ALICE NOTLEY - Poet & Artist - Academy of American Poets Award Winner
/Poet
It's all-inclusive – poetry– and everything is poetry in a certain way, and poetic measure is like what we're composed of. It's what we are. I mean, we're poetry.
ALICE FULTON - Poet - Recipient of MacArthur “Genius”, NEA & Guggenheim Fellowships
/Alice Fulton’s books include Barely Composed, a poetry collection; The Nightingales Of Troy, linked stories; and Cascade Experiment: Selected Poems. Her book Felt received the Bobbitt Prize from the Library of Congress, awarded to the best book of poems published within a two-year period. She has received an American Academy of Arts and Letters Award in Literature and fellowships from the MacArthur Foundation, National Endowment for the Arts, Guggenheim Foundation, and Ingram Merrill Foundation. Her other books include Sensual Math, Powers Of Congress, Palladium, Dance Script With Electric Ballerina, and an essay collection, Feeling As A Foreign Language. She lives in Ithaca, NY.
JERICHO BROWN - Pulitzer Prize-Winning Poet, Author of "The Tradition", "The New Testament"
/Pulitzer Prize-winning Poet
Author of The Tradition & The New Testament
I just want to make the poems like a living being…There are moments that I’m not at the desk, but I’m living life. And living life is actually what leads to writing. You have to have experiences to write about. Whether or not you are aware of those experiences as you are writing them down because if you’re doing music first, maybe you’re not aware of what you’re writing. And yet, those experiences are what come to fruition in your writing. You become aware. Oh, I did come on that roller coaster that time that I haven’t thought about in twenty years. Oh I did make love to that cute person that I haven’t thought about in ten years, but you’ve got to make love, you’ve got to get on roller coasters, you’ve got to get your heart broken. You’ve got to dance. You gotta get out and do things and that, too, is a part of writing. You have to trust you’re a writer by identity. And if you can trust that you’re a writer by identity, then you don’t have to be at a desk.
E.J. KOH - Award-Winning Memoirist & Poet - “The Magical Language of Others”, “A Lesser Love”
/Award-winning Memoirist & Poet
The Magical Language of Others · A Lesser Love
I had delayed speech, and I had quite a bit of trouble with speaking. I think I must have been five before I was uttering some of my first words and trying to articulate. Simple communication was very difficult for me and my family, especially in a family where we were speaking several languages. They hoped to instill English. It’s the language of survival. There was a lot of frustration and fear in my relationship to language, and the relationship these languages had to each other, that was something I felt very sensitive to since I was young. Since before I could speak.
Highlights - DITTE LYSGAARD VIND - Circular Economy & Design Expert - Founder of The Circular Way
/Circular Economy & Design Expert · Founder of The Circular Way
Author of Danish Design Heritage & Global Sustainability
Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions.
DITTE LYSGAARD VIND - Circular Economy & Design Expert - Author of Danish Design Heritage & Global Sustainability
/Circular Economy & Design Expert · Founder of The Circular Way
Author of Danish Design Heritage & Global Sustainability
Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions.
CARL SAFINA - Ecologist - Founding President of Safina Center - NYTimes Bestselling Author
/Ecologist, Founding President of Safina Center
NYTimes Bestselling Author of Becoming Wild · Song for the Blue Ocean · Beyond Words: What Animals Think and Feel
So we tend to take living for granted. I think that might be the biggest limitation of human intelligence is to not understand with awe and reverence and love that we live in a miracle that we are part of and that we have the ability to either nurture or destroy. The living world is enormously enriching to human life. I just loved animals. They're always just totally fascinating. They're not here for us. They're just here like we're just here. They are of this world as much as we are of this world. They really have the same claim to life and death and the circle of being.
ANTHONY JOSEPH - T.S. Eliot Award-winning Poet, Novelist & Musician, Lead vocalist of The Spasm Band
/T.S. Eliot Award-winning Poet, Novelist & Musician, Lead vocalist of The Spasm Band
Author of Sonnets for Albert
The life of Caribbean people is not really documented. So this idea of Caribbean life being fragmented is something that I've had in my mind for a long time. So when I came to write this collection for my father, I realized that it was the same process and what I had were fragments, especially with him, because he wasn't around in a physical sense all the time. So all I had were little photographs, scattered memories, and remembrances. They're little parts of his life and parts of my experience with him... I never disliked my father. I always loved him and always was fascinated and captivated by him.
