Founder, Director & Co-Visionary of Fairhaven Farm
What's trending now with beginning farmers is that it is creating this kind of community connection. It's bringing people to the farm. It's connecting them to their food source. That creates community. It helps cultivate culture and connectivity, and so I think overall, it's like the landscape and agriculture as a whole is shifting towards a different direction.
Founder, Director & Co-Visionary of Fairhaven Farm
What's trending now with beginning farmers is that it is creating this kind of community connection. It's bringing people to the farm. It's connecting them to their food source. That creates community. It helps cultivate culture and connectivity, and so I think overall, it's like the landscape and agriculture as a whole is shifting towards a different direction.
Author of The Stoic Challenge & A Guide to the Good Life: The Ancient Art of Stoic Joy
Happiness is another interesting thing. I've been thinking about this lately. You know, people take aim at happiness. I don't know if you can actually do that, if you can have a recipe for attaining happiness. Happiness is something that just happens as a byproduct of something else going on in your life, and that is having a day where you're experiencing equanimity. You don't have this abundance of negative emotions, where you value the things you've already got, where you value the relationships you've got, where you feel good inside your own body. You like being who you are. And I think, if all that happens, then suddenly, you know, it'll dawn on me. 'Gosh, I guess I'm happy...'
Author of The Stoic Challenge & A Guide to the Good Life: The Ancient Art of Stoic Joy
Happiness is another interesting thing. I've been thinking about this lately. You know, people take aim at happiness. I don't know if you can actually do that, if you can have a recipe for attaining happiness. Happiness is something that just happens as a byproduct of something else going on in your life, and that is having a day where you're experiencing equanimity. You don't have this abundance of negative emotions, where you value the things you've already got, where you value the relationships you've got, where you feel good inside your own body. You like being who you are. And I think, if all that happens, then suddenly, you know, it'll dawn on me. 'Gosh, I guess I'm happy...'
Sculptor
The figure in my work is me. The figure in my work is you. It's me placing objects. It’s me putting things together. It’s you standing near it. It’s you in proximity moving back and forth, moving around it. It’s us. One of the reasons I make the things I do the way I make them is because I can't imagine them. I make things that I couldn't draw or even think about clearly. I can only look at them. I enjoy the complexity that I make because I'm striving to see it.
Sculptor
The figure in my work is me. The figure in my work is you. It's me placing objects. It’s me putting things together. It’s you standing near it. It’s you in proximity moving back and forth, moving around it. It’s us. One of the reasons I make the things I do the way I make them is because I can't imagine them. I make things that I couldn't draw or even think about clearly. I can only look at them. I enjoy the complexity that I make because I'm striving to see it.
Author of Just Enough · Small Spaces · Lead Researcher for Safecast
Authority on Japanese Architecture, Design & Environmentalism
In Edo Japan, basically life was pretty good, and they recycled everything. Everything was reused, upcycled. Waste was considered taboo. A person who was wasting was considered an ugly person. So there’s a lot that we could talk about design, the layout, scale. Buildings were rarely taller than two storeys. Very good use of environmental features, microclimates, use of wind for cooling, passive solar heating. Good use of planting, gardens, etc. But regarding cities of the future, I think the main thing is it needs to be a place where people feel like they belong and want to take responsibility.
Author of Just Enough · Small Spaces · Lead Researcher for Safecast
Authority on Japanese Architecture, Design & Environmentalism
In Edo Japan, basically life was pretty good, and they recycled everything. Everything was reused, upcycled. Waste was considered taboo. A person who was wasting was considered an ugly person. So there’s a lot that we could talk about design, the layout, scale. Buildings were rarely taller than two storeys. Very good use of environmental features, microclimates, use of wind for cooling, passive solar heating. Good use of planting, gardens, etc. But regarding cities of the future, I think the main thing is it needs to be a place where people feel like they belong and want to take responsibility.
Psychologist, Neuroanthropologist & Cognitive Neuroscientist
Author of Origins of the Modern Mind, & A Mind So Rare
Lots of people have written books both optimistic and pessimistic about the Internet. It's a wonderful thing, it gives an opportunity to broaden our experience. I think in many ways the Internet is the only hope if you want to eliminate racism and want to raise the bar across the world, but at the same time, the inequalities are completely ridiculous. They've reached a point of insanity, and we have a moral issue. Is one person ever worth twice as much as another person? Can you justify one human being owning 10 times as much as another person? I don't think you can. I don't think that the president of the biggest cooperation in the world is worth 10 times the poorest person in the world, but that's not what we have. Sometimes he may be “worth” a million times more, a hundred thousand times more. That’s crazy.
Picower Professor of Neuroscience
MIT’s Picower Institute for Learning and Memory & Department of Brain & Cognitive Sciences
There are a lot of distractions in cities. So it's always good to maybe take some time out, be in a quieter place with no distractions so you can let your thoughts run. And that leads into the creative process because new ideas, new thoughts and where they come from. They come from following the garden path of associations in your mind. One thought leads to another, leads to another until your mind is in a new place it's never been before. Or you put two thoughts together that were never together before, but now they are because you managed to somehow follow this garden path of thoughts from one thought to the other. That's where creativity comes from, that's where your ideas come from, seeing things in a new way, seeing things that were never together before. And if you have constant distractions that interferes with that process.
