How to Make an Algorithm in the Microwave with Poet MAYA SALAMEH

How to Make an Algorithm in the Microwave with Poet MAYA SALAMEH

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Poetry is like one of the great loves of my life, and I think it's probably the longest relationship I'll ever have. I read a lot of poetry. I also wrote these short stories even when I was pretty young, like in second grade, and the stories kept getting shorter and shorter. My family used to go to Damascus in Syria and Lebanon every summer for three months until 2011, when the Civil War broke out in Syria. In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. It's the first time I felt that I belong. To the extent that was true or not, I'm obviously irrevocably American. I speak broken Arabic. I don't think I could ever live in Lebanon or Syria. But for what it was worth at 15 years old, it was a life-changing trip. I wrote my first official poem on the plane back to San Diego from that trip, and I feel that was a formative moment for me. I felt that I had a story to tell and wanted to put it to paper in the form of poetry.

In 2015, we made our first return after that gap, and my father and I went to Lebanon for two weeks. Being back in one of my two homelands as a more fully formed person and not like a young child, I thought, "Wow, this is the first time I've been in an Arabic-speaking Arab place as a teenager." 

Art is a Fundamental Element of Life - Gallerist HANNAH BARRY on a Life in Art

Art is a Fundamental Element of Life - Gallerist HANNAH BARRY on a Life in Art

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There's something fundamental about the value of art and culture. Not just being integrated for vocational reasons, but because the experience of art and having a cultural element in one's life brings enjoyment, learning, relief, or any of the many experiences and feelings that art provides. I think this is quite fundamental as an element of life. Creativity is key in any career and also in personal life, especially in terms of problem-solving, relationships, kindness, compassion, and empathy. The arts, creativity, and the cultural world at large are not just nice to have; they are essential. Their value is fundamental, although sometimes it's extremely difficult to define in a way that aligns with what people might prefer. To see the arts lost from the developmental moments in one's life is tragic. Developmental moments in life come at all points in the arc of one's existence. To see that taken or diminished is unfortunate. Everyone involved in working with artists, artists themselves, or those who are creative knows this and believes in it.

Why We Need Stories in Times of Crisis: ETGAR KERET on Healing, Connection & Creativity in the Age of AI - Highlights

Why We Need Stories in Times of Crisis: ETGAR KERET on Healing, Connection & Creativity in the Age of AI - Highlights

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A Conversation with Author · Filmmaker ETGAR KERET
Winner of Cannes Film Festival’s Caméra d’Or · Charles Bronfman Prize & Sapir Prize

When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talked about this idea of humanity. My parents always said to me, when you look at people, don't look at their political views; that's not important. Look at the way that they look at you. If they see you, if they listen to you, if they can understand your intention, even if it's a failing one, they're your people. And if they can't, it doesn't matter.

I think that when I came with my mother and father, they thought there are people, there are human beings, and there are people who want to be human beings but are still struggling. And you go with humanity; you go with the person who can go against his ideology if his heart tells him something.

Finding Humanity Through Storytelling with Author & Filmmaker ETGAR KERET

Finding Humanity Through Storytelling with Author & Filmmaker ETGAR KERET

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A Conversation with Author · Filmmaker ETGAR KERET
Winner of Cannes Film Festival’s Caméra d’Or · Charles Bronfman Prize & Sapir Prize

When I write my stories, I don't want to solve things in life. I just want to persuade myself that there is a way out. Maybe I am in a cell, maybe I'm trapped. Maybe I won't make it, but if I can imagine a plan for escape, then I'll be less trapped because at least in my mind, there is a way. I think that my parents are survivors. They always talked about this idea of humanity. My parents always said to me, when you look at people, don't look at their political views; that's not important. Look at the way that they look at you. If they see you, if they listen to you, if they can understand your intention, even if it's a failing one, they're your people. And if they can't, it doesn't matter.

I think that when I came with my mother and father, they thought there are people, there are human beings, and there are people who want to be human beings but are still struggling. And you go with humanity; you go with the person who can go against his ideology if his heart tells him something.

Arabic Literature, Palestine & The Art of Translation with HUDA FAKHREDDINE

Arabic Literature, Palestine & The Art of Translation with HUDA FAKHREDDINE

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A Conversation with HUDA FAKHREDDINE
Writer · Translator · Associate Professor of Arabic Literature · University of Pennsylvania

I'm Lebanese. I grew up in Lebanon during the Civil War, and I came to the United States as a graduate student with the intention of going back. I never wanted to stay here. I really thought that my life would happen in Beirut, in a city that I loved and hated in the healthiest of ways. My investments, both literary and intellectual, were rooted there. I came here as a graduate student and joined the PhD program, and then the events continued to unfold there, making life more and more of a risk, building a life in a place like Lebanon. The most important counterpoint in my life was meeting my partner, Ahmad Almallah, who is Palestinian. So immediately, my life became the life of a Palestinian by association. Of course, the past two years—almost two years—have been surreal. I sometimes don't believe that we're going through what we're going through because, as security concerns have become something we think about at home, when we walk from home to campus or my office, I'm constantly anxious to open my mail because often there are things that will require a lot of energy, time, emotion, and are emotionally taxing. There’s a lot of rage now in many aspects of my life, but all that aside, my personal experience—both professional and personal, and at home, familial—are not exceptional. Many other people are experiencing intimidation, silencing, and feeling cornered, censored, and oppressed just because they took a stand—a very decent, normal, basic human stand against genocide.

