Highlights - CHRISTOPHER GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer

Highlights - CHRISTOPHER GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer

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Founder & CEO of Wildlife Conservation Film Festival
Cannes Lions Award-winning Producer

I've been fortunate over the last 13 years to meet some of the world's leading conservationists. Dr. Sylvia Earl, David Attenborough, Jane Goodall, his Royal Highness Prince Khaled bin Sultan of Saudi Arabia, who came to the film festival in 2014, where we showed some films from his foundation. And there have been a number of others, award-winning filmmakers, and a number of celebrities that have come to the film festival, Academy Award Winner James Cromwell. We've had other celebrities, from Paul Giamatti to Alec Baldwin to Sigourney Weaver, all of whom may have a passion for, if not saving wildlife, then for the environment. And I have found them very humble, very easy to speak to, and I'm immensely grateful that they took the time to come to WCFF from their busy schedule. And we hope to build more relationships.

CHRISTOPHER J. GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer

CHRISTOPHER J. GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer

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Founder & CEO of Wildlife Conservation Film Festival
Cannes Lions Award-winning Producer

I've been fortunate over the last 13 years to meet some of the world's leading conservationists. Dr. Sylvia Earl, David Attenborough, Jane Goodall, his Royal Highness Prince Khaled bin Sultan of Saudi Arabia, who came to the film festival in 2014, where we showed some films from his foundation. And there have been a number of others, award-winning filmmakers, and a number of celebrities that have come to the film festival, Academy Award Winner James Cromwell. We've had other celebrities, from Paul Giamatti to Alec Baldwin to Sigourney Weaver, all of whom may have a passion for, if not saving wildlife, then for the environment. And I have found them very humble, very easy to speak to, and I'm immensely grateful that they took the time to come to WCFF from their busy schedule. And we hope to build more relationships.

Highlights - PIA MANCINI - Co-founder/CEO, Open Collective - Chair, DemocracyEarth Foundation - YGL World Economic Forum

Highlights - PIA MANCINI - Co-founder/CEO, Open Collective - Chair, DemocracyEarth Foundation - YGL World Economic Forum

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Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation
Alum of YC & Young Global Leaders at World Economic Forum

And so I think many of those challenges have to do with the nature of power and how power is conservative and power will do anything in order to stay in power. And the status quo will do anything and make itself look like anything that you want in order to stay in power. And they might change their spots a little bit here or there, but if you look deep enough, it's the same people. It's the same power.

And so for me, that was the big challenge of realizing that we were facing power and power is conservative, and that's not the way to really achieve the change that we wanted to make. I wasn't patient enough for incremental changes. That's not what I'm interested in. So there's one set of challenges that I think is common to anyone in my position trying to do this. With regards to being a young woman, I mean, sure you face the same kind of sexist comments that you would face anywhere else that I face now as a woman CEO. The best thing I can do for that is just occupying the space and keep occupying the space and refusing to move away or let things like that stop me from engaging.

PIA MANCINI - Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation - YGL World Economic Forum

PIA MANCINI - Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation - YGL World Economic Forum

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Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation
Alum of YC & Young Global Leaders at World Economic Forum

And so I think many of those challenges have to do with the nature of power and how power is conservative and power will do anything in order to stay in power. And the status quo will do anything and make itself look like anything that you want in order to stay in power. And they might change their spots a little bit here or there, but if you look deep enough, it's the same people. It's the same power.

And so for me, that was the big challenge of realizing that we were facing power and power is conservative, and that's not the way to really achieve the change that we wanted to make. I wasn't patient enough for incremental changes. That's not what I'm interested in. So there's one set of challenges that I think is common to anyone in my position trying to do this. With regards to being a young woman, I mean, sure you face the same kind of sexist comments that you would face anywhere else that I face now as a woman CEO. The best thing I can do for that is just occupying the space and keep occupying the space and refusing to move away or let things like that stop me from engaging.

Highlights - CHAYSE IRVIN - Award-winning Cinematographer - Blonde starring Ana de Armas, Beyonce: Lemonade, Spike Lee’s BlacKkKlansman

Highlights - CHAYSE IRVIN - Award-winning Cinematographer - Blonde starring Ana de Armas, Beyonce: Lemonade, Spike Lee’s BlacKkKlansman

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Award-winning Cinematographer
Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee’s BlacKkKlansman

That's all I can do on a movie. I can't really make a movie good or not because that's decided by the spectator. That's not in my control. All I can do is give it everything that I have. Like that's just the love I have to give. So why bring in all these other things? Just set it up so you can give it everything that you've got each time. In those theoretical considerations about how a scene can function or be rendered or shot or executed or all these things, just think of it as, "Oh, this is the challenge." I want authenticity. How do we create an environment where that's more likely to happen? Because it's never going to be something that I can enforce, and the more I try to enforce it, the less likely it'll happen. For me, the more risky things, the more things that defied expectations are really important to me. I guess it even goes down to just novelty. How do you create a need or a yearning? And the spectator, you create a particular rhythm and then you change that rhythm, and then it's almost like you try to sensitize your spectator to these ideas by defining a particular rhythm that you've set for them.