Picower Professor of Neuroscience
MIT’s Picower Institute for Learning and Memory & Department of Brain & Cognitive Sciences
There are a lot of distractions in cities. So it's always good to maybe take some time out, be in a quieter place with no distractions so you can let your thoughts run. And that leads into the creative process because new ideas, new thoughts and where they come from. They come from following the garden path of associations in your mind. One thought leads to another, leads to another until your mind is in a new place it's never been before. Or you put two thoughts together that were never together before, but now they are because you managed to somehow follow this garden path of thoughts from one thought to the other. That's where creativity comes from, that's where your ideas come from, seeing things in a new way, seeing things that were never together before. And if you have constant distractions that interferes with that process.
Psychologist, Neuroanthropologist & Cognitive Neuroscientist
Author of Origins of the Modern Mind, & A Mind So Rare
Lots of people have written books both optimistic and pessimistic about the Internet. It's a wonderful thing, it gives an opportunity to broaden our experience. I think in many ways the Internet is the only hope if you want to eliminate racism and want to raise the bar across the world, but at the same time, the inequalities are completely ridiculous. They've reached a point of insanity, and we have a moral issue. Is one person ever worth twice as much as another person? Can you justify one human being owning 10 times as much as another person? I don't think you can. I don't think that the president of the biggest cooperation in the world is worth 10 times the poorest person in the world, but that's not what we have. Sometimes he may be “worth” a million times more, a hundred thousand times more. That’s crazy.
We're all part of a web like a dreamcatcher. Everybody knows a dreamcatcher and whatever you do that’s wrong will eventually come back and affect you because we’re all connected.
We're all part of a web like a dreamcatcher. Everybody knows a dreamcatcher and whatever you do that’s wrong will eventually come back and affect you because we’re all connected.
Cosmologist, Theoretical physicist & Star of South Africa Medal Recipient
Artistic creativity and it’s crucial to artistic creativity amongst many other things. In artistic creativity, from my viewpoint, is that you start off with an idea and you’re shaping and you’re totally in control and it doesn’t matter if it's music or sculpture or painting or a novel, eventually the thing sparks its own life, becomes itself, and at that point, the role of the artist is to stand back and let it become what its got to become. And that’s where you get the great art.
Cosmologist, Theoretical physicist & Star of South Africa Medal Recipient
Artistic creativity and it’s crucial to artistic creativity amongst many other things. In artistic creativity, from my viewpoint, is that you start off with an idea and you’re shaping and you’re totally in control and it doesn’t matter if it's music or sculpture or painting or a novel, eventually the thing sparks its own life, becomes itself, and at that point, the role of the artist is to stand back and let it become what its got to become. And that’s where you get the great art.
Novelist and Essayist
The reason I think you should read in these other disciplines is because it will help you in your own work. Now I really mean that. I think what has happened with the fragmentation of disciplines is that when problems arise. ...the people working in the discipline are unable to see avenues out of the problem that they would easily see if they had worked through problems in other disciplines.
Novelist and Essayist
The reason I think you should read in these other disciplines is because it will help you in your own work. Now I really mean that. I think what has happened with the fragmentation of disciplines is that when problems arise. ...the people working in the discipline are unable to see avenues out of the problem that they would easily see if they had worked through problems in other disciplines.
Ian Buruma is the author of many books, including A Tokyo Romance, The Churchill Complex,Their Promised Land, Year Zero, The China Lover, Murder in Amsterdam, Occidentalism and God’s Dust. He teaches at Bard College and is a columnist for Project Syndicate and contributor to The New Yorker, The New York Times, and other publications. He was awarded the 2008 Erasmus Prize for making "an especially important contribution to European culture" and was voted one of the Top 100 Public Intellectuals
by the Foreign Policy magazine.
This interview was conducted by Mia Funk & Lexi Kayser with the participation of collaborating universities and students. Digital Media Coordinator is Phoebe Brous.
Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).
Ian Buruma is the author of many books, including A Tokyo Romance, The Churchill Complex,Their Promised Land, Year Zero, The China Lover, Murder in Amsterdam, Occidentalism and God’s Dust. He teaches at Bard College and is a columnist for Project Syndicate and contributor to The New Yorker, The New York Times, and other publications. He was awarded the 2008 Erasmus Prize for making "an especially important contribution to European culture" and was voted one of the Top 100 Public Intellectuals
by the Foreign Policy magazine.
This interview was conducted by Mia Funk & Lexi Kayser with the participation of collaborating universities and students. Digital Media Coordinator is Phoebe Brous.
Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).
The Creative Process: Podcast Interviews & Portraits of the World’s Leading Authors & Creative Thinkers
Inspiring Students – Encouraging Reading - Connecting through Stories
The Creative Process exhibition is traveling to universities and museums. The Creative Process exhibition consists of interviews with over 100 esteemed writers, including Joyce Carol Oates, Hilary Mantel, Neil Gaiman, Viet Thanh Nguyen, Tobias Wolff, Richard Ford, Junot Díaz, Marie Darrieussecq, Michel Faber, T.C. Boyle, Jay McInerney, George Saunders, Geoff Dyer, Etgar Keret, Douglas Kennedy, Sam Lipsyte, and Yiyun Li, among others. Artist and interviewer: Mia Funk.
