The Psychological & Emotional Impact of Occupation w/ Actress, Director CHERIEN DABIS

The Psychological & Emotional Impact of Occupation w/ Actress, Director CHERIEN DABIS

For me, we Palestinians are so much more than our pain and suffering, and the world often sees only our pain and suffering. I wanted to show other facets of who we are, no matter whether we're on the activist side of the spectrum or audience members who don't know very much about the situation. At the end of the day, we all have to choose humanity. In many ways I was inspired by observing the different generations of my own family and how our identities were shaped by everything happening in Palestine. That became the first idea for this film, to really show how it is a collective trauma for all Palestinians. That trauma is being passed down from generation to generation. Even if you're not a direct descendant of Nakba survivors, you still have that trauma. I wanted to explore that passage of trauma, that inheritance of my own trauma and take a look at how history and political events shape people.

 The Score: How to Stop Playing Somebody Else's Game with C. THI NGUYEN

 The Score: How to Stop Playing Somebody Else's Game with C. THI NGUYEN

To be in the process of making things, to be in the process of talking to people about what things mean… The creative process is actually, I think, the most meaningful part of life, but it's very hard to measure. When we get shoved towards a world that demands easy measurables, it's very hard to optimize away from the creative process and optimize towards things that are more static.

The Art of Fiction, Democracy & Truth with AL KENNEDY

The Art of Fiction, Democracy & Truth with AL KENNEDY

Author · Activist ·  Stand-Up Comedian AL KENNEDY · Author of Alive in the Merciful Country

The thing that puzzled him was why people don't agree to be fully expressed while they're alive. Why does it only happen in their last moment? Why wouldn't you live being fully expressed? If you have love, eventually you're going to win. It's not that people aren't going to die. It's not terrible things aren't going to happen. But if you stay with that and you stay centered in that, you'll get through and you will not have turned into a monster in order to overcome monsters.”

Ghost Stories · A Memoir of Love & Grief

Ghost Stories · A Memoir of Love & Grief

Author SIRI HUSTVEDT Remembers Her Late Husband, PAUL AUSTER

Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. I mean, Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.

SIRI HUSTVEDT on Love, Grief & Her Late Husband PAUL AUSTER - Highlights

SIRI HUSTVEDT on Love, Grief & Her Late Husband PAUL AUSTER - Highlights

Author SIRI HUSTVEDT Remembers Her Late Husband, PAUL AUSTER

Grief happens because you don't stop loving the person who died. The person doesn't exist in your reality anymore. The everyday is not colored and shaped by this other human being, but you don't stop loving the person. So grief is a particular kind of unrequited love. And probably without that dynamic relationship with this person, I would be someone else. And he would've been someone else. I mean, Paul died before me. But we were, I think, hugely important to the drama of becoming in our own lives.

ART CURE: How the Arts Can Transform Our Health with DAISY FANCOURT

ART CURE: How the Arts Can Transform Our Health with DAISY FANCOURT

Author of Art Cure · Director of WHO Collaborating Centre on Arts & Health · Prof. Psychobiology & Epidemiology at UCL

Within society we seem to have separated the arts out, so they’re not so much a part of our daily lives. As I’ve become a mother and I have children now, it’s been really eye-opening to rediscover lots of arts things that I’d stopped doing in my own childhood. But now coming back to them I think probably the most meaningful one for me is one I describe in the book, which is about my younger daughter, Daphne, who was premature and unfortunately got incredibly ill with meningitis and was in intensive care when she was just a few days old.

Reimagining Longevity: DR. ADEEL KHAN on Muse Cells & the Future of Regenerative Medicine

Reimagining Longevity: DR. ADEEL KHAN on Muse Cells & the Future of Regenerative Medicine

I think the most important thing that I've learned through this whole journey is that we are ultimately here to help one another. And as a doctor, my job is to try to help as many people as I can with the technologies and kind of the gifts I have. I think everyone has their own unique gift and finding that and knowing how you can share that with the world is really what you should focus on. I think a lot of people have heard the word "stem cells"—it’s kind of become part of the zeitgeist almost, where people are just like, "Oh yeah, I think I've heard of stem cells." And when people think about it, I think they think regeneration. They think healing, which is kind of the whole idea behind stem cells.

