emotions, where you value the things you've already got, where you value the relationships you've got, where you feel good inside your own body. You like being who you are. And I think, if all that happens, then suddenly, you know, it'll dawn on me. 'Gosh, I guess I'm happy...'

Highlights - Claudia Forestieri - Brigitte Muñoz-Liebowitz - “Gordita Chronicles”on HBO Max

Highlights - Claudia Forestieri - Brigitte Muñoz-Liebowitz - “Gordita Chronicles”on HBO Max

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Claudia Forestieri (Creator) & Brigitte Muñoz-Liebowitz (Showrunner)
Gordita Chronicles

When you immigrate, it's kind of like you're going through adolescence because you're in a new place. You feel weird in your own skin. You're learning new things. Everything is changing. You feel awkward. So that also helped us connect the adult stories to the children's stories.

Claudia Forestieri - Brigitte Muñoz-Liebowitz (Creator - Showrunner) “Gordita Chronicles”

Claudia Forestieri - Brigitte Muñoz-Liebowitz (Creator - Showrunner) “Gordita Chronicles”

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Claudia Forestieri (Creator) & Brigitte Muñoz-Liebowitz (Showrunner)
Gordita Chronicles

When you immigrate, it's kind of like you're going through adolescence because you're in a new place. You feel weird in your own skin. You're learning new things. Everything is changing. You feel awkward. So that also helped us connect the adult stories to the children's stories.

Highlights - Roy Scranton - Author of “Learning to Die in the Anthropocene”

Highlights - Roy Scranton - Author of “Learning to Die in the Anthropocene”

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Author of Learning to Die in the Anthropocene & We’re Doomed, Now What?
Director of the Notre Dame Environmental Humanities Initiative

It seems irresponsible to me to downplay the possible consequences of climate change. It seems irresponsible to assume that we're going to fix it. And so I think it's absolutely a responsibility for the people who are talking about it and thinking about it, to look at the worst-case scenario and to look at the current trajectories, absent technologies for carbon scrubbers, to look at where we're actually headed, the worst-case scenarios, and address that and bring that to each other and to our children and to our students. When you really look at the situation, it's scary and terrifying, and it upends everything that we've been told to make sense of life.

Roy Scranton - Author of “Learning to Die in the Anthropocene” - “We’re Doomed, Now What?”

Roy Scranton - Author of “Learning to Die in the Anthropocene” - “We’re Doomed, Now What?”

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Author of Learning to Die in the Anthropocene & We’re Doomed, Now What?
Director of the Notre Dame Environmental Humanities Initiative

It seems irresponsible to me to downplay the possible consequences of climate change. It seems irresponsible to assume that we're going to fix it. And so I think it's absolutely a responsibility for the people who are talking about it and thinking about it, to look at the worst-case scenario and to look at the current trajectories, absent technologies for carbon scrubbers, to look at where we're actually headed, the worst-case scenarios, and address that and bring that to each other and to our children and to our students. When you really look at the situation, it's scary and terrifying, and it upends everything that we've been told to make sense of life.

(Highlights) Mario Alberto Zambrano · Dancer, Writer, Assoc. Dir. of Dance, The Juilliard School

(Highlights) Mario Alberto Zambrano · Dancer, Writer, Assoc. Dir. of Dance, The Juilliard School

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Dancer, Writer, Choreographer
Associate Director of Dance at The Juilliard School, NYC

In both writing a first draft and in the improvisation of a dancing body, what is so key and relevant and exposed is voice. That internal voice of the artist of what they're writing on the page or what they're writing in space. If you go to fiction workshop, you talk about plot, structure, and you talk about character development, but there are very few classes within a dance curriculum where you break down an improvisation and you talk about voice, point of view, metaphor, or musical composition within a phrase. The lifespan of a phrase. And so this realisation is helping me understand that a one minute post of improvisation or even a ten-minute span of improvisation if it’s recorded is very similar to a first draft of creative writing, where then the artist is in a position to evaluate those 10 minutes and identify what is the setting? What is the voice that has come out of my experience of writing this first draft of an improvisation? And how can I give it structure? How can I give it form?

Mario Alberto Zambrano - Dancer, Writer, Assoc. Director of Dance, The Juilliard School

Mario Alberto Zambrano - Dancer, Writer, Assoc. Director of Dance, The Juilliard School

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Dancer, Writer, Choreographer
Associate Director of Dance at The Juilliard School, NYC

In both writing a first draft and in the improvisation of a dancing body, what is so key and relevant and exposed is voice. That internal voice of the artist of what they're writing on the page or what they're writing in space. If you go to fiction workshop, you talk about plot, structure, and you talk about character development, but there are very few classes within a dance curriculum where you break down an improvisation and you talk about voice, point of view, metaphor, or musical composition within a phrase. The lifespan of a phrase. And so this realisation is helping me understand that a one minute post of improvisation or even a ten-minute span of improvisation if it’s recorded is very similar to a first draft of creative writing, where then the artist is in a position to evaluate those 10 minutes and identify what is the setting? What is the voice that has come out of my experience of writing this first draft of an improvisation? And how can I give it structure? How can I give it form?