ADA LIMÓN - U.S. Poet Laureate - Host of The Slowdown podcast

ADA LIMÓN - U.S. Poet Laureate - Host of The Slowdown podcast

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U.S. Poet Laureate · Host of The Slowdown podcast

This poem was written when I was having a real moment of reckoning, not that I hadn't had it earlier, but where I was doing some deep reading about the climate crisis and really reckoning with myself, with where we were and what was happening, what the truth was. And I felt like it was so easy to slip down into a darkness, into a sort of numbness, and I didn't think that that numbness and darkness could be useful.

Highlights - Claudia Forestieri - Brigitte Muñoz-Liebowitz - “Gordita Chronicles”on HBO Max

Highlights - Claudia Forestieri - Brigitte Muñoz-Liebowitz - “Gordita Chronicles”on HBO Max

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Claudia Forestieri (Creator) & Brigitte Muñoz-Liebowitz (Showrunner)
Gordita Chronicles

When you immigrate, it's kind of like you're going through adolescence because you're in a new place. You feel weird in your own skin. You're learning new things. Everything is changing. You feel awkward. So that also helped us connect the adult stories to the children's stories.

Claudia Forestieri - Brigitte Muñoz-Liebowitz (Creator - Showrunner) “Gordita Chronicles”

Claudia Forestieri - Brigitte Muñoz-Liebowitz (Creator - Showrunner) “Gordita Chronicles”

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Claudia Forestieri (Creator) & Brigitte Muñoz-Liebowitz (Showrunner)
Gordita Chronicles

When you immigrate, it's kind of like you're going through adolescence because you're in a new place. You feel weird in your own skin. You're learning new things. Everything is changing. You feel awkward. So that also helped us connect the adult stories to the children's stories.

(Highlights) Ellen Rapoport · Creator, Exec. Producer & Showrunner of “Minx” for HBO Max

(Highlights) Ellen Rapoport · Creator, Exec. Producer & Showrunner of “Minx” for HBO Max

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Creator, Executive Producer & Showrunner of Minx
starring Ophelia Lovibond & Jake Johnson

What drew me to the time period of the 70s was the real story of these magazines Playgirl, Viva, Foxy Lady, all the magazines that existed in this period. So it was a natural outgrowth of trying to tell a story that was inspired by, to some extent, real-life events. When I started developing Minx, what struck me about the 70s, in particular, is just how similar it was to our time. It seems like the magazines were covering all the same issues that we're now talking about. Obviously, we all saw with the leaked decision in Roe vs. Wade just how close we are to that time period and how far we haven't come.

Ellen Rapoport · Creator, Exec. Producer & Showrunner of “Minx” for HBO Max

Ellen Rapoport · Creator, Exec. Producer & Showrunner of “Minx” for HBO Max

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Creator, Executive Producer & Showrunner of Minx
starring Ophelia Lovibond & Jake Johnson

What drew me to the time period of the 70s was the real story of these magazines Playgirl, Viva, Foxy Lady, all the magazines that existed in this period. So it was a natural outgrowth of trying to tell a story that was inspired by, to some extent, real-life events. When I started developing Minx, what struck me about the 70s, in particular, is just how similar it was to our time. It seems like the magazines were covering all the same issues that we're now talking about. Obviously, we all saw with the leaked decision in Roe vs. Wade just how close we are to that time period and how far we haven't come.


(Highlights) Dolen Perkins-Valdez · NYTimes Best-selling Author of “Take My Hand”


(Highlights) Dolen Perkins-Valdez · NYTimes Best-selling Author of “Take My Hand”

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NYTimes Best-selling Author of the books Take My Hand · Balm, & Wench
Chair of the Board of the PEN/Faulkner Foundation

My dad graduated from Tuskegee, and he often told me about the Tuskegee Syphilis Experiment. He really wanted me to understand the history, not only of medical experimentation but more specifically, medical experimentation in the state of Alabama. So my feeling about medical experimentation is that there's a long history in this country of medical experimentation on black bodies, particularly based behind this racist notion that black people don't feel pain in the same way. And so I've always sort of known that, but once I started to research this book, I began to really understand more specifically what it has meant for black women.

