(Highlights) EDMAR CASTANEDA

(Highlights) EDMAR CASTANEDA

Jazz Harpist

The harp or the instrument that I play is a traditional instrument from Columbia (I’m from Bogota, Columbia). We have traditional music there called Janetta music. It’s the music from the plains of Colombia and Venezuala. It’s like the cowboy music… I met the harp when I was seven years old. That’s the first time I saw this instrument. I was like–Wow! I knew I was born to play the harp that day!

EDMAR CASTANEDA

EDMAR CASTANEDA

Jazz Harpist

The harp or the instrument that I play is a traditional instrument from Columbia (I’m from Bogota, Columbia). We have traditional music there called Janetta music. It’s the music from the plains of Colombia and Venezuala. It’s like the cowboy music… I met the harp when I was seven years old. That’s the first time I saw this instrument. I was like–Wow! I knew I was born to play the harp that day!

(Highlights) NANO STERN

(Highlights) NANO STERN

Musician and Songwriter

There is a metaphor to every single word that we say, we're just not aware. But if we were aware, then it would become very interesting. And that's the quest for me to be constantly more and more aware because it's so beautiful. It's a quest for beauty as well.

NANO STERN

NANO STERN

Musician and Songwriter

There is a metaphor to every single word that we say, we're just not aware. But if we were aware, then it would become very interesting. And that's the quest for me to be constantly more and more aware because it's so beautiful. It's a quest for beauty as well.

(Highlights) TRISH SIE

(Highlights) TRISH SIE

Trish Sie is a multi-talented director whose work spans the realms of music videos, commercials, and short and feature films. After spending a decade as a professional dancer, championship ballroom competitor and choreographer, she built a successful and championed career in filmmaking. The first music video that she produced, “Here it Goes Again” for the band OK Go,  won her a Grammy award. Her success expands to the world of films, where she has directed the likes of PItch Perfect 3 and Step Up: All In, using her dance and choreography experience to make magic happen on camera. Along with the Grammy, Trish has won a number of awards such as the Youtube award for most creative video, the smithsonian ingenuity award, and multiple accolades for best short film at various film festivals. 

TRISH SIE

TRISH SIE

Trish Sie is a multi-talented director whose work spans the realms of music videos, commercials, and short and feature films. After spending a decade as a professional dancer, championship ballroom competitor and choreographer, she built a successful and championed career in filmmaking. The first music video that she produced, “Here it Goes Again” for the band OK Go,  won her a Grammy award. Her success expands to the world of films, where she has directed the likes of PItch Perfect 3 and Step Up: All In, using her dance and choreography experience to make magic happen on camera. Along with the Grammy, Trish has won a number of awards such as the Youtube award for most creative video, the smithsonian ingenuity award, and multiple accolades for best short film at various film festivals. 

MARCELO ZARVOS

MARCELO ZARVOS

Pianist and TV/Film Composer

I think the music, the way that it's shot, and the way that it's written, of course, all work in conjunction. There’s something about a passage of time in your mind. Then it's not about the clocks. It's more about the suspended, almost like the absence of clocks, and the idea of suspended time, which memory is more like that since in our memory all time happens at once.

(Highlights) DWANDALYN R. REECE, Ph.D.

(Highlights) DWANDALYN R. REECE, Ph.D.

Acting Associate Director for Curatorial Affairs · Curator of Music and Performing Arts
National Museum of African American History and Culture · Smithsonian Institution

This museum, this institution has a long history and actually, the idea of a museum goes back to maybe 100 years ago when Civil War veterans wanted a monument recognizing the service and the sacrifice of African Americans during the war effort. It wasn't until the mid-late 80s when congressman John Lewis with some other colleagues started to bring forth the idea that the Smithsonian needed to have a presence to recognize the significance and contributions of African Americans to the history of this country.

DWANDALYN R. REECE, Ph.D.

DWANDALYN R. REECE, Ph.D.

Acting Associate Director for Curatorial Affairs · Curator of Music and Performing Arts
National Museum of African American History and Culture · Smithsonian Institution

This museum, this institution has a long history and actually, the idea of a museum goes back to maybe 100 years ago when Civil War veterans wanted a monument recognizing the service and the sacrifice of African Americans during the war effort. It wasn't until the mid-late 80s when congressman John Lewis with some other colleagues started to bring forth the idea that the Smithsonian needed to have a presence to recognize the significance and contributions of African Americans to the history of this country.

(Highlights) JOHN POWELL

(Highlights) JOHN POWELL

Composer

I can't draw a line between language, really, and music. It's too disparate, but there are so many levels of human communication in it that I hear. Feelings, obviously, imagery, a sort of indescribable warmth, chills. All of these kinds of words we try to use to explain the feelings, but the communication is very clear when music is good. It's very clear. You hear a story that is a four-dimensional story.