The Musician Who Sings to Animals - PLUMES on Trust & Cross-Species Communication - Highlights

The Musician Who Sings to Animals - PLUMES on Trust & Cross-Species Communication - Highlights

Musician & Activist PLUMES

Mostly I’ll play in a minor key, something sad, which I think can work for an animal because they can sense the sadness, and they try to reassure me and comfort me. I chose love songs because I'm convinced they are very intuitive and they can sense what I am trying to say to them, and profess my love in a way. I think there's always a way to connect, and if you're being cautious and don't threaten the animals, something beautiful can happen.

Animals & The Healing Power of Music

Animals & The Healing Power of Music

Musician & Activist PLUMES

Mostly I’ll play in a minor key, something sad, which I think can work for an animal because they can sense the sadness, and they try to reassure me and comfort me. I chose love songs because I'm convinced they are very intuitive and they can sense what I am trying to say to them, and profess my love in a way. I think there's always a way to connect, and if you're being cautious and don't threaten the animals, something beautiful can happen.

Speaking Out of Place - DAVID PALUMBO-LIU on Reclaiming Our Political Voices - Highlights

Speaking Out of Place - DAVID PALUMBO-LIU on Reclaiming Our Political Voices - Highlights

Stanford Professor, Author & Host of Speaking Out of Place DAVID PALUMBO-LIU on the urgent need to reclaim our political voices and the forces that silence dissent

There is a dispute about what the American Dream is or how it would play out in different circumstances. The American dream has essentially been narrowed into a white Christian nationalist notion of things so that everything that falls outside what they imagine that to be is not only undesirable, but should be the subject of extermination, deportation, and detention. I am heartened by the fact that more of our 'better angels' are emerging with a more capacious and expansive notion of what the American dream could be.

The Writer's Voice: Novelists, Poets, Memoirists & Editors Share Their Stories

The Writer's Voice: Novelists, Poets, Memoirists & Editors Share Their Stories

VIET THANH NGUYEN, ADA LIMÓN, JAY PARINI, JERICHO BROWN & ADAM MOSS Share Their Stories

How do writers develop their voice? How are writing and the arts paths back to the self, showing us what is important in life?

Writers on Memory, Language & the Power of the Unconscious

Writers on Memory, Language & the Power of the Unconscious

Katie Kitamura, Paul Lynch, Daniel Pearle, Hala Alyan, T.C. Boyle, Adam Alter, Shehan Karunatilaka, Daniel Handler a.k.a Lemony Snicket, and Ada Limón share their stories

How can we use negative spaces in fiction to engage with readers’ imaginations? How are memory and trauma passed onto us through language? How do we become more than the stories we tell ourselves?

The Ethics of AI w/ SVEN NYHOLM, Author & Lead Researcher, Munich Centre for Machine Learning

The Ethics of AI w/ SVEN NYHOLM, Author & Lead Researcher, Munich Centre for Machine Learning

Conversation with SVEN NYHOLM, Prof. of Ethics of AI, LMU Munich · Lead Investigator, AI Ethics, Munich Center for Machine Learning · Author of Humans and Robots · The Ethics of Artificial Intelligence

 I think we're betting on AI as something that can help to solve a lot of problems for us. It's the future, we think, whether it's producing text or art, or doing medical research or planning our lives for us, etc., the bet is that AI is going to be great, that it's going to get us everything we want and make everything better. But at the same time, we're gambling, at the extreme end, with the future of humanity  , hoping for the best and hoping that this, what I'm calling the AI wager, is going to work out to our advantage, but we'll see.

On Oneness & Self-Healing w/ LD Chen - Head Coach, Oneness Institute, US & EU - Highlights

On Oneness & Self-Healing w/ LD Chen - Head Coach, Oneness Institute, US & EU - Highlights

A Conversation with LD CHEN · A 4th Generation of Dacheng Quan · Head Coach of Oneness Institute of America & Europe

Oneness is actually not about learning in the usual way. Most teachings tell you how to learn — how to let go, how to calm down, how to manage anger. Oneness does the opposite: we stand, we train the body to correct the heart, and then we live from that heart.

