MARK GOTTLIEB

MARK GOTTLIEB

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Vice President & Literary Agent at Trident Media Group

There's a lot of apprenticeship in our industry because historically it had to be that way, otherwise what you would have in publishing - there's still a lot of this - is a bunch of English majors trying to make sense of how to run a business, right?Because book publishing or working at a literary agency - a talent agency for authors like I do - is at the crossroads of creative and business. And if you didn't have that kind of apprenticeship, someone to learn from at the company where you work, then we would all just be English majors just trying to feel our way in the dark.

I think that the important thing for people to really know about storytelling is that books are sort of like the oil paintings of the new media. It's a very fine art form, an old art form, and a story exists in everything, whether it's a photograph, a painting, a song, or a movie, it all began with a story. And stories have been here from the dawn of time. They're going to forever be in our existence, but I think people should just always have curious minds and seek out stories and storytelling and try to see the story in everything, not just look at things for face value.

Parkinson's Community & Artpark Bridges

Parkinson's Community & Artpark Bridges

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Happy World Environment Day!

For this special episode we celebrate the natural world with Artpark Bridges, the Parkinson's Community, independent living adults with Parkinson's disease, and People Inc, the Arts Experience, a day habilitation program for adults with developmental disabilities.  

Artpark Bridges is a year-round community engagement program led by interdisciplinary artist Cynthia Pegado, dedicated to empowering adults of diverse abilities and backgrounds through expressive arts workshops and performance opportunities. Serving the Buffalo-Niagara Falls region of New York State, Artpark Bridges connects citizens with a sense of inclusion and purpose, healing and creative expression. 

MADELEINE WATTS

MADELEINE WATTS

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Author of The Inland Sea
Professor of Creative Writing at Columbia University

I was reading ecological history and also reading about violence against women and how violence perpetuates itself over many generations. And there was something about this European sort of supremacy of ideas about nature, their ideas about rationality, all of this stuff that sort of came from the Enlightenment. John Oxley's diaries made no mention of the Indigenous Australians who were at the time subject to genocide. So I was interested in these ideas about how they tried to tame the land, which is often talked about as "a woman" and the way that the kind of violence that comes from a particular kind of European colonial project that is enacted on the land intertwines with the way that violence is enacted upon women. And it was something that I felt growing up in Australia.

DR. FARHANA SULTANA

DR. FARHANA SULTANA

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Co-author: Water Politics: Governance, Justice & the Right to Water
Fmr. UNDP Programme Officer, United Nations Development Programme

We are always students. We are students of the earth. We need to do better and we can do better because the capacity of the human spirit is quite expansive and we owe it to future generations to do the best we can do while we can…It’s about who is at the table or rather what is the table, meaning what are the terms of the debate. Setting the terms of the debate, but how do we even know what the terms of the debate are, who is being included, who is being heeded, and part of that is, therefore, a decolonizing of knowledge and power structures because it’s centrally or fundamentally a justice issue.

CYNTHIA G. FRANKLIN

CYNTHIA G. FRANKLIN

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Author of Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea
Professor of English at University of Hawai'i · Coeditor of the journal Biography

I posit narrated humanity as a lens through which to study how narratives participate in struggles to conceive human being beyond juridical and narrative humanity. What I was thinking about was just the kind of narrative codes and conventions and genres that help us to understand who counts as human in ways that people who are fighting for human rights as a thing that you have to do, even as there are all kinds of critiques that can and have been made rightly so of human rights, but that you have to do it.