JOHN POWELL

JOHN POWELL

Composer

I can't draw a line between language, really, and music. It's too disparate, but there are so many levels of human communication in it that I hear. Feelings, obviously, imagery, a sort of indescribable warmth, chills. All of these kinds of words we try to use to explain the feelings, but the communication is very clear when music is good. It's very clear. You hear a story that is a four-dimensional story.

(Highlights) AARON DWORKIN

(Highlights) AARON DWORKIN

Aaron Dworkin is a multifaceted artist and entrepreneur with passion for diversifying and amplifying the arts. Epitomizing how art, leadership, and diversity all play a vital role in advancing our society, Dwokin founded The Sphinx Organization, a non-profit organization that molds Black and Latinx classical musicians, and he serves on the advisory board for several prestigious arts organizations. Dworkin is an educator of both Arts Leadership and Entrepreneurial Leadership at his alma mater, the University of Michigan. Aaron Dworkin, decorated in awards and accolades, continues to be a force in his community, driving the need for diversity, arts education, and leadership.

AARON DWORKIN

AARON DWORKIN

Aaron Dworkin is a multifaceted artist and entrepreneur with passion for diversifying and amplifying the arts. Epitomizing how art, leadership, and diversity all play a vital role in advancing our society, Dwokin founded The Sphinx Organization, a non-profit organization that molds Black and Latinx classical musicians, and he serves on the advisory board for several prestigious arts organizations. Dworkin is an educator of both Arts Leadership and Entrepreneurial Leadership at his alma mater, the University of Michigan. Aaron Dworkin, decorated in awards and accolades, continues to be a force in his community, driving the need for diversity, arts education, and leadership.

(Highlights) ITAMAR KUBOVY

(Highlights) ITAMAR KUBOVY

Interview Highlights
Executive Director · Pilobolus Dance Company
And so, I think that that's an extremely important way to think about a growing idea of art, which has to do really with the stuff that enhances the senses and speaks to play in some way. Pushes the imagination. In the old days, we used to say it's metaphor, but in a way, I'm not sure that metaphor is physical enough to describe the kind of play that is required to engage people in a way that makes them feel something when they're living in a world that is so equalizing.

ITAMAR KUBOVY

ITAMAR KUBOVY

Executive Director · Pilobolus Dance Company
I think that what they don't realise often is that the skills of the people that are sitting in those jobs are deeply in conflict with the skills required to perform well in our our time. I think there is an enormous amount of change that needs to happen in education. And I think, in some instances, it's beginning to, but we're really working and teaching our future using systems that are antiquated and don't really relate.

(Highlights) GAVIN JAMES CREEL

(Highlights) GAVIN JAMES CREEL

Tony & Olivier Award-Winning Actor, Singer & Songwriter

To not honor that we are all creative, beautiful, interesting deep, rich individuals. We’re not zeros and ones on a spreadsheet. We’re not scientifically explained. We are not mathematically judged. We are imperfect blobs of emotion and bone and spirit and life and when we come together there is nothing greater than the chemistry and the alchemy of musical theater… There’s a joy, there’s a bounce, there’s an effervescence that’s part of that music. I had a great teacher in college, the head of our program Brent Wagner said, 'With lyrics, I can tell you to open the door, but with music I can tell you how.’ Lyrics are information and music is emotion.

GAVIN JAMES CREEL

GAVIN JAMES CREEL

Tony & Olivier Award-Winning Actor, Singer & Songwriter

To not honor that we are all creative, beautiful, interesting deep, rich individuals. We’re not zeros and ones on a spreadsheet. We’re not scientifically explained. We are not mathematically judged. We are imperfect blobs of emotion and bone and spirit and life and when we come together there is nothing greater than the chemistry and the alchemy of musical theater… There’s a joy, there’s a bounce, there’s an effervescence that’s part of that music. I had a great teacher in college, the head of our program Brent Wagner said, 'With lyrics, I can tell you to open the door, but with music I can tell you how.’ Lyrics are information and music is emotion.

(Highlights) KATE MUETH

(Highlights) KATE MUETH

Actress, Choreographer, Artistic Director - Neo-Political Cowgirls

I care very deeply about the arts, theater arts. So I had a choice to make, either leave entirely or be the change, as they say. So I started Neo-Political Cowgirls to embrace women in their story, in our story.

KATE MUETH
(Highlights) CARTER BURWELL

(Highlights) CARTER BURWELL

Interview Highlights

So my musical education just completely killed any interest in music I would have had. And it was only later when I was a teenager a friend showed me a little bit about improvisation on the piano and that got me back into playing and that's why I'm doing this now. It was very therapeutic as a teenager, as an adolescent just to sit at the piano and just express things that I couldn't express in some other way.