Dolen Perkins-Valdez · NYTimes Best-selling Author of “Take My Hand”

Dolen Perkins-Valdez · NYTimes Best-selling Author of “Take My Hand”

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NYTimes Best-selling Author of the books Take My Hand · Balm, & Wench
Chair of the Board of the PEN/Faulkner Foundation

My dad graduated from Tuskegee, and he often told me about the Tuskegee Syphilis Experiment. He really wanted me to understand the history, not only of medical experimentation but more specifically, medical experimentation in the state of Alabama. So my feeling about medical experimentation is that there's a long history in this country of medical experimentation on black bodies, particularly based behind this racist notion that black people don't feel pain in the same way. And so I've always sort of known that, but once I started to research this book, I began to really understand more specifically what it has meant for black women.

(Highlights) CARMEN MARIA MACHADO
CARMEN MARIA MACHADO
(Highlights) ADA LIMÓN

(Highlights) ADA LIMÓN

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National Book Critics Circle Award-winning Poet & Host of The Slowdown podcast

This poem was written when I was having a real moment of reckoning, not that I hadn't had it earlier, but where I was doing some deep reading about the climate crisis and really reckoning with myself, with where we were and what was happening, what the truth was. And I felt like it was so easy to slip down into a darkness, into a sort of numbness, and I didn't think that that numbness and darkness could be useful.

ADA LIMÓN

ADA LIMÓN

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National Book Critics Circle Award-winning Poet & Host of The Slowdown podcast

This poem was written when I was having a real moment of reckoning, not that I hadn't had it earlier, but where I was doing some deep reading about the climate crisis and really reckoning with myself, with where we were and what was happening, what the truth was. And I felt like it was so easy to slip down into a darkness, into a sort of numbness, and I didn't think that that numbness and darkness could be useful.

SIRI HUSTVEDT

SIRI HUSTVEDT

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Novelist and Essayist

The reason I think you should read in these other disciplines is because it will help you in your own work. Now I really mean that. I think what has happened with the fragmentation of disciplines is that when problems arise. ...the people working in the discipline are unable to see avenues out of the problem that they would easily see if they had worked through problems in other disciplines.

(Highlights) DR. FARHANA SULTANA

(Highlights) DR. FARHANA SULTANA

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Dr. Farhana Sultana is an Associate Professor in the Department of Geography and the Environment at the Maxwell School of Citizenship and Public Affairs of Syracuse University, where she is also the Research Director for Environmental Collaboration and Conflicts at the Program for the Advancement of Research on Conflicts and Collaboration (PARCC).

Dr. Sultana is an internationally recognized interdisciplinary scholar of political ecology, water governance, post‐colonial development, social and environmental justice, climate change, and feminism. Her research and scholar-activism draw from her experiences of having lived and worked on three continents as well as from her backgrounds in the natural sciences, social sciences, and policy experience.

Prior to joining Syracuse, she taught at King’s College London and worked at United Nations Development Programme (UNDP). Author of several dozen publications, her recent books are “The Right to Water: Politics, Governance and Social Struggles” (2012), “Eating, Drinking: Surviving” (2016) and “Water Politics: Governance, Justice, and the Right to Water” (2020). Dr. Sultana graduated Cum Laude from Princeton University (in Geosciences and Environmental Studies) and obtained her Masters and PhD (in Geography) from the University of Minnesota, where she was a John D. and Catherine T. MacArthur Foundation Fellow.

She was awarded the Glenda Laws Award from the American Association of Geographers for “outstanding contributions to geographic research on social issues” in 2019.