CHAYSE IRVIN - Cinematographer of “Blonde” starring Ana de Armas, “Beyonce: Lemonade”, Spike Lee’s BlacKkKlansman, Kahlil Joseph, The Weekend, Netflix, Charlotte Rampling

CHAYSE IRVIN - Cinematographer of “Blonde” starring Ana de Armas, “Beyonce: Lemonade”, Spike Lee’s BlacKkKlansman, Kahlil Joseph, The Weekend, Netflix, Charlotte Rampling

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Award-winning Cinematographer
Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee’s BlacKkKlansman

That's all I can do on a movie. I can't really make a movie good or not because that's decided by the spectator. That's not in my control. All I can do is give it everything that I have. Like that's just the love I have to give. So why bring in all these other things? Just set it up so you can give it everything that you've got each time. In those theoretical considerations about how a scene can function or be rendered or shot or executed or all these things, just think of it as, "Oh, this is the challenge." I want authenticity. How do we create an environment where that's more likely to happen? Because it's never going to be something that I can enforce, and the more I try to enforce it, the less likely it'll happen. For me, the more risky things, the more things that defied expectations are really important to me. I guess it even goes down to just novelty. How do you create a need or a yearning? And the spectator, you create a particular rhythm and then you change that rhythm, and then it's almost like you try to sensitize your spectator to these ideas by defining a particular rhythm that you've set for them.

Highlights - MANUELA LUCÁ-DAZIO - Exec. Director of Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.

Highlights - MANUELA LUCÁ-DAZIO - Exec. Director of Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.

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Executive Director of the Pritzker Architecture Prize
Fmr. Executive Director of Venice Biennale (Dept. of Visual Arts & Architecture)

When I started and I had to decide what to do in life - because I was working with museums, in exhibition design, and on the restoration of buildings - and then at some point, I had the chance to arrive at the Venice Biennale and my whole perspective changed. And it changed because I was working with living artists and architects. Until that moment, I was working around Old Masters, works in museums, and things that were there with the aura of history. And all of a sudden I was dealing with living architects and artists, and this was, for me, the most incredible experience. So I decided to leave all the rest, because I was doing quite a lot at the same time, and to concentrate on the Biennale.

MANUELA LUCÁ-DAZIO - Executive Director, Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.

MANUELA LUCÁ-DAZIO - Executive Director, Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.

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Executive Director of the Pritzker Architecture Prize
Fmr. Executive Director of Venice Biennale (Dept. of Visual Arts & Architecture)

When I started and I had to decide what to do in life - because I was working with museums, in exhibition design, and on the restoration of buildings - and then at some point, I had the chance to arrive at the Venice Biennale and my whole perspective changed. And it changed because I was working with living artists and architects. Until that moment, I was working around Old Masters, works in museums, and things that were there with the aura of history. And all of a sudden I was dealing with living architects and artists, and this was, for me, the most incredible experience. So I decided to leave all the rest, because I was doing quite a lot at the same time, and to concentrate on the Biennale.

Highlights - ARMOND COHEN - Executive Director of Clean Air Task Force

Highlights - ARMOND COHEN - Executive Director of Clean Air Task Force

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Executive Director of Clean Air Task Force

There's no such thing as completely clean energy. We use that term a lot, but it's not really true. We have low carbon energy, and lower carbon energy, but any kind of industrial system has requirements for materials and processing, and nothing is completely natural in the industrial world. If we can electrify transportation, I think we can clean up the grid, and then I think we can deal with these life cycle issues in a way that's responsible, but it'll never be zero. That's impossible. The good thing about technology is it can move very fast. And so my advice would be if you're interested in this topic, if you have a mathematical, scientific, or business orientation, or you just like solving problems, get trained to really be part of the technological business revolution that's going on right now.

ARMOND COHEN - Executive Director of Clean Air Task Force

ARMOND COHEN - Executive Director of Clean Air Task Force

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Executive Director of Clean Air Task Force

There's no such thing as completely clean energy. We use that term a lot, but it's not really true. We have low carbon energy, and lower carbon energy, but any kind of industrial system has requirements for materials and processing, and nothing is completely natural in the industrial world. If we can electrify transportation, I think we can clean up the grid, and then I think we can deal with these life cycle issues in a way that's responsible, but it'll never be zero. That's impossible. The good thing about technology is it can move very fast. And so my advice would be if you're interested in this topic, if you have a mathematical, scientific, or business orientation, or you just like solving problems, get trained to really be part of the technological business revolution that's going on right now.