Highlights - HENRIK FEXEUS - Mentalist, Author & TV Host - The Art of Reading Minds, Mind Melt
/Mentalist, Internationally Bestselling Author & TV Host
The Art of Reading Minds · Mind Storm · Cult · BOX
A mentalist is a kind of magician, an illusionist. And a mentalist uses whatever techniques are at that person's disposal to create the illusion of being able to read minds or being able to contact a supernatural presence…The only rule is that that part is fake, but then you can use techniques for magic or from stagecraft or from psychology. A mentalist is really someone who creates this illusion of having an almost supernatural ability. Having said that, today a mentalist sort of has come to mean something else, mainly due to popular culture TV series like The Mentalist and so on. And now there's this understanding of a mentalist as someone being able to read body language and influence behavior. It sort of ties into it all. And I've had a lifelong passion for magic, and it started when I was seven. Because I was always interested in the question: what if there's a color in the sky that we can't see? What if a handkerchief actually can vanish? What does that mean in terms of how the world works?
HENRIK FEXEUS - Mentalist, Author & TV Host “The Art of Reading Minds”,“Mind Melt”,“Cult”
/Mentalist, Internationally Bestselling Author & TV Host
The Art of Reading Minds · Mind Storm · Cult · BOX
A mentalist is a kind of magician, an illusionist. And a mentalist uses whatever techniques are at that person's disposal to create the illusion of being able to read minds or being able to contact a supernatural presence…The only rule is that that part is fake, but then you can use techniques for magic or from stagecraft or from psychology. A mentalist is really someone who creates this illusion of having an almost supernatural ability. Having said that, today a mentalist sort of has come to mean something else, mainly due to popular culture TV series like The Mentalist and so on. And now there's this understanding of a mentalist as someone being able to read body language and influence behavior. It sort of ties into it all. And I've had a lifelong passion for magic, and it started when I was seven. Because I was always interested in the question: what if there's a color in the sky that we can't see? What if a handkerchief actually can vanish? What does that mean in terms of how the world works?
Speaking Out of Place: OLIVIA HARRISON discusses “Natives Against Nativism”
/Author of Natives against Nativism: Antiracism and Indigenous Critique in Postcolonial France
Associate Professor of French & Comparative Literature at University of Southern California
We know, of course, how colonized territories were settled. They were settled by the poorest, most marginal sometimes, criminal, surplus populations. There is that inbuilt fear, right? I don't want to narrate this in psychological terms, but I do think that there's a way we can understand how these discourses have worked. How is it that these discourses that don't actually make sense when you read them work? It's because they offer a solution. So it's not the fault of globalization in neoliberalism that you don't have a job. It's because of these people at the gates, right? So it just taps into these very primal kind of ways of thinking about threats to one's own well-being.
ADA LIMÓN - U.S. Poet Laureate - Host of The Slowdown podcast
/U.S. Poet Laureate · Host of The Slowdown podcast
This poem was written when I was having a real moment of reckoning, not that I hadn't had it earlier, but where I was doing some deep reading about the climate crisis and really reckoning with myself, with where we were and what was happening, what the truth was. And I felt like it was so easy to slip down into a darkness, into a sort of numbness, and I didn't think that that numbness and darkness could be useful.
NEIL GAIMAN - Writer, Producer, Showrunner “The Sandman”, “American Gods”, “Good Omens”, “Coraline”
/Author · Executive Producer · Showrunner
The Sandman American Gods · Good Omens · Coraline
Neil Gaiman is the #1 New York Times bestselling author of more than twenty books, including The Sandman, American Gods, Good Omens, Stardust, Coraline, Norse Mythology, Neverwhere, and The Graveyard Book. He’s adapted many of his books for television and film. Among his numerous literary awards are the Newbery and Carnegie medals, and the Hugo, Nebula, World Fantasy, and Will Eisner awards. He is a Global Goodwill Ambassador for United Nations High Commissioner for Refugees (UNHCR). In this episode, Gaiman reads his poems “A Writer’s Prayer” and “These Are Not Our Faces”.
Highlights - BROCK BASTIAN - Author of The Other Side of Happiness: Embracing a More Fearless Approach to Living
/Author of The Other Side of Happiness: Embracing a More Fearless Approach to Living
Professor at University of Melbourne’s School of Psychological Sciences
In today's world, feeling happy is no longer simply a state of mind. It's become a marker of mental health and success. On the flip side, pain and sadness are viewed as signals of failure and sickness. If we're not happy, then there is something wrong with us, and we need to fix it. It is no wonder that the painkiller and antidepressant markets, already worth billions of dollars, continue their rapid expansion. We've come to treat even commonplace experiences of pain and sadness as pathological, as things that need to be medicated and eradicated.