DR. FARHANA SULTANA

We are always students. We are students of the earth. We need to do better and we can do better because the capacity of the human spirit is quite expansive and we owe it to future generations to do the best we can do while we can…It’s about who is at the table or rather what is the table, meaning what are the terms of the debate. Setting the terms of the debate, but how do we even know what the terms of the debate are, who is being included, who is being heeded, and part of that is, therefore, a decolonizing of knowledge and power structures because it’s centrally or fundamentally a justice issue.

One of the issues is that, yes, it is harder to be a woman of color in any field, but it is harder to be a very outspoken vocal woman of color. That has been my reality because I don’t think silence is an option. Too many centuries of my people were silenced in various ways, and if I have the privilege of education and voice it is an absolute unending responsibility to therefore speak out and share my knowledge and expertise.

This interview was conducted by Mia Funk & Mariana Monahan Negron with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Mariana Monahan Negron. Digital Media Coordinator is Phoebe Brous.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).

DR. FARHANA SULTANA

DR. FARHANA SULTANA

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Co-author: Water Politics: Governance, Justice & the Right to Water
Fmr. UNDP Programme Officer, United Nations Development Programme

We are always students. We are students of the earth. We need to do better and we can do better because the capacity of the human spirit is quite expansive and we owe it to future generations to do the best we can do while we can…It’s about who is at the table or rather what is the table, meaning what are the terms of the debate. Setting the terms of the debate, but how do we even know what the terms of the debate are, who is being included, who is being heeded, and part of that is, therefore, a decolonizing of knowledge and power structures because it’s centrally or fundamentally a justice issue.

(Highlights) ANA CASTILLO

(Highlights) ANA CASTILLO

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Award-winning Xicana Activist, Editor, Poet, Novelist, Artist
Author of My Book of the Dead
One of the things that is dying is our planet. We hear these sirens every single day. We’re being warned daily by experts and concerned people how vast that squandering is going. It’s a case of urgency and it’s astounding and a very sad, a very pathetic comment on modern life that most people are ignoring those signs. As a poet, it seems to me that one of the tasks that the poet takes on, it’s a vocation that’s born with it, it’s this consciousness, this serving as witness.

ANA CASTILLO

ANA CASTILLO

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Award-winning Xicana Activist, Editor, Poet, Novelist, Artist
Author of My Book of the Dead
One of the things that is dying is our planet. We hear these sirens every single day. We’re being warned daily by experts and concerned people how vast that squandering is going. It’s a case of urgency and it’s astounding and a very sad, a very pathetic comment on modern life that most people are ignoring those signs. As a poet, it seems to me that one of the tasks that the poet takes on, it’s a vocation that’s born with it, it’s this consciousness, this serving as witness.

(Highlights) SIRI HUSTVEDT

(Highlights) SIRI HUSTVEDT

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Novelist and Essayist

The reason I think you should read in these other disciplines is because it will help you in your own work. Now I really mean that. I think what has happened with the fragmentation of disciplines is that when problems arise. ...the people working in the discipline are unable to see avenues out of the problem that they would easily see if they had worked through problems in other disciplines.

SIRI HUSTVEDT

SIRI HUSTVEDT

/

Novelist and Essayist

The reason I think you should read in these other disciplines is because it will help you in your own work. Now I really mean that. I think what has happened with the fragmentation of disciplines is that when problems arise. ...the people working in the discipline are unable to see avenues out of the problem that they would easily see if they had worked through problems in other disciplines.

(Highlights) ALICE NOTLEY

(Highlights) ALICE NOTLEY

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Poet

I wrote "I the People" in about 1985. I was living in New York and it was one of those years when it was an anniversary of the Constitution…My first husband had died a few years previously, and I didn't feel like I was part of any "we." But I did feel that I was "the people," somehow. So, I just changed it to "I the People." It seemed to me that that could be something that anyone might say to themselves, I the people.

ALICE NOTLEY

ALICE NOTLEY

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Poet

It's all-inclusive – poetry– and everything is poetry in a certain way, and poetic measure is like what we're composed of. It's what we are. I mean, we're poetry.