Highlights - Amanda E. Machado - Writer, Public Speaker - Founder of Reclaiming Nature Writing

Highlights - Amanda E. Machado - Writer, Public Speaker - Founder of Reclaiming Nature Writing

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Writer, Public Speaker, Facilitator · Founder of Reclaiming Nature Writing

So much of the travel industry was built on the idea of colonialism which really makes us all inherit this idea that whatever we need in life is going to come from seeking it elsewhere and grabbing it from somewhere else, I think looking at that, really deeply thinking about what is lost from that mindset and the harm that is caused by it has been something I've been trying to do over the last few years. And a lot of that has to do with land trauma, right? Like really acknowledging where our settlement of land comes from and how we can heal that in the ways that we travel.

AMANDA E. MACHADO - Writer, Public Speaker, Facilitator - Founder of Reclaiming Nature Writing

AMANDA E. MACHADO - Writer, Public Speaker, Facilitator - Founder of Reclaiming Nature Writing

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Writer, Public Speaker, Facilitator · Founder of Reclaiming Nature Writing

So much of the travel industry was built on the idea of colonialism which really makes us all inherit this idea that whatever we need in life is going to come from seeking it elsewhere and grabbing it from somewhere else, I think looking at that, really deeply thinking about what is lost from that mindset and the harm that is caused by it has been something I've been trying to do over the last few years. And a lot of that has to do with land trauma, right? Like really acknowledging where our settlement of land comes from and how we can heal that in the ways that we travel.

Highlights - HAROLD P. SJURSEN - Professor of Philosophy - Science, Technology, the Arts

Highlights - HAROLD P. SJURSEN - Professor of Philosophy - Science, Technology, the Arts

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Professor of Philosophy focusing on Science, Technological Ethics, Engineering & the Arts

I have a granddaughter who's just going into high school, and she is filled with idealistic thoughts and is optimistic. She's a person who is both in love with art and in love with science. She's vivacious and just everything about her seems like life is beautiful, and “I'm going to be able to do this and that.” And, of course, when I talk to her, I do everything I can to encourage this kind of openness and optimism, and belief in herself and her ability to do worthwhile things. And not be too concerned about is she going to be able to have a job with enough income to be where she wants to be. And so it’s how to perpetuate and strengthen that kind of spirit and hope, that it can be validated by giving this generation the opportunity to do things. Because I believe that if she and people who think and feel like her were really given the opportunity to be influential and to do things that would have a tremendous shift in the way the world is going. She doesn't think in terms of quarterly profits. She thinks in terms of human happiness and human good, human fairness, and the beauty of nature. I think we need to do. I think the universities can play a part. Schools play a part, but there has to be a broader general sense that this is how we should conceive the future. And, you know, galleries, podcasts, books, newspapers, universities, schools, every kind of institution needs to offer something to help this.

HAROLD P. SJURSEN - Professor of Philosophy - Science, Technology, the Arts

HAROLD P. SJURSEN - Professor of Philosophy - Science, Technology, the Arts

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Professor of Philosophy focusing on Science, Technological Ethics, Engineering & the Arts

I have a granddaughter who's just going into high school, and she is filled with idealistic thoughts and is optimistic. She's a person who is both in love with art and in love with science. She's vivacious and just everything about her seems like life is beautiful, and “I'm going to be able to do this and that.” And, of course, when I talk to her, I do everything I can to encourage this kind of openness and optimism, and belief in herself and her ability to do worthwhile things. And not be too concerned about is she going to be able to have a job with enough income to be where she wants to be. And so it’s how to perpetuate and strengthen that kind of spirit and hope, that it can be validated by giving this generation the opportunity to do things. Because I believe that if she and people who think and feel like her were really given the opportunity to be influential and to do things that would have a tremendous shift in the way the world is going. She doesn't think in terms of quarterly profits. She thinks in terms of human happiness and human good, human fairness, and the beauty of nature. I think we need to do. I think the universities can play a part. Schools play a part, but there has to be a broader general sense that this is how we should conceive the future. And, you know, galleries, podcasts, books, newspapers, universities, schools, every kind of institution needs to offer something to help this.

Highlights - TANSY E. HOSKINS - Author of "The Anti-Capitalist Book Of Fashion”, “Foot Work”, “Stitched Up”

Highlights - TANSY E. HOSKINS - Author of "The Anti-Capitalist Book Of Fashion”, “Foot Work”, “Stitched Up”

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Author of The Anti-Capitalist Book Of Fashion · Foot Work · Stitched Up
Freelance Fashion & Beauty Writer Award Winner

I definitely believe at the moment that fashion brands, big fashion in particular, they just exist to exploit people. It's an excuse to exploit the poor, basically. I see fashion as part of this very extractive global economic society where 100, 150 years ago, that extraction was very obvious. You had the enslavement of people. You had taxation. You had literally armies turning up and occupying the land that they wanted and just taking resources or land. These days it's more subtle, but the brands are still following those colonial pathways.

