By Jaki Shelton Green

I am the delicate ventriloquist

the mammy museum is closed 

to unworthy memorials

of diseased constitutions

does the stench of my death force you away

does my poetry inside your mouth taste like the last supper

does the swallowed. stolen key. rust in your mouth. like a nameless tornado

I am the delicate ventriloquist

unmasked mammy

crawling. nailing pennies in every corner

counting crows living inside hearts

become carcass of dead bird sassy womanchild 

become sharp finger knife spared from hand of the mother

become bed for God (desses). who live here too 

I am the delicate ventriloquist 

firewalker. sunday sunrise. praise legs by night.

four women in the vineyard of nina simone. 

strung across map. bloody trees. talking ropes. 

damsel. vixen. lady. grand dame

weaver of hair. teeth. bones. snake whisperer.

dancing winds. blow museum doors wide open. mammies rejoice.

I am the delicate ventriloquist

faces of mothers appear in the moon. tonight. every night.

dark bruised puffy eyes. small circles where mouths used to be.

who stop to clear the bones from the path to the top of the mountain.

too many tongues hold back storm waters. lasso a crumbling last supper. crystal cups betray the wine. stain the mammy wail. skin becomes memory. measured skin. skin as clock. skin as rock. skin as nest. skin as third eye. skin as river rising. skin as fresh fish. unbridled portal. slippery currency. skin as border. burden. tree. swamp. brown bags. radio. gun. razor. planet. recreation. benediction. prayer. skin as flag. museum. playground. belt. purse. curse. diamond. skin as rust. torn lace. crossroad. fractured smile. light. gate. ground. skin as sky. sound. waste. thimble of joy. allergic reaction. flying carpet. cloud burst. prison. parachute. unreasonable doubt. confetti. confederate money. harriet tubman’s clock.

I am the delicate ventriloquist

the mammy museum is closed. the mammy museum is closed. the mammy museum is closed. skin as flapping curtain. noose as necklace. gunpowder as food. 

 

The Importance of Arts, Culture, The Creative Process, and how this project resonates with you:
I strongly believe that creativity is medicine. I've witnessed the transformative power of the literary arts and humanities stretching beyond mere aesthetics, fostering community connections that create powerful bridges of engagement where we all gather and stand in our differences and "otherness" exploring and celebrating our unique perspectives, ideas, and expressions that tie us to each other in our humaness. Compassionate literary citizenship enriches the cultural and social fabric of our communities that build meaningful relationships and a sense of belonging that strengthens the possibilities for reaching beyond real and artificial boundaries.

What was the inspiration for your creative work?
My poem was written as a response to this quote by Malcolm X, "The most disrespected person in America is the Black woman. The most unprotected person in America is the Black Woman. The most neglected person in America is the Black women."

Tell us something about the natural world that you love and don’t wish to lose. What are your thoughts on the kind of world we are leaving for the next generation?
As a Black child growing up in the rural, segregated South, I was blessed, loved, and nurtured by a family and community that lived in respectful communion with the natural world. My grandmother taught me how to identify the medicinal herbs, roots, and branches that provided healing properties for the ointments and tonics she created. She taught me that the woods were a cathedral of holiness. I learned early on how to ask permission of the plants before we picked them from our gardens, permission of the streams and fish that fed us, permission of the sacrifice of chickens, pigs, deer, and cattle that fed us as well. The meadows were my secret spaces deep in the woods beyond creeks, wild strawberries, and wild blackberries. I'd go to the meadows as a child and listen to the trees, the small animals, and the ground itself whispering in communion. Those meadows and forests of my childhood are all gone... replaced by development but I am able to still find protected woodlands and riverbanks unscathed. I will teach my children's children everything that my grandmother taught me about having a soulful relationship with the earth. I don't ever want to lose my ability to hear the ground speaking through my feet or lose the ability to translate the language of thunder. I will teach my children's children as my grandmother taught me to walk gently on the path understanding that "what we keep keeps us". We are leaving an injured and tired world for the generations to come but I am hopeful. We must leave instructions for how to help her heal and not leave her helpless.

Photo credit: Samantha Thornhill

Jaki Shelton Green, ninth Poet Laureate of North Carolina, is a 2019 Academy of American Poet Laureate Fellow, 2014 NC Literary Hall of Fame inductee, 2009 NC Piedmont Laureate, and 2003 recipient of the NC Award for Literature. She is the author of ten publications, vinyl and CD recordings, and poetry editor for WALTER Magazine.