BROCK BASTIAN - Author of The Other Side of Happiness: Embracing a More Fearless Approach to Living
/Author of The Other Side of Happiness: Embracing a More Fearless Approach to Living
Professor at University of Melbourne’s School of Psychological Sciences
In today's world, feeling happy is no longer simply a state of mind. It's become a marker of mental health and success. On the flip side, pain and sadness are viewed as signals of failure and sickness. If we're not happy, then there is something wrong with us, and we need to fix it. It is no wonder that the painkiller and antidepressant markets, already worth billions of dollars, continue their rapid expansion. We've come to treat even commonplace experiences of pain and sadness as pathological, as things that need to be medicated and eradicated.
Highlights - ANDRI SNÆR MAGNASON - Writer & Documentary Filmmaker - On Time and Water, The Casket of Time, LoveStar, Not Ok
/Icelandic Writer & Documentary Filmmaker
On Time and Water · The Casket of Time · LoveStar · Not Ok · The Story of the Blue Planet
A letter to the future
Ok is the first Icelandic glacier to lose its status as a glacier.
In the next 200 years all our glaciers are expected to follow the same path.
This monument is to acknowledge that we know
what is happening and what needs to be done.
Only you know if we did it.
If you look at the Himalayas, the frozen glaciers are feeding 1 billion people with milky white water. The real tragedy is if the Himalayan glaciers go the same way as Iceland. In many places in the world, glaciers are very important for agriculture and the basic water supply of people.
ANDRI SNÆR MAGNASON - Icelandic Writer & Documentary Filmmaker - On Time and Water, The Casket of Time, LoveStar, Not Ok
/Icelandic Writer & Documentary Filmmaker
On Time and Water · The Casket of Time · LoveStar · Not Ok · The Story of the Blue Planet
A letter to the future
Ok is the first Icelandic glacier to lose its status as a glacier.
In the next 200 years all our glaciers are expected to follow the same path.
This monument is to acknowledge that we know
what is happening and what needs to be done.
Only you know if we did it.
If you look at the Himalayas, the frozen glaciers are feeding 1 billion people with milky white water. The real tragedy is if the Himalayan glaciers go the same way as Iceland. In many places in the world, glaciers are very important for agriculture and the basic water supply of people.
Highlights - MADELEINE WATTS - Author of The Inland Sea
/Author of The Inland Sea
Professor of Creative Writing at Columbia University
I was reading ecological history and also reading about violence against women and how violence perpetuates itself over many generations. And there was something about this European sort of supremacy of ideas about nature, their ideas about rationality, all of this stuff that sort of came from the Enlightenment. John Oxley's diaries made no mention of the Indigenous Australians who were at the time subject to genocide. So I was interested in these ideas about how they tried to tame the land, which is often talked about as "a woman" and the way that the kind of violence that comes from a particular kind of European colonial project that is enacted on the land intertwines with the way that violence is enacted upon women. And it was something that I felt growing up in Australia.
MADELEINE WATTS - Author of The Inland Sea - Creative Writing Professor, Columbia University
/Author of The Inland Sea
Professor of Creative Writing at Columbia University
I was reading ecological history and also reading about violence against women and how violence perpetuates itself over many generations. And there was something about this European sort of supremacy of ideas about nature, their ideas about rationality, all of this stuff that sort of came from the Enlightenment. John Oxley's diaries made no mention of the Indigenous Australians who were at the time subject to genocide. So I was interested in these ideas about how they tried to tame the land, which is often talked about as "a woman" and the way that the kind of violence that comes from a particular kind of European colonial project that is enacted on the land intertwines with the way that violence is enacted upon women. And it was something that I felt growing up in Australia.
Speaking Out of Place: ADAM ARON discusses “The Climate Crisis: Science, Impacts, Policy, Psychology, Justice, Social Movements”
/Author of The Climate Crisis: Science, Impacts, Policy, Psychology, Justice, Social Movements
Professor of Psychology at UC San Diego · Climate Activist
Psychology has something to tell us about why so few people are really engaged in the climate struggle. There are different components to this. First of all, there is what I call epistemic skepticism in the book, which is to say, skepticism about the facts of climate change. The second thing is threat perception, that threat levels are not as high as they should be. And the third is that people are skeptical about the response. They don't think that they can do anything, or they don't believe that groups or even countries can make a difference. Epistemic skepticism: psychologically this means that quite a lot of people, for example, the United States, don't believe in the human cause of heating. And the reason for that is very much to do in fact, with the systematic campaign of misinformation that's been fostered by the fossils industry, systematically set out to confuse people about the scientific consensus. We should be very threatened by this. In fact, the youth, generally speaking, are anxious to some extent about it. In effect, Mother Earth is saying, "I can't deal with what you're doing to me, people. I'm putting up my temperature." And if you're not feeling anxious, then you're not paying attention. That's the right way to feel on Planet Earth.