TANSY E. HOSKINS - Author of "The Anti-Capitalist Book Of Fashion” - Freelance Fashion & Beauty Writer Award Winner

TANSY E. HOSKINS - Author of "The Anti-Capitalist Book Of Fashion” - Freelance Fashion & Beauty Writer Award Winner

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Author of The Anti-Capitalist Book Of Fashion · Foot Work · Stitched Up
Freelance Fashion & Beauty Writer Award Winner

I definitely believe at the moment that fashion brands, big fashion in particular, they just exist to exploit people. It's an excuse to exploit the poor, basically. I see fashion as part of this very extractive global economic society where 100, 150 years ago, that extraction was very obvious. You had the enslavement of people. You had taxation. You had literally armies turning up and occupying the land that they wanted and just taking resources or land. These days it's more subtle, but the brands are still following those colonial pathways.

Highlights - SIR ANDY HAINES - Tyler Prize Award-winner - Fmr. Chair of WHO World Health Report - Chair InterAcademy Partnership

Highlights - SIR ANDY HAINES - Tyler Prize Award-winner - Fmr. Chair of WHO World Health Report - Chair InterAcademy Partnership

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Tyler Prize Award-winner for Environmental Achievement
Professor of Environmental Change & Public Health
Fmr. Chair of WHO World Health Report · Rockefeller /Lancet Commission on Planetary Health

In terms of the impacts of climate change on health when we started 30 years ago, because there was very little data then, so we made suggestions as to what we thought the health outcomes we thought would be affected like vector-borne diseases, crop failures, water availability, sea level rise, increasing disasters related to climatic extreme events, and obviously the effects of extreme heat on vulnerable populations. In particular, elderly people, but not just elderly people. So we suggested a whole range of different health impacts that could occur. And I think, in general, those ideas have stood the test of time, but of course, as the situation has moved on, we've also become much more preoccupied with what kind of action we need to take.

SIR ANDY HAINES - Tyler Prize Award-winner for Environmental Achievement - Prof. Env. Change & Public Health

SIR ANDY HAINES - Tyler Prize Award-winner for Environmental Achievement - Prof. Env. Change & Public Health

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Tyler Prize Award-winner for Environmental Achievement
Professor of Environmental Change & Public Health
Fmr. Chair of WHO World Health Report · Rockefeller /Lancet Commission on Planetary Health

In terms of the impacts of climate change on health when we started 30 years ago, because there was very little data then, so we made suggestions as to what we thought the health outcomes we thought would be affected like vector-borne diseases, crop failures, water availability, sea level rise, increasing disasters related to climatic extreme events, and obviously the effects of extreme heat on vulnerable populations. In particular, elderly people, but not just elderly people. So we suggested a whole range of different health impacts that could occur. And I think, in general, those ideas have stood the test of time, but of course, as the situation has moved on, we've also become much more preoccupied with what kind of action we need to take.

Highlights - MARK BURGMAN - Author of “Trusting Judgments: How to Get the Best Out of Experts”

Highlights - MARK BURGMAN - Author of “Trusting Judgments: How to Get the Best Out of Experts”

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Director of the Centre for Environmental Policy, Imperial College London · Editor-in-Chief of Conservation Biology

Author of Trusting Judgments: How to Get the Best Out of Experts

The idea of expertise and expert judgment has been around and has been something that society depends upon for a long time, but there have been no serious empirical explorations of who's an expert, what a domain of expertise is, and what sort of frailties are experts susceptible to. Those things haven't been addressed in an empirical way until the last 30 years. Some of this work began in the fifties with Kahneman and Tversky. They began to explore the things that make people misjudge risky situations, and that led to a body of research on who makes good judgments and under what circumstances for things that might affect us in various ways.

MARK BURGMAN - Director, Centre for Environmental Policy, Imperial College London - Editor-in-Chief, Conservation Biology

MARK BURGMAN - Director, Centre for Environmental Policy, Imperial College London - Editor-in-Chief, Conservation Biology

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Director of the Centre for Environmental Policy, Imperial College London · Editor-in-Chief of Conservation Biology

Author of Trusting Judgments: How to Get the Best Out of Experts

The idea of expertise and expert judgment has been around and has been something that society depends upon for a long time, but there have been no serious empirical explorations of who's an expert, what a domain of expertise is, and what sort of frailties are experts susceptible to. Those things haven't been addressed in an empirical way until the last 30 years. Some of this work began in the fifties with Kahneman and Tversky. They began to explore the things that make people misjudge risky situations, and that led to a body of research on who makes good judgments and under what circumstances for things that might affect us in various ways.