By Rustin L. Larson

i.

In the dream, I was walking.
I didn’t know where I was:
Woodland, dim like a stage set.
I saw two lady centaurs.
Both wore park ranger uniforms
On their human parts,
Complete with badges and hats.
“Pardon me,” I said to one.
Her nametag said “Phyllis.”
I said, “I’m a bit lost.
Can you tell me how to get back?”
“Just follow the path,” she said.
“You’ll get there sooner or later.”
Her face was a balaclava
Of deer hide. “Thank you,” I said.
I walked the nature path
Even through the darkness.
I could sense the centaurides
Following me, always out of range
Of sight, but I could hear them
Murmuring and coughing.
Finally, I saw the first streetlamp
Of town, beckoning like a cold
Planet. I waited
As the California Zephyr,
Extremely late, rushed
Though the crossing,
And then I could see
My house, the porchlight lit,
Which meant my people
Were waiting.

ii.
The lovely blood-drawing nurse
Was small, like a black-maned
Miniature horse, but human,
Ballerina in black slacks, friendly
But with teary eyes as if 
Her fellow nurses had been
Teasing her and she was carrying
Her heart like a punching bag
Inside. My right arm vein
Would not give her a full
Second vial, and I apologized.
“I don’t mean to be so stingy.”
Small as she was, I could sense
She was the mother of a school child,
Her pride and joy, for whom
She worked: specialist milking veins
Of flabby white seniors like myself,
And others, whose blood
Would unravel the mysteries
Of a sick and sorry earth.

The Importance of Arts, Culture, The Creative Process, and how this project resonates with you:
The world should be ruled by compassion and not greed, and a benevolent monarch seated in a palace of art packed to the vents with great paintings, great music, great books, and great mentors teaching classes for everyone. Every workplace will allow 1 and 1/2 hours daily, paid, for each worker to focus on the creation of art. The air will then sing with freedom and delight. I draw upon my dreams, those that I can remember upon awaking. It is lucky to encounter centaurs in your dreams, I understand. It is even luckier if they allow you to speak to them. All forests. All animals. Breathable air. Fresh water. I hope all these continue to exist for the next generation.

Rustin Larson’s poetry has appeared in The New Yorker, The Iowa Review, North American Review, Poetry East, and The American Entomologist Poet's Guide to the Orders of Insects. He is the author of The Wine-Dark House (Blue Light Press, 2009) and Crazy Star (selected for the Loess Hills Book’s Poetry Series in 2005) and Bum Cantos, Winter Jazz, & The Collected Discography of Morning, winner of the 2013 Blue Light Book Award (Blue Light Press, San Francisco).