What's Left: Three Paths Through the Planetary Crisis with MALCOLM HARRIS

What's Left: Three Paths Through the Planetary Crisis with MALCOLM HARRIS

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A Conversation with Author MALCOLM HARRIS

One day, I woke up with this concept of oil being tied up in our lives in ways that we don't talk about. It’s sort of a value-theoretical approach to climate change and the climate crisis. Something that's impersonal and goes to the root of our entire social metabolic structure.

Building a Vital Earth for Everyone with President of Environmental Defense Fund’s EDF Action DAVID KIEVE
The Poetics & Pedagogy of Toni Cade Bambara, June Jordan, Audre Lorde &Adrienne Rich in the Era of Free College w/ DANICA SAVONICK

The Poetics & Pedagogy of Toni Cade Bambara, June Jordan, Audre Lorde &Adrienne Rich in the Era of Free College w/ DANICA SAVONICK

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A Conversation with DANICA SAVONICK about her book Open Admissions: The Poetics and Pedagogy of Toni Cade Bambara, June Jordan, Audre Lorde, and Adrienne Rich in the Era of Free College

As I was reading Hooks and Freire, a colleague recommended Adrian Rich's essay "Teaching Language in Open Admissions." It was in that essay that I first read about her experiences teaching at CUNY during open admissions, learning that she taught alongside June Jordan, Audre Lorde, and Toni Cade Bambara. Eventually, that essay led me to their archival teaching materials. I was really excited because I found in those materials concrete teaching methods, things they were doing in their own classrooms that I then started trying in my classrooms as well. I also really liked their educational philosophies, thinking about what it means for college to be free and the fact that they were teaching during this revolutionary era. What would that look like today? What would it mean? What could free college bring to our society? What does free college make possible? All of those things coming together led me to the project.

Hayek’s Bastards: Race, Gold, IQ & the Capitalism of the Far Right with QUINN SLOBODIAN

Hayek’s Bastards: Race, Gold, IQ & the Capitalism of the Far Right with QUINN SLOBODIAN

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Race, Gold, IQ & the Capitalism of the Far Right
A Conversation with QUINN SLOBODIAN

The origin was really trying to make sense of that 2016-2017 moment and to ask whether the alt-right was, as we were being told, a return to the 1930s, a kind of awakening of the sleeping beast of white supremacy armed in the streets in the United States. There are many explanations, but I decided to take this kind of curious route in with the distorted readings and reinterpretations of the works of people like Ludwig von Mises and Friedrich Hayek. As a scholar of comparative literature, I wanted to write a revision based on Crack-Up Capitalism.

Art Without Borders - RAJIV MENON'S Vision for South Asian Art

Art Without Borders - RAJIV MENON'S Vision for South Asian Art

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A Conversation with Gallerist · Curator RAJIV MENON
Founder of RAJIV MENON CONTEMPORARY

I want people to understand South Asian art as broader than a single gallery or a single artist, but as a larger cultural movement. I want people to encounter art in all parts of their lives, and I’m constantly thinking about new ways to achieve that. I was very aware, as someone launching a South Asia-focused gallery, that this was the cultural dynamic that undergirded the way that most people in the West were thinking about art from the region. Taking that on directly and inviting artists to work with that theme was a really important ground for setting the ethos of the gallery and the types of critical questions we wanted to tackle with the work we were doing.

What Do We Do with the One Life We’re Given? - Scientists, Writers, Philosophers & Changemakers Share their Stories

What Do We Do with the One Life We’re Given? - Scientists, Writers, Philosophers & Changemakers Share their Stories

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In this time of rapid technological change, how do we hold onto our humanity? How do stories, traditions, and community help us find meaning in loss and face an uncertain future? How can science, art, and spirituality open new pathways to understanding ourselves and the human experience?

Creative Ireland: How Ireland Is Harnessing Creativity as National Strategy with SHEILA DEEGAN

Creative Ireland: How Ireland Is Harnessing Creativity as National Strategy with SHEILA DEEGAN

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How Ireland Is Harnessing Creativity as National Strategy with SHEILA DEEGAN

I left the local environment to pursue Creative Ireland because I really believe in this broader approach. Let's try not to silo things. Let’s try and get people working collaboratively for the benefit of everybody, not just one program over the other. I really hope that young people can hold a sense of social justice as we move forward into a very complicated world. They need to remember that we're all just people and that we all just need each other, whether that's creatively or within the landscape or within the economics.