JEAN-MICHEL BASQUIAT: The Making of an Icon with DOUG WOODHAM, Fmr. President of Christie's Americas

JEAN-MICHEL BASQUIAT: The Making of an Icon with DOUG WOODHAM, Fmr. President of Christie's Americas

A Conversation with Author DOUG WOODHAM
Fmr. President of the Americas at Christie’s · Managing Partner, Art Fiduciary Partners

All of the great artists are there for a reason: because they rebelled in some way. They created a visual vocabulary that felt fresh and new, which excited people. So, the great artists are not built on sort of anthills of sand. They're built on things of substance and of meaning. Though this is not a sufficient condition to become an icon, it's a necessary but not sufficient condition. I think you have to have an interesting and vivid personality or personal narrative that makes you interesting for people to talk about and want to learn about. I think you also have to have a support network of galleries, curators, and collectors who are excited about your work and want to push it forward, not wanting it to be forgotten. Basquiat's visual vocabulary is distinctive and stands out relative to what was being done in the 1980s. That's the sort of strong hill on which his reputation is built. Basquiat benefited from being the first black artist of note who got pushed forward. As in many things, the first benefits.

The Beast in Me starring CLAIRE DANES - Behind the Scenes w/ HOWARD GORDON & DANIEL PEARLE

The Beast in Me starring CLAIRE DANES - Behind the Scenes w/ HOWARD GORDON & DANIEL PEARLE

Starring CLAIRE DANES & MATTHEW RHYS
A Conversation with Showrunner, Exec. Producer HOWARD GORDON & Exec. Producer Writer DANIEL PEARLE

And I think there's also just something about an unfettered or uncensored id that is so captivating. We all have that fantasy of doing exactly what we want with no consequences and sort of letting that go. I think when you see an athlete at the peak of their game, doing that embodied thing and living that dream, or when someone has actually done horrible things that you would never allow yourself to do, there is a fascination there. I had one teacher who said, "Anyone who drives you crazy or that you just cannot stand in life, put them in a play or put them in a scene, and the audience will love them." If someone has really gotten under your skin and you just cannot stand them, and you have a visceral reaction—like, "I just hate this person"—make them a character, and the audience will make them everyone's favorite character. There is something to that.

Listening to the Planet -  Writers' Perspectives on Nature, Place & Interconnectedness

Listening to the Planet - Writers' Perspectives on Nature, Place & Interconnectedness

Katie Kitamura, Eiren Caffall, Jay Parini, Irvin Weathersby Jr., Natasha Hakimi Zapata, Audrea Lim & Dr. Bayo Akomolafe share their stories

How do our environments shape who we are and how we care for the world and each other? There are many solutions to climate change, inequality, and poverty around the world. How can we learn from them and transform our society?

The Arrogant Ape: The Myth of Human Exceptionalism & Why it Matters with CHRISTINE WEBB

The Arrogant Ape: The Myth of Human Exceptionalism & Why it Matters with CHRISTINE WEBB

A Conversation with Primatologist CHRISTINE WEBB

There are many ways in which I think human exceptionalism has seeped into the sciences, but one of the many ways is through the methodologies we use when we compare the intelligence of humans and other species. In particular, in my field, I’m a primatologist by training, comparing the cognitive abilities of humans with the abilities of our closest living relatives, the great apes. Many times, those studies compare the intelligence of captive chimpanzees who are living in highly restricted, manmade environments. Often, these chimpanzees have been separated from their biological mothers at birth. They're often separated from the group during testing. They're subjected to very human-centric experimental paradigms, like playing with plastic puzzle boxes or computer touchscreens, and we're measuring how they perform on these tasks.

What International Law Demands of Israel & Third States with ARDI IMSEIS & CHRIS GUNNESS

What International Law Demands of Israel & Third States with ARDI IMSEIS & CHRIS GUNNESS

A Conversation with ARDI IMSEIS & CHRIS GUNNESS

When one looks at the relative power imbalance between the Palestinian people on one hand, including the paramilitaries that are clearly existing in Gaza, and the Israeli armed forces, they have been bombarded from land, sea, and air. They have been starved and are being starved. They have been chased from pillar to post by the hundreds of thousands, up and down this very small strip of land.

All of it can be attributed to a scorched-earth policy of these Israelis to destroy every aspect of civilian life that we are all familiar with: schools, homes, roads, religious buildings, governmental offices, hospitals, medical centers, and so on. The idea is not new by any means. Anyone familiar with Israel's settler colonial endeavor in Palestine, particularly around 1947, 1948, and 1949, will know that scorched earth tactics are a policy.