Every Monument Will Fall - DAN HICKS Explores Remembering & Forgetting

Every Monument Will Fall - DAN HICKS Explores Remembering & Forgetting

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A Conversation with DAN HICKS on Remembering & Forgetting

I work in between archeology and anthropology in this field called either historical archeology or contemporary archeology. At the heart of that is the relationship between objects and humans. How do we write about the past or the present in terms of listening to human voices or evidence from things where maybe human voices have been erased or haven't left as much of a mark on the written records as others? Wrapped up with that, though, is always the risk of dehumanization, of the treatment of human lives as if the boundary between a subject and an object is one that is permeable, not in a sort of positive way, but in a more sinister way. There is a long history of people being treated as things. 

From 'Bee: Wild' to the 'Kiss the Ground' Regenerative Agriculture Documentary Trilogy - Highlights

From 'Bee: Wild' to the 'Kiss the Ground' Regenerative Agriculture Documentary Trilogy - Highlights

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A Conversation with Documentary Filmmaker REBECCA TICKELL

Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.

Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie, Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.

All About Bees, Soil & Regeneration with Documentary Filmmaker REBECCA TICKELL

All About Bees, Soil & Regeneration with Documentary Filmmaker REBECCA TICKELL

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A Conversation with Documentary Filmmaker REBECCA TICKELL

Today, we explore the work of a filmmaker whose lens is consistently turned toward the most critical issues facing our planet. Rebecca Tickell, in collaboration with her husband Josh Tickell, has created a powerful cinematic catalog of films that are not merely observations, but catalysts for change. They've taken on the complexities of our energy systems, the deep-seated problems within our food supply, and now, with her latest work, Bee: Wild, they explore the essential, fragile, and often unseen world of pollinators.

Their film Kiss the Ground sparked a global conversation about regenerative agriculture, leading to tangible shifts in policy and public understanding. Common Ground continued this exploration, unraveling the intricate web of our food systems. Now, with Bee: Wild, narrated by Ellie Goulding and executive produced by Angelina Jolie, Rebecca brings her characteristic blend of journalistic rigor, personal narrative, and solutions-driven storytelling to the urgent plight of bees, asking us to reconsider our relationship with the natural world.

AI, UFOs, Perception & Reality with Artist, Geographer, Author TREVOR PAGLEN - Highlights

AI, UFOs, Perception & Reality with Artist, Geographer, Author TREVOR PAGLEN - Highlights

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At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I’m very privileged to have that be so much a part of my process.

How AI is Shaping Perception, How Deception is Sculpting Our Reality with Artist TREVOR PAGLEN

How AI is Shaping Perception, How Deception is Sculpting Our Reality with Artist TREVOR PAGLEN

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How Deception is Sculpting Our Reality
A Conversation Artist, Geographer, Author TREVOR PAGLEN

At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I’m very privileged to have that be so much a part of my process.

Art, Empathy & Resilience with CADY McCLAIN, Actor, Director, Writer, Artist, Musician - Highlights

Art, Empathy & Resilience with CADY McCLAIN, Actor, Director, Writer, Artist, Musician - Highlights

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A Conversation with Emmy Award-winning Actor, Director, Writer CADY McCLAIN

I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me. The way I was trained and how I train others is that you know when you’re in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?

A Life in Acting with Emmy Award-winning Actor, Director, Writer CADY McCLAIN

A Life in Acting with Emmy Award-winning Actor, Director, Writer CADY McCLAIN

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A Conversation with Emmy Award-winning Actor, Director, Writer CADY McCLAIN

I won my first Emmy when I was 21, which was the result of absolutely devoting myself day and night for two years to doing all the scene work. I attended classes simultaneously and did plays until my mother died. I studied with Michael Howard for eight years. Even when I was so tired I couldn't get up to do a scene, he would say, "Get up and do a poem." It helped me enormously; it saved me. The way I was trained and how I train others is that you know when you’re in the zone. Oh God, it feels so good. It feels like flying. And that's what you want. You want to be so unselfaware that you're on liftoff?

Revolutionizing Investment Strategies with Carbon Tracker - MARK CAMPANALE - Highlights

Revolutionizing Investment Strategies with Carbon Tracker - MARK CAMPANALE - Highlights

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A Conversation with MARK CAMPANALE · Founder of Carbon Tracker

Carbon Tracker is a non-profit financial think tank focused on change and the energy transition. I set it up because I spent 20 years working in the financial world, and I noticed that a lot of coal, oil, and gas projects, even with all the evidence we know about climate change, were getting financed through banks and the stock market. It was almost as if investors were completely disregarding what climate change was going to do within our lifetime. What I wanted to do was challenge that, challenge the way people think, and challenge the financial operators, the bankers, stock exchange regulators, and investors to think about what climate change was going to do and what we could do about it. We're saying to the owners of these companies, the shareholders, "Why don't you think about what the world will look like in 50 years, and why are you putting these young people's pensions into coal, which we know is going to destroy the planet?"